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Fujifilm X-T1

APS-C AF digital mirrorless camera

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Specification

Production details:
Announced:January 2014
System:● Fujifilm X (2012)
Imaging plane:
Maximum format:APS-C
Mount and Flange focal distance:Fujifilm X [17.7mm]
Imaging plane:23.6 × 15.6mm X-Trans CMOS II sensor
Resolution:4896 × 3264 - 16 MP
Shutter:
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure:
Exposure metering:Through-the-lens (TTL), open-aperture
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics:
Weight:440g
Dimensions:129x89.8x46.7mm

Manufacturer description

Valhalla, N.Y., January 27, 2014 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM X-T1, a weather-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF) that delivers a near-instant image preview, the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor and the segment’s fastest autofocus of 0.08 seconds*1 for a truly remarkable photographic experience anywhere.

The FUJIFILM X-T1 now gives professional and enthusiast photographers the award-winning imaging power of the X-Series in a water, dust and temperature resistant body that braves outdoor challenges like never before.

OLED viewfinder perfection

The FUJIFILM X-T1 combines a unique wide-angle 2.36m dot resolution OLED view with the world’s highest magnification (0.77x) for a digital camera *2 and shortest display lag-time of just 0.005sec*3 to react as quickly as you need in any environment.

The OLED viewfinder also includes cutting-edge technology to bring users even closer to their subjects. The X-T1’s viewfinder uses a newly designed Graphic User Interface that provides an exciting shooting experience with clear details and a comfortable at-a-glance view of your settings.

The X-T1 has four OLED EVF Display Modes:

  • "FULL" mode takes full advantage of the high magnification ratio of the X-T1's viewfinder to give an unrivalled view of the scene
  • "NORMAL" provides an optimum view, including shooting settings
  • "DUAL" is specially designed for manual focusing with a clever split view. The regular view and manual focus area can be simultaneously checked (with Digital Split ImageTM or Focus Peak Highlight)*4
  • “PORTRAIT” view in “NORMAL" and “FULL” modes automatically rotates the displayed information when the camera is held vertically

Award-winning 16.3 Megapixel APS-C X-Trans CMOS II sensor and EXR Processor II

The FUJIFILM X-T1 uses the award-wining EXR Processor II and X-Trans™ CMOS II sensor with built in phase detection that delivers an astonishing response time of just 0.08 seconds and a super-fast 0.5 second start-up time*5, along with a 0.05 second shutter time lag and a 0.5 second shooting interval*6.

The X-T1 can also shoot up to 8 frames per second*7 with tracking AF and is the first-ever CSC*8 to be compatible with SDXC UHS-II format memory cards for data writing speed (in Continuous Mode) that is approximately twice that of a conventional SD card.

Tough, weather-resistant design

The FUJIFILM X-T1 is the first weather-resistant X-Series CSC (when used with a weather-resistant lens) that performs in a wide range of challenging environments. The X-T1 uses more than 75 points of weather sealing, and the camera body is dust-resistant and water-resistant. The X-T1 is also freezeproof to -14°F for full-fledged field photography work, while the premium clear 3” LCD screen with 1.04 million dot resolution is made of tempered glass for additional outdoor protection.

Traditional handling, modern response

With five mechanical dials on the top-plate, two command dials; one on the front and one on the rear, and six fully customizable function buttons, the FUJIFILM X-T1 feels and functions like a proper photographic tool in the hand. The top-plate includes two machined-aluminum double-deck dials for the shutter speed and metering, and the ISO sensitivity and drive modes, and each is designed to turn with a reassuring click, while their textured surfaces gives a firm confirmation when setting up a shot.

With their exposure values clearly marked, the X-T1’s settings can be checked at a glance without using the rear LCD and the dials are perfectly arranged so that functions can be changed without removing your eye from the viewfinder. The six customizable function buttons and two command-dials arranged on the front and rear complete the picture, ensuring instant setting satisfaction.

WiFi and remote camera operation

The X-T1 one-touch WiFi connectivity lets you easily share images to your smartphone or tablet – pictures that these devices cannot capture - and remote shooting via smartphone or tablet using the Fujifilm Camera Remote app for unique capture opportunities.

Additional grip and weather resistant lenses

The optional vertical battery grip (VG-XT1) has the same hardy structure as the X-T1, so when added to the body, it is completely secured against the elements.

Fujifilm is launching three weather-resistant zoom lenses to complement the X-T1 camera in 2014, including the XF18-135mmF3.5-5.6 R OIS WR, XF16-55mmF2.8 R OIS WR and the XF50-140mmF2.8 R OIS WR.

FUJIFILM X-T1 key features list:

  • 16.3 million Megapixels APS-C X-Trans CMOS II Sensor
  • Dust and water-resistant body with more than 75 points of weather sealing. Freeze resistance to -14°F
  • EXR Processor II
  • World’s fastest AF of 0.08 seconds
  • Startup time of 0.5 seconds
  • Shutter time lag of 0.05 seconds
  • Shooting interval of 0.5 seconds
  • Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second
  • High-precision 2.36 million dot OLED viewfinder
  • Highest viewfinder magnification for digital cameras of 0.77x
  • Wide viewing angle (diagonal 38° and horizontal 31°)
  • Ultra-fast Real Time Viewfinder with a lag-time of 0.005sec (less than 1/10 of existing models)
  • Four different display modes: Full, Normal, Dual and Vertical.
  • Full mode: Displays shooting information at the top and bottom of the screen to avoid obstruction of the view
  • Dual mode: Adds a small second screen for checking focus point with Focus Peak Highlight or Digital Split Image
  • Normal mode: Lets you concentrate on framing the shot in Auto Focus mode while keeping you aware of how the shooting conditions are changing, making it the perfect setting for sports and action photography
  • Portrait mode: When in Full or Normal modes, it rotates the shooting information interface when the camera is turned vertically
  • Tempered glass 1.04 million dot high-precision 3” tilting LCD monitor
  • Digital Split Image and Focus Highlight Peaking
  • World’s first compatibility with Ultra High Speed UHS-II SD memory cards
  • Vertical battery grip VG-XT1 and three new zoom lenses offer the same weather resistance to secure the entire system
  • Redesigned circuit board design enables high ISO 51200 setting*9
  • ISO200 - 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available)
  • Lens Modulation Optimizer technology maximizes each lens’ performance
  • In-camera RAW converter
  • Die-cast magnesium body provides a sturdy and durable, while compact and lightweight design
  • Body and grip designed for correct balance when attaching telephoto and large-diameter lenses
  • Two command dials and six Function buttons for instant control and customization
  • Interval timer shooting for Time Lapse photography is available with intervals of 1 second to 24 hours and up to 999 frames
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Fujifilm X system cameras
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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.