Nikon D3300

APS-C AF digital SLR camera

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Specification

Production details:
Announced:January 2014
System: Nikon F APS-C (1999)
Imaging plane:
Maximum format:APS-C
Mount and Flange focal distance:Nikon F [46.5mm]
Imaging plane:23.5 × 15.6mm CMOS sensor
Resolution:6000 × 4000 - 24 MP
Shutter:
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure:
Exposure metering:Through-the-lens (TTL), open-aperture
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics:
Weight:460g
Dimensions:124x98x75.5mm

Manufacturer description

MELVILLE, NY (January 6, 2014) - Today, Nikon announced the Nikon D3300HD-SLR for those ready to take their photography to the next level. Complete with a 24.2-megapixel DX-format CMOS sensor1 and EXPEED 4 image processor, the D3300 is capable of capturing stunning images and Full HD video with ease. Also featuring an enhanced Guide Mode for those discovering the joy of photography, optional Wi-Fi® connectivity, in-camera effects that operate in real-time and kitted with the new compact AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II lens, the Nikon D3300 is ready to help capture and preserve every precious memory. For FX-format photographers, Nikon has also announced an addition to its lineup of f/1.8 prime lenses, the AF-S NIKKOR 35mm f/1.8G. At the popular and versatile 35mm focal length, the new 35mm f/1.8 provides stellar image quality and low-light performance whether shooting landscapes, portraits or travel photos.

“With the new 24.2-megapixel Nikon D3300 and compact 18-55mm f/3.5-5.6G VR II lens, capturing family vacations, dance recitals or the game-winning goal with clarity and brilliant image quality is effortless,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “As the latest addition to the extensive NIKKOR lens line-up, the new AF-S NIKKOR 35mm f/1.8G lens reinforces Nikon’s commitment to providing versatile prime lens options to photographers of all levels.”

Preserve Precious Memories with Incredible Quality

Life is full of memorable moments that are meant to be captured with supreme quality and rich detail. The Nikon D3300 features a high-resolution 24.2-megapixel CMOS sensor to help ensure amazing image quality, even in challenging low-light shooting scenarios. The high resolution affords photographers the ability to capture crisp details or crop images with confidence. For increased image fidelity, the sensor has no optical low pass filter (OLPF), boosting resolution and image sharpness to the maximum, while the addition of a new EXPEED 4 image processor helps render true colors and precise detail in every image. EXPEED 4 also offers improved image quality at high ISOs, enhanced auto white balance performance, faster processing speeds and improved battery efficiency. Whether shooting candids of the kids or a weekend getaway at the beach, the Nikon D3300 is ready to deliver beautiful stills and stunning HD video.

The Nikon D3300 is packed with high performance features that make shooting easy and enjoyable, even in difficult shooting situations such as fast action sports and low-light scenes. A wide 100-12,800 (expandable up to 25,600) ISO range helps ensure top-quality photos and video in challenging light while an 11-point Autofocus System is ready to capture fleeting moments while easily keeping pace with even the most active toddler. Nikon’s newest HD-SLR is also capable of high-speed continuous shooting at up to 5 frames-per-second (fps), great for the fast-moving action of a soccer game or dance recital.

Create, Share, Enjoy

Brimming with fun features, the Nikon D3300 is ready to help create and share incredible stories through beautiful images and HD video. With the help of the optional WU-1a Wireless Mobile Adapter2, users can take advantage of Wi-Fi connectivity for instant uploading of images and videos to a smart device for easy sharing through social networks. Users can also remotely control the D3300 using their smart device as a remote “Live View” monitor. Releasing the shutter from a smart device will help make sure no one is left out of the next family photo.

The Nikon D3300 is ready to help each user realize their creative vision with 13 In-Camera Effects and four new effects modes, including Photo Illustration, Super Vivid and Pop. The D3300 is also the first Nikon HD-SLR equipped with the fourth new effects mode, Easy Panorama Mode, enabling the capture of beautiful landscapes and stunning scenic views with ease. When the story is better told with HD video, Nikon’s newest HD-SLR is ready at a moment’s notice to help users create glorious Full 1080p HD video with vivid color and sharp details, up to 60p. Capturing gorgeous HD video is easy with the Nikon D3300 with the assistance of Full-time AF (autofocus) to help keep elusive subjects in focus, and a one-touch recording button so not to miss any moment.

For those new to the benefits of D-SLR photography, Nikon has expanded upon its acclaimed Guide Mode to help users learn and explore new ways to capture great photos and HD video. Guide Mode teaches the basic functions of the camera, but also works to help the user become a better, more knowledgable photographer. When using this mode, users have access to four options: Shoot photos using example images, View/Delete, Setup and Retouch their images in-camera, making it easy for beginners to immediately take their photos to the next level.

Capture On-The-Go

The extremely lightweight and versatile D3300 is the perfect companion for a fast moving, always on the go lifestyle. The camera features a conveniently compact body (4.9” x 3.8” x 2.9”), and is ergonomically designed for a comfortable hold that is easy to take anywhere. Additionally, the camera body is constructed with carbon fiber for lightweight durability. The D3300 is also equipped with an optical viewfinder that helps frame the perfect shot in any lighting condition, whether capturing the school play or a high school graduation.

Similar cameras (4)

APS-C • Auto focus • Digital • Singe-lens reflex • Nikon F mount

Model Shutter Metering Modes Year
Fujifilm FinePix S1 Pro E, 1/2000 TTL • OA PASM 2000
Fujifilm FinePix S2 Pro E, 1/4000 TTL • OA PASM 2002
Fujifilm FinePix S3 Pro E, 1/4000 TTL • OA PASM 2004
Fujifilm FinePix S5 Pro E, 1/8000 TTL • OA PASM 2006
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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.