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Nikon D3000

APS-C AF digital SLR camera

Specification

■ Production details
Announced:July 2009
System:● Nikon F APS-C (1999)
■ Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Nikon F [46.5mm]
Imaging plane:23.6 × 15.8mm CCD sensor
Resolution:3872 × 2592 - 10 MP
■ Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
■ Exposure
Exposure metering:Through-the-lens (TTL), open-aperture
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
■ Physical characteristics
Weight:485g
Dimensions:126x97x64mm

Manufacturer description

Amsterdam, the Netherlands, 30th July 2009 – Nikon announces the simplest, most accessible DSLR to date, the D3000.

Jordi Brinkman, Product Manager for Nikon Europe says: “The D3000 dispels the view that DSLR cameras are complicated and makes taking great pictures simpler than ever before. You can really concentrate on having fun with photography and the Guide mode helps you to get the best results with the minimum of fuss.”

DSLR, pure and simple

The D3000 is designed for anyone who wants to take pictures without worrying about settings. You can select from a choice of subject parameters and the camera will do the rest, and the instant response time means you never miss a moment. The 11-point autofocus system ensures everyone is in focus, and the bright viewfinder means you get what you want, when you want it.

Great pictures, automatically

The 10.2 megapixel sensor, powerful EXPEED processing system and brilliant NIKKOR lenses ensure excellent pictures wherever you are, whatever you or your subject is doing. The comprehensive exposure metering system, ISO 1600 sensitivity and built-in pop up flash make light work of dark places.

Guide the way

For the DSLR first timer, the intelligent Guide mode helps you get the most from the potential DSLR photography offers. It simplifies the camera set up and shows you how to get better pictures. If you want to develop your picture taking, you can. If you want to concentrate on the subject, you can do that too. Either way, the D3000 does it effortlessly and automatically.

3-inch LCD screen

The 3-inch LCD screen means you can share your efforts with family and friends and makes retouching your pictures in camera great fun. Beyond the Guide mode, the GUI menus are larger and simpler to use thanks to extensive use of visuals instead of text. The wide variety of exciting in-camera processing effects means you can get really creative with your pictures and share them with friends and family.

Anytime and anywhere

Whatever you do, wherever you go, the D3000 is a must have for any family event or day out. The camera’s comprehensive technologies and tough exterior are ready to handle whatever your free time can throw at it. The exclusive dust reduction system with Airflow control minimises the impact of dust on the image sensor and its compact size and weight – and tough housing – on both body and lens make the D3000 impossible to leave behind.

Key features:

  • 10.2megapixel CCD sensor. Even in low light the image resolution makes easy work of big prints and sharp enlargements.
  • 11-point autofocus system. Keeps even the fastest moving subjects in focus, often the biggest challenge for compact cameras
  • Fast response. The start up time and shutter lag means you can capture the shot almost instantly, without the delayed response time common of compact cameras
  • Guide mode. Simply the easiest way to get great pictures, without having to read the manual
  • 3-inch TFT. With pictures this good, you will need a great screen to share them with friends and family
  • EXPEED image processing. Exclusive system to deliver rich, bright results close to what you saw with your own eyes
  • Picture Controls. Lets you set the look and mood of your images before you shoot
  • 3 fps continuous shooting allows you to capture fast-moving action at 3 frames per second
  • Intuitive ergonomics. We challenge anyone to pick up a D3000 and it not to feel part of your hand
  • Stylish discrete appearance. The D3000 does not become a barrier between you and your subject, resulting in natural looking expressions
  • Compact, light and durable. It won’t fit in your pocket, but with pictures this good you will find a shoulder to hang it on

New Guide mode

In-camera guidance is provided by the new Guide mode, which employs an easy-to-use interface that makes it easy for first-time users to select shooting modes. Additionally, after selecting an item in Guide mode, camera settings can be further adjusted in order to obtain optimal results.

Nikon DX-format CCD sensor; 10.2 effective megapixels

At 10.2 effective megapixels, the D3000 produces high-resolution images that enable beautiful enlargements without loss of sharpness. Normal ISO sensitivity is ISO 100 to 1600 but for added shooting versatility, a Hi 1 setting increases sensitivity to ISO 3200.

EXPEED image processing system

The D3000 is equipped with Nikon’s EXPEED image processing system. EXPEED realises excellent resolution, long tonal scale, and superb colour while also making possible fast processing of the D3000’s advanced imaging functions such as Scene Recognition and Active D-Lighting.

Scene Recognition System

This feature improves accuracy for exposure, white balance, and autofocus by analysing colour and illumination over the entire scene milliseconds prior to shooting. It then adjusts the camera settings accordingly for optimal picture quality.

Active D-Lighting

The D3000 incorporates Nikon’s Active D-Lighting function which can vastly improve shadows and highlights of high-contrast scenes. Like the Scene Recognition System, Active D-Lighting utilises the 420-pixel RGB sensor to analyse a scene then adjust exposure to achieve images that closely resemble what the human eye sees. During processing, this function also restores details in the highlight and shadow areas of the image that may have been lost.

11-point AF system with Multi-CAM 1000 autofocus sensor module

Employing 11-point autofocus, driven by Nikon’s Multi-CAM 1000 autofocus sensor module, the D3000 delivers fast, precise focus over a wide area of the frame. Four versatile AF modes are available: single-point AF for stationary subjects, especially ones that are off-centre; dynamic-area AF for moving subjects; auto-area AF when you want the D3000 to automatically determine the proper focus method; and 3D-tracking (11 points) AF for maintaining focus on subjects even if the composition changes.

3.0-in. LCD monitor

Image playback and viewing menus is now easier than ever thanks to the 3.0-in., 230k-dot TFT LCD monitor. Text size is also 20% larger than on previous Nikon digital SLR cameras.

Picture Control System

The Picture Control System gives users the ability to customise key digital image capture characteristics to suit personal preferences.Six settings are available: Standard, Neutral, Vivid, Monochrome, Portrait, and Landscape.

In-camera photo editing

After shooting, the D3000’s photo editing functions allow for in-camera retouching, reducing the need for a computer to enhance or modify images. The D3000 introduces a new Miniature effect under its Retouch Menu that modifies images to look like pictures of miniature models. Each editing function is applied to a copy of the image, with the original left unmodified.

Nikon Integrated Dust Reduction System

Dust reduction is handled by the Nikon Integrated Dust Reduction System. This is a comprehensive solution that reduces the generation and accumulation of dust as well as measures to remove dust. A key element of the solution is the Airflow Control System, which directs dust away from the image sensor. The system also includes an image sensor cleaning function that activates automatically when the D3000 is powered on or off. This vibrates the low-pass filter (located in front of the sensor) to free it from dust.

Superb NIKKOR lenses

The D3000 opens up a wide range of possibilities for creative shooting thanks to full compatibility with the extensive lineup of NIKKOR AF-S and AF-I lenses. From ultra wide-angle and micro to super telephoto, NIKKOR lenses give users the means to explore their creativity to the fullest.

Nikon D3000 Other Features

  • Extensive playback options that allow viewing of images one at a time or in batches of 4, 9, and 72 as well as Calendar view that organises images by shooting date and time. A histogram display is also available that shows exposure data for a magnified area of the image.
  • Highly durable shutter unit tested to 100,000 cycles.
  • Long-lasting Rechargeable Li-ion Battery EN-EL9a that provides up to 550 shots per charge. (CIPA standard, with AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR and flash fired at full power once every other shot.)
  • Built-in flash with a guide number of approx. 12/39 (ISO 100, m/ft., 20°C/68°F) and support for Nikon’s i-TTL flash control.
  • Support for the Nikon Creative Lighting System when using SB-900, SB-600, or SB-400 Speedlights, or the SU-800 Wireless Speedlight Commander.
  • Compatible with all NIKKOR AF-S and AF-I lenses that have an autofocus motor.
  • Compatible with the optional Wireless Remote Control ML-L3. There are two shutter release modes available when using the control: Quick Response mode for immediate triggering of the shutter release and Delayed Remote mode, which delays triggering for two seconds.
  • Viewfinder grid lines that aid in picture composition.
  • Compatible with SD and SDHC memory cards
  • Includes Nikon ViewNX image browsing and editing software, which lets you organize, label, and select images as well as perform NEF (RAW) image editing adjustments and conversions.
  • Photos captured with the D3000 can be used with optional Nikon Capture NX 2 photo-editing software, which features patented U Point® technology and powerful tools for quick and easy photo editing, including enhanced NEF (RAW) Editing.

Similar cameras (4)

APS-C • Auto focus • Digital • Singe-lens reflex • Nikon F mount

Model Shutter Metering Modes Year
Fujifilm FinePix S1 Pro E, 1/2000 TTL • OA PASM 2000
Fujifilm FinePix S2 Pro E, 1/4000 TTL • OA PASM 2002
Fujifilm FinePix S3 Pro E, 1/4000 TTL • OA PASM 2004
Fujifilm FinePix S5 Pro E, 1/8000 TTL • OA PASM 2006
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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.