Nikon PC-E Micro Nikkor 45mm F/2.8D ED

Shift lens • Digital era

PC Perspective control lens.
E The lens incorporates an electromagnetic diaphragm mechanism.
MICRO Macro lens. Designed specially for shooting close-ups of small subjects but can be also used in other genres of photography, not necessarily requiring focusing at close distances.
D The lens relays subject-to-camera distance information to the camera.
ED The lens incorporates low dispersion elements.

Nikon F

35mm MF film SLR camera

Announced:April 1959
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:No

Nikkormat FS

35mm MF film SLR camera

Announced:1965
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:No
Dimensions:146x95x33mm
Weight:715g

Nikkormat FT

35mm MF film SLR camera

Announced:1965
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:146x95x33mm
Weight:745g

Nikkormat FTN

35mm MF film SLR camera

Announced:1967
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:148x95x54mm
Weight:765g

Nikon F2

35mm MF film SLR camera

Announced:November 1971
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:10 - 1/2000 + B
Exposure metering:No
Dimensions:152.5x98x65mm
Weight:730g

Nikkormat EL

35mm MF film SLR camera

Announced:1972
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:4 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:145x93.5x54.5mm
Weight:780g

Nikkormat FT2

35mm MF film SLR camera

Announced:1975
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:148x96x54mm
Weight:780g

Nikkormat ELW

35mm MF film SLR camera

Announced:1976
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:4 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:145x93.5x54.5mm
Weight:790g

Nikkormat FT3

35mm MF film SLR camera

Announced:1977
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:148x96x54mm
Weight:750g

Nikon EL2

35mm MF film SLR camera

Announced:1977
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:145x93.5x54.5mm
Weight:780g

Nikon FM

35mm MF film SLR camera

Announced:1977
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:142x89.5x60.5mm
Weight:590g

Nikon FE

35mm MF film SLR camera

Announced:1978
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:142x89.5x57.5mm
Weight:590g

Nikon EM

35mm MF film SLR camera

Announced:1979
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Dimensions:135x86x54mm
Weight:460g

Nikon F3

35mm MF film SLR camera

Announced:1980
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:148.5x96.5x65.5mm
Weight:700g

Nikon FG

35mm MF film SLR camera

Announced:1982
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Manual
Dimensions:136x87.5x54mm
Weight:490g

Nikon FM2

35mm MF film SLR camera

Announced:1982
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:142.5x90x60mm
Weight:540g

Nikon FA

35mm MF film SLR camera

Announced:1983
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:142.5x92x64.5mm
Weight:625g

Nikon FE2

35mm MF film SLR camera

Announced:1983
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:142.5x90x57.5mm
Weight:550g

Nikon FG-20

35mm MF film SLR camera

Announced:1984
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:136x88x54mm
Weight:440g

Nikon N2000

35mm MF film SLR camera

Also known as:Nikon F-301
Announced:1985
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Manual
Dimensions:148.5x97.5x54.5mm
Weight:570g

Nikon N2020

35mm AF film SLR camera

Also known as:Nikon F-501
Announced:1986
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Manual
Dimensions:148.5x97.5x54.5mm
Weight:610g

Nikon N4004

35mm AF film SLR camera

Also known as:Nikon F-401
Announced:1987
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x102x65.5mm
Weight:645g

Nikon F4

35mm AF film SLR camera

Announced:1988
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:168.5x117.5x76.5mm
Weight:1090g

Nikon N8008

35mm AF film SLR camera

Also known as:Nikon F-801
Announced:1988
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:153.6x102.5x67.5mm
Weight:695g

Nikon N4004S

35mm AF film SLR camera

Also known as:Nikon F-401S
Announced:1989
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x102x65.5mm
Weight:650g

Nikon N6000

35mm MF film SLR camera

Also known as:Nikon F-601M
Announced:1990
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154.5x96x65mm
Weight:565g

Nikon N6006

35mm AF film SLR camera

Also known as:Nikon F-601
Announced:1990
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154.5x100x66.5mm
Weight:650g

Nikon N5005

35mm AF film SLR camera

Also known as:Nikon F-401X
Announced:1991
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x102x65mm
Weight:647g

Nikon N8008S

35mm AF film SLR camera

Also known as:Nikon F-801S
Announced:1991
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x103x67mm
Weight:695g

Nikon N90

35mm AF film SLR camera

Also known as:Nikon F90
Announced:1992
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x106x69mm
Weight:755g

Nikon N50

35mm AF film SLR camera

Also known as:Nikon F50
Announced:1994
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:149x96x70mm
Weight:580g

Nikon N70

35mm AF film SLR camera

Also known as:Nikon F70
Announced:1994
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:151x103x70mm
Weight:585g

Nikon N90S

35mm AF film SLR camera

Also known as:Nikon F90X
Announced:1994
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:154x106x69mm
Weight:755g

Nikon FM10

35mm MF film SLR camera

Announced:1995
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:139x86x53mm
Weight:420g

Nikon F5

35mm AF film SLR camera

Announced:1996
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:158x149x79mm
Weight:1210g

Nikon FE10

35mm MF film SLR camera

Announced:1996
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:139x86x53mm
Weight:400g

Nikon F100

35mm AF film SLR camera

Announced:1999
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:155x113x66mm
Weight:785g

Nikon N60

35mm AF film SLR camera

Also known as:Nikon F60
Announced:1999
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:148.5x96x69mm
Weight:575g

Nikon N65

35mm AF film SLR camera

Also known as:Nikon F65
Announced:2000
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:139.5x92.5x65.5mm
Weight:395g

Nikon N80

35mm AF film SLR camera

Also known as:Nikon F80
Announced:2000
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:141.5x98.5x71mm
Weight:515g

Nikon FM3A

35mm MF film SLR camera

Announced:2001
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:8 - 1/4000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:142.5x90x58mm
Weight:570g

Nikon N55

35mm AF film SLR camera

Also known as:Nikon F55
Announced:2002
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:129x92x65mm
Weight:350g

Nikon N75

35mm AF film SLR camera

Also known as:Nikon F75
Announced:2003
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:131x92.5x65mm
Weight:380g

Nikon F6

35mm AF film SLR camera

Announced:2004
Mount:Nikon F
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:30 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:157x119x78.5mm
Weight:975g

Nikon D3

35mm AF digital SLR camera

Announced:August 2007
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4256 × 2832 - 12 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D700

35mm AF digital SLR camera

Announced:July 2008
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4256 × 2832 - 12 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D3X

35mm AF digital SLR camera

Announced:December 2008
Mount:Nikon F
Format:35.9 × 24mm
Resolution:6048 × 4032 - 24 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D3s

35mm AF digital SLR camera

Announced:October 2009
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4256 × 2832 - 12 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D4

35mm AF digital SLR camera

Announced:January 2012
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4928 × 3280 - 16 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D800

35mm AF digital SLR camera

Announced:February 2012
Mount:Nikon F
Format:35.9 × 24mm
Resolution:7360 × 4912 - 36 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D800E

35mm AF digital SLR camera

Announced:February 2012
Mount:Nikon F
Format:35.9 × 24mm
Resolution:7360 × 4912 - 36 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D600

35mm AF digital SLR camera

Announced:September 2012
Mount:Nikon F
Format:35.9 × 24mm
Resolution:6016 × 4016 - 24 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D610

35mm AF digital SLR camera

Announced:October 2013
Mount:Nikon F
Format:35.9 × 24mm
Resolution:6016 × 4016 - 24 MP
Sensor type:CMOS
Image stabilizer:-

Nikon Df

35mm AF digital SLR camera

Announced:November 2013
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4928 × 3280 - 16 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D4s

35mm AF digital SLR camera

Announced:February 2014
Mount:Nikon F
Format:36 × 23.9mm
Resolution:4928 × 3280 - 16 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D810

35mm AF digital SLR camera

Announced:June 2014
Mount:Nikon F
Format:35.9 × 24mm
Resolution:7360 × 4912 - 36 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D750

35mm AF digital SLR camera

Announced:September 2014
Mount:Nikon F
Format:35.9 × 24mm
Resolution:6016 × 4016 - 24 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D810A

35mm AF digital SLR camera

Announced:February 2015
Mount:Nikon F
Format:35.9 × 24mm
Resolution:7360 × 4912 - 36 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D5

35mm AF digital SLR camera

Announced:January 2016
Mount:Nikon F
Format:35.9 × 23.9mm
Resolution:5588 × 3712 - 21 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D850

35mm AF digital SLR camera

Announced:August 2017
Mount:Nikon F
Format:35.9 × 23.9mm
Resolution:8256 × 5504 - 45 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D780

35mm AF digital SLR camera

Announced:January 2020
Mount:Nikon F
Format:35.9 × 23.9mm
Resolution:6048 × 4024 - 24 MP
Sensor type:CMOS
Image stabilizer:-

Nikon D6

35mm AF digital SLR camera

Announced:February 2020
Mount:Nikon F
Format:35.9 × 23.9mm
Resolution:5568 × 3712 - 21 MP
Sensor type:CMOS
Image stabilizer:-

Designed for

Click to expand or collapse section(s)

Features highlight

Shift -11.5..0..+11.5 mm
Tilt -8.5..0..+8.5°
Lens rotation
Fast
1 ED
CRC
Auto
9 blades
MF
Macro 1:2
WR mount

Specification

Production details
Announced:July 2008
Production status:In production
Production type:Mass production
Original name:Nikon PC-E Micro NIKKOR 45mm 1:2.8D ED
Optical design
Focal length:45mm
Speed:F/2.8
Maximum format:35mm full frame
Mount:Nikon F
Flange focal distance:46.5mm
Diagonal angle of view:51.3° (35mm full frame)
34.9° (Nikon F APS-C)
Lens construction:9 elements - 8 groups
1 ED
Close Range Correction (CRC)
Diaphragm mechanism
Diaphragm type:Automatic
Number of blades:9
Focusing
Closest focusing distance:0.253m
Maximum magnification ratio:1:2 at the closest focusing distance
Focusing method:<No information>
Focusing modes:Manual focus only
Manual focus control:Focusing ring
Tilt and Shift mechanism
Shift range:-11.5..0..+11.5mm
Tilt range:-8.5..0..+8.5°
Lens rotation:Yes
Tilt/Shift rotation:-
Physical characteristics
Weight:740g
Maximum diameter x Length:⌀82.5×112mm
Weather sealing:Water-resistant mount
Fluorine coating:-
Accessories
Filters:Screw-type 77mm
Lens hood:Bayonet-type HB-43 (round)

Manufacturer description

July 1, 2008

NIKON FURTHER EXTENDS THE NIKKOR PERSPECTIVE CONTROL LENS SELECTION WITH THE INTRODUCTION OF TWO NEW PC-E MICRO LENSES

MELVILLE, N.Y. – Nikon, Inc. today introduced the new PC-E Micro NIKKOR 45mm f/2.8D ED and PC-E Micro NIKKOR 85mm f/2.8D lenses, expanding a series of lenses that allow photographers to effectively correct perspective and/or depth-of-field to push creative boundaries. These new Perspective Control (PC) lenses correct linear distortion in order to better replicate images as seen by the human eye, including straightening the converging lines of rectilinear objects such as buildings, while also introducing welcome command over depth-of-field. Their versatility makes these the perfect lens complement for a myriad of applications, including photographing architecture, nature, interiors and still-life-especially product photography.

"The introduction of the wide-angle 24mm Perspective Control lens answered a demand from photographers. Specific shooting disciplines demand precise image control that only a specialized lens of this design can provide," said Edward Fasano, general manager for marketing, SLR System Products at Nikon, Inc. "We are pleased to now add the 45mm and 85mm Micro PC-E lenses, offering photographers an expanded number of PC focal lengths from which to choose and resolve complex photographic challenges."

When shooting subjects, such as tall buildings with a conventional lens, composition often calls for tilting the axis of a camera. This typically results in a significant distortion of converging lines, impacting the desired visual accuracy of the image. A PC-E NIKKOR lens' "shift" control provides correction for this type of distortion. "Shift" control can also give a photographer the ability to "effectively" move the apparent position of the camera-providing further perspective versatility, allowing, for example, the ability to avoid unwanted reflections in an image.

A PC-E lens' "tilt" control gives photographers additional creative control over depth-of-field. Known as the Scheimpflug principal, tilt-shift lenses are capable of modifying the focal plane of the lens, allowing the extension or limitation of the point of critical sharpness in the image. The combination of "tilt" and "shift" controls featured in all PC-E NIKKOR lenses gives photographers extraordinary control over perspective-control which simply is not possible with conventional lenses.

A special tilt/shift mechanism gives users up to +/- 11.5mm shift for perspective control and +/- 8.5-degree tilt control for creative focus. The Perspective Control lenses correct distortion and vanishing point issues with convenient side-mounted controls at 1mm / 1-degree intervals that will adjust the focal plane with shift and tilt adjustments. The lens optics rotate up to 90 degrees right or left for perspective control adjustment, while a click-stop is provided every 30 degrees. Photographers can confirm the effect of each adjustment accurately through their Nikon SLR viewfinder.

The new PC-E Micro NIKKOR 45mm f/2.8D ED and PC-E Micro NIKKOR 85mm f/2.8D offer a combined standard-to-medium telephoto range coupled with dramatically expansive depth-of-field that is well suited for a variety of tasks and the exploration of new levels of creativity.

All NIKKOR-E lenses incorporate a rounded nine-blade electromagnetic diaphragm that provides auto aperture control when used with Nikon SLRs that feature an electronically controlled aperture, including the D3, D300 and newly announced D700 camera.* This unique feature allows photographers to more easily compose images without the typical darkening of the frame experienced with other lenses of this type.

The PC-E Micro NIKKOR 45mm f/2.8D ED lens continues the NIKKOR legacy of high-quality optics and durable design. It features an Extra-low Dispersion (ED) glass element providing superior sharpness and color fidelity by effectively minimizing chromatic aberration and three aspherical lens elements to minimize various other types of lens aberration. While both lenses offer a 1:2 reproduction ratio, the PC-E Micro 85mm f/2.8 D lens offers a medium-telephoto angle of view and increased camera-to-subject working distance that is preferable in many applications. In addition, both lenses incorporate Nikon's Super Integrated coatings that deliver superior color reproduction, as well as Nikon's exclusive Nano Crystal Coat to virtually eliminate any remaining instances of ghosting and flare.

Together with the recently announced NIKKOR PC-E 24mm f/3.5 ED lens, photographers now have a comprehensive assortment of Perspective Control NIKKORs ranging from wide to medium-telephoto from which to choose.

From the editor

The lens can be tilted up to +/-8.5 degrees and shifted up to +/-11.5mm. The tilt and shift functions can be used singly or in combination. The lens can be rotated through +/-90 degrees with click stops at every 30 degrees to change tilt or shift direction.

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

Professional lens (Top class)

One of the best shift lenses

According to lens-db.com; among lenses designed for the same maximum format and mount.

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Quality control issues

The manufacturer of this lens does not provide adequate quality control. If you do decide to purchase this lens, do not order it online, but choose the best copy available in the store. In any case, there may also be problems with the build quality, and warranty repairs can take months.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

MF

Sorry, no additional information is available.

Shift lenses

Shift lenses are high-quality lenses, usually wide-angle, that provide a parallel shift facility like the sliding lens panel of professional large-format cameras for correcting converging vertical lines and manipulating the perspective especially for use in architectural and product photography.

Whereas normal lenses designed for 35mm full-frame cameras have an image circle diameter of 43.27mm so that all four corners of the image are inside the image circle, shift lenses provide much larger image circle (60mm or even more). Decentration of the lens is possible within this area.

Vertical shift is the most popular: upward when photographing high buildings, and downward for product shots, so that the camera does not have to be tilted. When the camera is tilted either upward or downward, perpendicular lines are not imaged as perpendicular, but rather converge upward or downward, which is very pronounced in wide-angle shots and can be very irritating.

Lens rotation

By using rotation, the direction of the entire lens can be switched.

Tilt/Shift rotation

By using Tilt/Shift rotation, the relationship of the tilt and shift operation directions can be switched from right angle to parallel.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.

High-refraction low-dispersion elements

High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

High Index, High Dispersion elements

High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Anomalous partial dispersion elements

Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Fluorite elements

Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.

According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Floating element system

Provides correction of aberrations and ensures constantly high image quality at the entire range of focusing distances from infinity down to the closest focusing distance. It is particularly effective for the correction of field curvature that tends to occur with large-aperture, wide-angle lenses when shooting at close ranges.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.