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Leica M11

35mm MF digital rangefinder camera

Specification

Production details
Announced:January 2022
Order No.:20200 - black paint
20201 - silver chrome
System: Leica M (1954)
Rangefinder and Viewfinder
Rangefinder:Built-in, combined with viewfinder
Viewfinder:Built-in, combined with rangefinder
Finder magnification:0.73x
Bright-line frames:35mm & 135mm, 28mm & 90mm, 50mm & 75mm
Parallax compensation:Yes
Imaging plane
Maximum format:35mm full frame
Mount and Flange focal distance:Leica M [27.8mm]
Imaging plane:36 × 24mm CMOS sensor
Resolution:9528 × 6328 - 60 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:3600 - 1/6000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Physical characteristics
Weight:530g
Dimensions:139x80x38.5mm
Accessories
Body cap:14195
14397

Manufacturer description #1

The new Leica M11 combines the experience of traditional rangefinder photography with contemporary camera technology, delivering a maximum of flexibility to every photographer. Featuring an exclusive triple resolution sensor, expanded ISO range, dual memory, extended battery life and a streamlined and intuitive menu system, the Leica M11 represents a new benchmark in digital photography and the most flexible M-System camera in Leica’s storied history.

At the heart of the new Leica M11 is a full-frame BSI CMOS sensor with Triple Resolution Technology. Raw image files in DNG format and JPEGs can be recorded at 60, 36 or 18 megapixels, always using the full sensor area. The 60-megapixel option delivers unprecedented image quality and detail resolution, exploiting the full optical potential of Leica’s latest APO Lenses for the M-System – whereas the lower resolutions enable faster camera performance, extended burst lengths, and smaller files.

A special IR + UV cut filter – comprising of two extremely thin, cemented layers of glass – achieve an especially effective correction of even the most oblique rays of incident light. Thanks to a new color filter array, the camera also offers an improved, more natural color reproduction.

While maintaining the iconic look of a traditional Leica M, the carefully optimized design of the Leica M11 is focused on efficiency and ergonomics. The controls have been arranged in a unique layout around the new, 2.3 million pixels, high-resolution touchscreen. The menu structure of the M11 remains consistent with that of the Leica SL2 and Q2, unifying the acclaimed interface for a more user-friendly experience.

The Leica M11 has a sensitivity range of ISO 64 to 50,000; it records a 14-bit color depth and has a dynamic range of up to 15 stops. With its Maestro III processor, the Leica M11 offers a fluid and responsive operation, even at the highest resolution and image quality. With the optional electronic shutter featuring a shutter speed of up to 1/16000 of a second, photographers are empowered to work with wide open apertures, in bright light - without ND filters. The M11 marks the first time multi-field metering in rangefinder mode will be available, affording photographers a valuable tool to curate light.

The black-finish variant of the Leica M11 features a top plate made of high-quality aluminium with an especially scratch-resistant coating, resulting in a body that is approximately 20% (100 grams) lighter than its silver-chrome counterpart. By comparison, the silver-chrome M11 features a classic brass top plate and weighs in at 640 grams.

Unique to the M11 is the deliberate omission of the traditional base plate, offering photographers easy direct access to the battery and SD card. In addition to the SD card slot, the Leica M11 is equipped with a generous internal storage capacity of 64 gigabytes. As a result, the M11 is the first M model to save image files simultaneously onto two different storage media. The 1800mAh battery stores 64% more energy than before, and combined with the camera’s more efficient operation, allows for considerably longer shooting sessions with a single charge. In addition, the newly added universal USB-C port also serves to charge the camera’s battery, using most USB-C chargers.

Upgraded connectivity features of the Leica M11 will be available through a new firmware version in the second half of 2022. This will enable the new M11’s advanced connectivity capabilities that will elevate users' mobile workflows and enhance the Leica FOTOS app with the possibility to embed location data, access images via Bluetooth connection, and allow increased transfer rates. Moreover, the Leica M11 is already an Apple “Made for iPhone and iPad” certified accessory and as such, offers unique abilities with the included Leica FOTOS cable.

With the evolution of the Leica M comes new accessories to enhance the rangefinder experience. The new Visoflex 2 electronic viewfinder features 3.7-megapixel resolution to provide outstanding image control in Live View mode. Encased in a metal exterior, the Visoflex 2 perfectly matches the M11 in terms of design and functionality. Full-frame viewing and the precise focusing of Leica lenses is supported by the Visoflex 2’s large diopter adjustment range of -4 to +3 and 90 degree tilt function. To improve ergonomics without obstructing access to the battery and SD card, photographers will have the option to complement their M11 with a newly designed handgrip. The new handgrip doubles as a tripod mount, where the Leica M11 can be attached to Arca-Swiss-standard tripod heads without the need for any additional equipment.

Leica M11: Witness the Future

“We are very proud of the new M11,” says Stefan Daniel, Executive Vice President Technology and Operations. “This camera is another milestone for Leica. Its inner workings are a completely new development, while the exterior remains true to the iconic Leica M design.”

“As we all know,” says Dr. Andreas Kaufmann, Chairman of the Supervisory Board of Leica Camera AG, Wetzlar, “the iconic Leica M-System has accompanied dedicated photographers worldwide over decades, giving them a superior tool for witnessing their time and creating outstanding pictures. The new M11 will continue this legacy with outstanding technology, based on the experience since 1925.”

The Leica M11 is available worldwide as of January 13, 2022.

Manufacturer description #2

Leica M11 combines the unique experience of rangefinder photography with great flexibility and state-of-the-art camera technology.

The Leica M-Family is known for its premium look and feel. With a carefully optimized design and the use of high-quality aluminium for the top cover, the black Leica M11 is focused on efficiency and ergonomics, with noticeably less weight. Together with the new scratch-resistant matte paint finish, the black M11 is about 20% lighter than the silver-chrome version, which features a classic solid brass top cover.

Stay flexible and choose from 60, 36 or 18 Megapixel resolution for DNG and JPG: The exclusively developed Full Frame BSI CMOS Sensor with Triple Resolution Technology in the M11 is a masterpiece of imaging technology. With its new filter technology, the M11 produces brilliant images when combined with the legendary Leica M-lenses. And for the first time, multi-field light metering while shooting in rangefinder mode allows Leica M photographers to concentrate even more on their subject, and less on light metering.

The fluid and responsive operation of the M11 is in part thanks to the powerful Maestro III processor. Its advanced algorithm enables the M11 to produce images with three different resolutions always using the full sensor and delivering unprecedented digital image quality. This incredible processor allows you to shoot nearly endlessly even at 36 Megapixel DNG resolution.

The M11 is impressive in every lighting environment. With its Dual Pixel Gain technology, the M11 offers a dynamic range of up to 15 stops at ISO 64. Every shot shows the finest tonal separations and very low noise with a natural and elegant look. The maximum sensitivity of ISO 50,000 enables you to take pictures even in extremely low light situations. There is also now more opportunities to shoot in very bright situations with fast lenses, with shutter speeds up to 1/16000s thanks to the new electronic shutter.

Examine your images on the crystal clear 2.3 Million Pixe touch display, with 800 nits brightness and 100% sRGB color gamut. The new Status Screen grants direct access to all important functions and with an additional function button on the top plate, the Leica M11 provides more options to customize the camera to your personal needs.

The Leica M11 is a certified Made for iPhone and iPad product equipped with advanced connectivity abilities. This will enable even more features for the Leica FOTOS app, including over-the-air software updates, available through a new firmware download in the second half of 2022.

Unique to the M11 is the deliberate omission of the traditional base plate, offering quick and easy access to the battery, the USB-C port and the SD card. In addition to the UHS-II SD card slot, the Leica M11 is equipped with an internal storage capacity of 64 GB, allowing photographers to save image files simultaneously onto two different storage locations.

Shoot considerably longer on a single charge. The new 1800 mAh battery in the M11 stores 64% more power than its predecessors. In addition, the overall operation of the camera is more energy-efficient than in previous models. The USB-C port also allows you to charge the camera’s battery using most USB-C chargers.

Get even closer to your subjects with the integrated Digital Zoom feature. Shoot in Live View in both JPG and DNG and choose between a 1.3x and 1.8x zoom-factor of your focal length. As always, the DNG file still contains all image data of the entire sensor area.

From the editor

The weight is indicated for the black body with top/bottom covers made of coated aluminum. Silver body with top/bottom covers made of chromed brass weighs 110g more (640g).

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

One of the best

According to lens-db.com; among lenses designed for the same maximum format and mount.

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You are already on the page dedicated to this lens.

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Cannot compare the lens to itself.

Unique Leica Look

Leica lenses are one-of-a-kind optical masterpieces that are impressive because of their unique Leica Look. This is ensured through exceptional optical design combined with selected materials and the highest quality standards.

Leica lenses reveal their full potential only when mounted on Leica cameras, since only these have sensors precisely matched to their optical characteristics.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

14195

Protection cap, for camera body with LEICA M bayonet mount.

14397

Protection cap, for camera body with LEICA M bayonet mount.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.