10th Anniversary 2012-2022
More than just a camera lens database

Leica M-E (Typ 220)

35mm MF digital rangefinder camera

Specification

Production details
Announced:September 2012
Order No.:10759 - anthracite-gray paint
System: Leica M (1954)
Rangefinder and Viewfinder
Rangefinder:Built-in, combined with viewfinder
Viewfinder:Built-in, combined with rangefinder
Finder magnification:0.68x
Actual rangefinder base:69.25mm
Effective rangefinder base:47.09mm
Bright-line frames:35mm & 135mm, 28mm & 90mm, 50mm & 75mm
Parallax compensation:Yes
Imaging plane
Maximum format:35mm full frame
Mount and Flange focal distance:Leica M [27.8mm]
Imaging plane:35.8 × 23.9mm CCD sensor
Resolution:5212 × 3472 - 18 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:32 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Physical characteristics
Weight:585g
Dimensions:139x80x37mm
Accessories
Body cap:14195
14397

Manufacturer description #1

Solms, Germany (September 17, 2012) - Leica Camera presents a new model in the Leica rangefinder system, the Leica M-E. Possessing the high level of technology perfected in the nearly six decades since the M-System’s introduction, the Leica M-E represents the essence of rangefinder photography. Rather than offering all that is technically possible, it is limited to only those functions that create a better image. These essentials include the M-System’s typical rapid manual focusing with the viewfinder/rangefinder and the focusing ring of the lens, as well as the option of selecting automatically determined or manually set shutter speeds. It is the ideal entry-level model for photographers wishing to experience the fascination of M-Photography or require a secondary camera that performs at an optimum level without fail.

Advantages of rangefinder photography include the ability for photographers to become a part of the action and frame whatever they wish to capture in the viewfinder, while still perceiving what is going on outside the viewfinder frame. The crucial moment becomes predictable, and can thus be captured at precisely the right instant. Featuring the proven, high-resolution, 18 MP CCD sensor in full 35 mm format, the Leica M-E offers maximum imaging quality. Perfectly attuned to its role in the extremely compact M-System and the superior performance of M-Lenses, this particular sensor type possesses a high sensitivity to light. These characteristics lead to an unmistakably individual kind of photography.

The Leica M-E’s most distinctive feature is a minimalistic, purist, design statement. The top deck and base plate are discreetly finished in unobtrusive anthracite grey. The application of a new leather trim with enhanced grip characteristics ideally complements the camera’s timeless design.

The Leica M-System portfolio provides perfect tools for capturing a moment discretely, silently and without hesitation, allowing photographers to become a part of the scene. Together with the new Leica M and the Leica M Monochrom, the world’s first digital black and white camera in 35 mm format, the latest digital generation of the Leica M now offers three rangefinder cameras.

Additionally, the Leica M-E package includes the latest version of Leica Adobe Photoshop Lightroom to assist photographers with viewing, editing and managing digital images. The Leica M-E is available now from Leica dealers, including the Leica Store Washington DC.

Manufacturer description #2

With the introduction of the Leica M rangefinder system in 1954, Leica M film cameras became, for many photographers, the perfect tools for capturing the fascination of a moment discreetly, silently, and without hesitation. And naturally in uncompromising quality. The first digital M-Cameras began a new chapter in this long-running success story. Today, the Leica M-E in particular embodies the quintessence of the M-System philosophy: the camera concentrates exclusively on essential photographic functions. Meaning it remains simple and intuitive to the user. At the same time, it is a part of the most compact full-format camera system available and those who use it enjoy access to an array of lenses widely acknowledged as the best in the world. It’s a camera created to let the world discover the fascination of M photography.

Leica cameras were the first widely successful full-frame 35 mm cameras. So it is in homage to this tradition that the digital Leica M-E also features a sensor with the capability of precisely reproducing the full 35 mm frame format of 24 × 36 mm. Thanks to the compact construction allowed by the rangefinder system, it is the most compact full-format system camera of all time. The Leica M-Bayonet mount also represents a long and honored tradition. First constructed in 1954, it still ensures full system compatibility in the present day: that means almost all M-Lenses ever built are compatible for use with the digital Leica M-E. And, just like all other M-Cameras, the Leica M-E is consciously concentrated on photographically essential functions. Manual focusing based on the combined viewfinder and rangefinder principle and an automatic aperture priority exposure mode aid photographers rather than restricting their creative freedom.

The Leica M-E features an 18-megapixel high-resolution CCD sensor in full 35 mm format size. The sensor is perfectly attuned to its role in the very compact M-System and the superior performance of M-Lenses. The special layout of microlenses makes it tolerant of oblique light rays impinging on its surface, and guarantees uniform exposure and maximum sharpness from corner to corner of every image.

It is obvious at first glance that the Leica M-E is a member of the Leica M-System family. Distinctively functional lines lend the camera an absolutely timeless character. After all, the quintessence of the M-System is also expressed by its design. The top deck and baseplate are discreetly and unobtrusively finished in anthracite-gray enamel. The design of its body is intensely focused and expresses clarity, and its leather trim offers a superior grip. The familiar, almost inaudible mechanical sound signature, greatly appreciated by many lovers of Leica cameras, is a constant reminder that this M too is a masterpiece of unparalleled craftsmanship.

Discretion and unobtrusiveness are particular strengths of the M-System. For instance, the shutter action of the Leica M-E is extremely quiet. A sophisticated, almost noiseless motor/gear-train system tensions the shutter for the next exposure – in discreet mode only after the camera is returned to its hiding place, such as under a jacket, and the photographer’s finger is lifted off the release button. At the same time, the combination of camera and lens is more compact than any other full-format camera system: a reason that M-photographers often go unnoticed and simply become a part of the scene.

Everything developed in the evolutionary process of the Leica M-System satisfies a genuine photographic need. This also applies to the Leica M-E: it is a digital rangefinder camera that consciously declines to offer every feature that is technically possible, but rather limits itself to what is essential to photography. These essentials include the M-typical rapid manual focusing with the range- finder/viewfinder via the focusing ring of the lens, but also the option of selecting automatically determined or manually set shutter speeds.

Your comment

Copy this code

and paste it here *

Copyright © 2012-2022 Evgenii Artemov. All rights reserved. Translation and/or reproduction of website materials in any form, including the Internet, is prohibited without the express written permission of the website owner.

35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

One of the best

According to lens-db.com; among lenses designed for the same maximum format and mount.

Unable to follow the link

You are already on the page dedicated to this lens.

Cannot perform comparison

Cannot compare the lens to itself.

Unique Leica Look

Leica lenses are one-of-a-kind optical masterpieces that are impressive because of their unique Leica Look. This is ensured through exceptional optical design combined with selected materials and the highest quality standards.

Leica lenses reveal their full potential only when mounted on Leica cameras, since only these have sensors precisely matched to their optical characteristics.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

14195

Protection cap, for camera body with LEICA M bayonet mount.

14397

Protection cap, for camera body with LEICA M bayonet mount.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.