Leica CL (Typ 7323)

APS-C AF digital mirrorless camera

Production details

Production details
Announced:November 2017
Production type:Mass production
Order No.:19345 - black
19346 - silver
System: Leica L APS-C (2014)

Specification

Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Leica L [20mm]
Imaging plane:23.6 × 15.7mm CMOS sensor
Resolution:6016 × 4014 - 24 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/25000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:403g
Dimensions:131x78x45mm
Accessories
Body cap:14028 (TL)

Manufacturer description

Wetzlar, November 21, 2017 - Leica Camera AG has expanded its APS-C System product portfolio with a new camera that unites innovative technologies, extremely easy handling and iconic design: the Leica CL. Its ideal balance between state-of-the-art technology, mechanical precision and compact construction makes it the perfect everyday companion – especially for spontaneous and discreet pictures.

The Leica APS-C System now offers two camera models made in Germany – the Leica CL and the Leica TL2. In technical terms, they are equals, but could hardly be more different with regard to their design and handling concepts: reflecting the traditions of Leica in the form of the iconic Leica CL and, in contrast, the futuristic look of the Leica TL2. Together with the extensive portfolio of TL-Lenses, they create a system that makes it possible to experience a special kind of photography.

One of the outstanding features of the Leica CL is its electronic viewfinder with EyeRes technology developed by Leica especially for this camera. With a latency time below the threshold of perception and a resolution of 2.36 million pixels, the EyeRes® viewfinder offers an impressive viewing experience and numerous advantages: As the final image is visible in the viewfinder before the shutter release is pressed, users have complete control over the composition of their subjects.

In combination with the high-resolution, 24 MP, APS-C format sensor of the Leica CL, a Maestro II series processor and fast autofocus with 49 metering points guarantee maximum picture quality in all photographic situations. The Leica CL is not only an impressive still picture camera, this also applies to moving pictures captured with its video function at a resolution of up to 4K at 30 frames per second.

The Leica CL also equipped with an integrated Wi-Fi module. Pictures and videos can be sent by a wireless connection to smartphones, tablets or computers and quickly and easily shared by email or in social networks with the Leica CL App for iOS or Android. In addition to this, the remote function of the app lets mobile devices be used as an off-camera viewfinder or for altering exposure parameters – for example when shooting with the self-timer function or from unusual angles.

The Leica CL establishes the unmistakeable simplicity of iconic Leica design in the compact system camera class. In every respect discreet, this compact camera is an ideal companion with a user-friendly handling concept that makes it an intuitive tool. All essential controls are located on its top plate. In addition to the electronic viewfinder, there are two dials for setting the aperture, shutter speed ISO value, and exposure compensation. Everything is so conveniently located that photographs can be made without taking the camera from the eye. An additional display on the top plate instantly provides information about all relevant settings and exposure parameters. Together with the perfectly defined release pressure point, this ensures that users have absolute control over every picture they take with the Leica CL.

The extensive portfolio of TL-Lenses is also available to the Leica CL. The lenses offer superior imaging performance and are responsible for the exceptionally high picture quality delivered by the Leica APS-C System. The portfolio of compact and fast lenses with focal lengths from 17 to 200 mm offers infinite opportunities for all kinds of creative photography. The elegant simplicity of the design of the three zooms – the Super-Vario-Elmar-TL 1:3.5–4.5/11–23 ASPH., Vario-Elmar-TL 1:3.5–5.6/18–56 ASPH. and the APO-Vario-Elmar-TL 1:3.5–4.5/55–135 ASPH. – and four prime lenses – the Elmarit-TL 1:2.8/18 ASPH., Summicron-TL 1:2/23 ASPH., Summilux-TL 1:1.4/35 ASPH. and the APO-Macro-Elmarit-TL 1:2.8/60 ASPH. – perfectly complement the Leica CL, not only in terms of technology, but also in looks.

Developed by optical engineering specialists in Wetzlar, the Leica TL-Lenses all offer the exceptional imaging performance for which Leica lenses are famed. The combination of optical and precision engineering expertise and the use of finest materials in their construction ensures their constant quality and reliability in use.

Thanks to the L-Bayonet mount shared by the Leica TL- and SL-Systems, SL-Lenses can also be used without an adapter on the CL and the TL2. Appropriate adapters are also available for using Leica M- and R-Lenses on the cameras.

An extensive range of technical- and style-accessories ideally complements the APS-C System.

The black version of the Leica CL will be available from the end of November.

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

14028 (TL)

Protection cap, for camera body with LEICA L bayonet mount.

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.