Leica T (Typ 701)

APS-C AF digital mirrorless camera

Production details

Production details
Announced:April 2014
Production type:Mass production
Order No.:18180 - black
18181 - silver
System: Leica L APS-C (2014)

Specification

Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Leica L [20mm]
Imaging plane:23.6 × 15.7mm CMOS sensor
Resolution:4944 × 3278 - 16 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:384g
Dimensions:134x69x33mm
Accessories
Body cap:14028 (TL)

Manufacturer description

Solms, Germany, 3rd April 2014, Leica Camera AG presents a new camera system that combines the fine art of engineering and hand-crafted excellence with design and handling in an entirely new and innovative concept. From the initial idea through to the development process and in its final assembly, the focus of all disciplines involved was on one single thing – perfection. The outcome was the creation of the Leica T-System, a camera with an exquisite finish ‘made in Germany’ that, together with a portfolio of precise, high-performance lenses, offers exceptional versatility and particularly intuitive handling. Unique in design and pared down to the essential functions, the new Leica T-System offers everything anyone could ever need for pure, creative photography and the best image quality.

In collaboration with AUDI Design, the typical design language of Leica cameras was revisited and reinterpreted. With its timeless and sleek design, the Leica T picks up the unmistakeable attributes of Leica product design and develops them systematically – with clean lines, smooth surfaces and formal minimalism. One of the camera’s outstanding features is its compact and solid body. This is manufactured with innovative precision techniques from a single block of aluminium at the Leica factory. The use of premium materials and their processing in an elaborate manufacturing process are unique in the history of camera construction and lend the Leica T an unmistakeable look, feel and solidity. Its substantial weight and a newly developed operating concept underline its user-friendly handling and, together, these features ensure an incomparable photographic experience.

Two lenses will initially be available for the market launch of the Leica T-System. The Leica Vario-Elmar-T 18–56 mm f/3.5–5.6 ASPH. is ideal for creative experimentation with various perspectives and focal lengths. For expansive landscapes, documentary pictures or portraits – whatever the genre, this standard zoom lens offers exceptional flexibility in every situation. With a focal length equivalent to 35 mm in full-frame format, the fast and compact Leica Summicron-T 23mm f/2 ASPH. offers a truly classic Leica focal length that is ideal for reportage photography. The Super-Vario-Elmar-T 11–23 mm f/3.5–4.5 ASPH. wide-angle zoom and the Vario-Elmar-T 55–135 mm f/3.5–4.5 ASPH. telephoto zoom are scheduled to appear in time for presentation at photokina 2014. Developed by Leica optical designers as precision tools, all Leica T lenses offer the exceptional imaging performance for which Leica lenses are famed.

The combination of a newly designed high-performance processor and sensor ensures outstanding picture quality in every situation. The Leica T features a large, APS-C-format, CMOS image sensor with over 16.5 megapixels (effective 16.2 MP) that, due to its size, performance and imaging characteristics, represents the ideal solution in the compact class of the Leica T. It ensures brilliant pictures with outstanding contrast, finest detail resolution and natural colour rendition – even in unfavourable lighting conditions.

Complementing the purist design of the camera, the operating concept of the Leica T is equally clear, simple and concentrated on relevant functions. At the heart of the concept is the clear design of the touchscreen display. It is generously dimensioned and generates a bright and clear image that allows precise and reliable assessment during image composition and in playback mode. Numerous functions in capture and playback mode can be controlled simply by touching the screen. The only other controls are four ergonomically positioned haptic control elements that are intuitive in their operation. This ensures that camera users can concentrate fully on composing their pictures – without any unnecessary distractions. The MyCamera menu of the Leica T offers even greater flexibility, even for spontaneous snapshot situations, and can be configured and programmed with settings to meet the user’s own personal requirements. This means that the photographer always has fast access to the most frequently used features and presets.

The Leica T is the first system camera from Leica to feature an integrated Wi-Fi module. Pictures and videos can be wirelessly transmitted straight from the camera to a smartphone, tablet or computer, and can then be shared by email, or on Facebook or other social media. A free Leica T app for iOS devices is available now. A particularly practical feature of the app is the remote function. This lets users wirelessly connect their smartphone or tablet to the camera and use it as an electronic viewfinder for the Leica T and, amongst other functions, allows remote setting of the shutter speed and aperture values – for example for shots with the self-timer function or from unusual angles.

The Leica T-System also offers a multitude of accessories. Developed especially for the Leica T-System, and perfectly harmonised with the camera, is the high-resolution electronic viewfinder with a selectable, integrated GPS feature. Its tilt and swivel function makes it particularly practical for creative photography and enables shooting from different viewpoints and unusual angles. Also available is the new Leica SF 26 flash unit, which provides additional opportunities for flash exposures or fill-in flash for brightening subjects. The angle of the flash reflector is adjustable. Whenever needed, the unit can even be used as an LED light source for video recording. Another practical accessory is the Leica M-Adapter T, which allows users to mount and use Leica M-Lenses on a Leica T body. The adapter features a sensor for 6-bit coded M-Lenses. This fully supports Leica T functions such as exposure metering, aperture priority mode and manual setting capability.

Further camera accessories in four trendy colours – melon yellow, orange-red, black and white – and an extensive range of premium bags and cases, all of them courtesy of AUDI Design, systematically continue the Leica system concept. Individual accessories build on and complement one another, and some offer unique options for personalised combination.

With its materials mix of hard plastic and elastic silicone, the Leica T-Snap for the front of the camera provides optimum protection against scratches and inadvertent knocks. Its unique design lends the camera an eye-catching and personalised look. The soft silicone T-Flap is the ideal complement to the T-Snap. It clicks easily into the T-Snap to protect the back of the camera with the display screen and controls when the Leica T is not in use. The design and colours of the carrying strap and wrist strap are perfectly matched to the modern T-Snap and T-Flap accessories. Both can be attached to the Leica T by Easy-Click, a system for connecting accessories to cameras that is unique throughout the world. True to the clean and uncluttered design concept of the camera, protruding strap lugs have been omitted. Carrying straps and the wrist strap now fuse with the camera to create a single entity and can be detached in a flash. The range of accessories for the Leica T also offers a leather holster, a leather protector and a system bag.

The Leica T is available May 26th, 2014 from Leica Store Mayfair and authorised Leica dealers. The range of accessories will be available following the launch of the camera.

Adobe® Photoshop® Lightroom®, a professional digital workflow solution for Apple Mac® OS X and Microsoft Windows®, is also included in the Leica T package. This digital image processing software offers a comprehensive range of functions for the management, processing and presentation of still pictures and video recordings. Leica customers can download the software free from the Leica website after registering their camera.

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Leica L APS-C system cameras
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Copyright © 2012-2022 Evgenii Artemov. All rights reserved. Translation and/or reproduction of website materials in any form, including the Internet, is prohibited without the express written permission of the website owner.

35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

14028 (TL)

Protection cap, for camera body with LEICA L bayonet mount.

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.