• Facebook
  • Twitter

Tamron SP AF 24-70mm F/2.8 Di VC USD A007

Standard zoom lens • Digital era • Discontinued

SP Professional lens with high quality optics and robust build. Meets the highest standards and provides excellent performance and flawless image quality unachievable with traditional optical technologies.
DI The lens is designed for full-frame digital SLR cameras but can be also used on APS-C digital SLR cameras.
VC The lens is equipped with Vibration Compensation.
USD The lens is equipped with Ultrasonic Silent Drive.

Model history

Sample photos

24mm F/10
24mm F/10
42mm F/10
24mm F/11
24mm F/8
29mm F/8
24mm F/8
47mm F/2.8
24mm F/8
56mm F/2.8
24mm F/2.8
24mm F/10
47mm F/11
70mm F/2.8
24mm F/8
70mm F/2.8
70mm F/2.8
50mm F/13
45mm F/4
24mm F/11
35mm F/4

Sample photos uploaded by users

42mm F/7.1
24mm F/8
29mm F/8
40mm F/8
70mm F/8
31mm F/8

Specification

Announced: February 2012
Production status: Discontinued
Maximum format: 35mm full frame
Mount: Canon EF
Minolta/Sony A
Nikon F
Optical design
Diagonal angle of view: 84°-34.3° (35mm full frame)
59.1°-22° (Canon EF APS-C)
61°-22.8° (Minolta/Sony A APS-C)
61°-22.8° (Nikon F APS-C)
Lens construction: 17 elements - 12 groups
4 ASPH, 3 LD, 2 XR
Anti-reflection coating: Multi-layer
Diaphragm mechanism
Diaphragm control system: Mechanical (Nikon F)
Electromagnetic (Canon EF, Minolta/Sony A)
Number of blades: 9
Zooming
Zooming method: Rotary
Zoom type: Extends while zooming
Additional features: Zoom lock
Focusing
Focusing method: Internal focusing (IF)
Closest focusing distance: 0.38m
Focusing modes: Autofocus, manual focus
Type of autofocus motor: Ultrasonic Silent Drive
Focus mode selector: AF/MF
Manual focus override in autofocus mode: Yes
Image stabilizer
Vibration Compensation (VC): Canon EF (Yes)
Nikon F (Yes)
Stabilizer features: Mode 1
Panning Detection
Stabilizer efficiency: up to 4 stops
Physical characteristics
Weight: 822g (Nikon F)
Maximum diameter x Length: Ø88.2×108.5mm (Nikon F)
Weather sealing: Dust-proof and water-resistant barrel
Fluorine coating: None
Accessories
Filters: Screw-in 82mm
Lens hood: Bayonet-type HA007 (petal-shaped)

Manufacturer description

Tamron introduces world's first*1 full-size, high-speed standard zoom with built-in image stabilization - SP 24-70mm F/2.8 Di VC USD (Model A007)

With class-leading resolution and Tamron's proprietary VC (Vibration Compensation)

April 5, 2012, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the introduction of the SP 24-70mm F/2.8 Di VC USD (Model A007), the world's first*1 full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive)*2, with resolution at the top of its class. The Canon mount will be released in Japan on April 26, 2012, with the sales dates of Nikon and Sony*3 compatible mounts to be announced later.

Product Features

  • World's first*1 full-size, high-speed standard zoom with built-in VC (Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron's acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.
  • Uses specialized high-grade glass in the three LD elements, three Glass Molded Aspherical Lenses, one Hybrid Aspherical Lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm*4, the lens achieves gorgeous blur effects.
  • Features USD*2 (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.
  • This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.
  • The lens adopts the new technology including the latest optical design, VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), all in a lighter and more compact package.
  • Moisture-resistant construction helps prevent water from penetrating the lens.

*2 USD (Ultrasonic Silent Drive) is Tamron's proprietary ultrasonic motor drive.

*3 The Sony mount does not include VC, because the body of Sony digital SLR cameras includes image stabilization functionality. The product name for Sony cameras is "SP 24-70mm F/2.8 Di USD" without the VC designation.

*4 This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.

VC (Vibration Compensation)

VC (Vibration Compensation) is Tamron's proprietary image stabilization system. Tamron's VC is a three-coil system, whereby three driving coils activate the shake-compensating VC lens group electromagnetically via three ceramic balls. The VC lens elements are held in place only by contact with the ceramic balls, achieving smooth movement with little friction. This provides a stable viewfinder image with excellent tracking performance. And as the VC lens may be moved in parallel using only the motorized control, the mechanical structure has been simplified, enabling the creation of a more compact lens.

New VC system (moving coil method)

Tamron's original VC image stabilization mechanism utilized a moving magnet system whereby a heavy magnet was positioned near the moving VC lens element. In the new VC unit the positions of the magnet and the coil are reversed, because of this the VC optical lens element is attached to the coil. The new VC mechanism employs a moving coil mechanism with a lightweight coil, and the lighter coil reduces the load on the drive system. Thus, the lighter, more compact new VC unit contributes to the lens's overall light weight and compact size.

Because the 24-70 mm F/2.8 Di VC USD is a high-speed zoom lens with maximum aperture of F/2.8, its VC system must drive a lens that is larger and heavier than other zooms. Therefore, the shape, size and layout of the drive coils are all designed to obtain sufficient thrust. The result is a full-size, high-speed zoom that provides the same high level of compensation effect.

About the ultrasonic motor

In the ultrasonic motor, a piezoelectric element arranged in a ring formation generates ultrasonic vibrations in a metallic ring stator, and the vibration energy is used to rotate a metallic ring rotor that is attached to the stator. The rotation energy is in turn transferred from the metallic ring rotor to operate the focus lens.

Notice of Classification Code Change for Nikon Mounts

Since the introduction by Tamron of the first Nikon mount lens featuring an internal AF motor, the AF28-300mm F/3.5-6.3 XR Di VC (Model A20), all Nikon mount lenses with the internal AF motor had used the classification code "NII." Lenses using a coupler system* without an internal AF motor were designated as "N." Because future Nikon lenses will have the internal AF motor as a standard feature, Tamron has decided to simplify the designation and consolidate all Nikon mount lenses as "N," eliminating the "NII" designation for future models. This classification code change will be effective beginning with the 18-270mm F/3.5-6.3 Di II VC PZD (Model B008).

The "N" classification lenses with coupler systems are: SP AF200-500mm F/5.6-6.3 Di (Model A08); and SP AF180mm F/3.5 Di (Model B01).

*Coupler system refers to a system that uses a shaft to harness the AF motor built into the camera body to operate the lens.

Typical application

landscapes, interiors, buildings, cityscapes, portraits, photojournalism, weddings, parties, carnivals, live concerts, travel

Canon EF 24-70mm F/2.8L II USM

Canon EF 24-70mm F/2.8L II USM
  • Advantages: 2
  • Disadvantages: 1

Canon EF 24-70mm F/2.8L USM

Canon EF 24-70mm F/2.8L USM
  • Advantages: 1
  • Disadvantages: 2

Sigma 24-70mm F/2.8 DG OS HSM | A

Sigma 24-70mm F/2.8 DG OS HSM | A

Sigma 24-70mm F/2.8 EX DG Aspherical DF

Sigma 24-70mm F/2.8 EX DG IF HSM

Sigma 24-70mm F/2.8 EX DG IF HSM
  • Advantages: 1
  • Disadvantages: 2

Sigma 24-70mm F/2.8 EX DG IF HSM

Sigma 24-70mm F/2.8 EX DG IF HSM
  • Advantages: 1
  • Disadvantages: 1

Sigma 24-70mm F/2.8 EX DG IF HSM

Sigma 24-70mm F/2.8 EX DG IF HSM
  • Advantages: 1
  • Disadvantages: 1

Sigma 24-70mm F/2.8 EX DG IF HSM

Sigma 24-70mm F/2.8 EX DG IF HSM
  • Advantages: 1
  • Disadvantages: 2

Sony Carl Zeiss Vario-Sonnar T* 24-70mm F/2.8 ZA SSM (SAL2470Z)

Sony Carl Zeiss Vario-Sonnar T* 24-70mm F/2.8 ZA SSM (SAL2470Z)
  • Advantages: 2
  • Disadvantages: 2

Sony ZEISS Vario-Sonnar T* 24-70mm F/2.8 ZA SSM II (SAL2470Z2)

Sony ZEISS Vario-Sonnar T* 24-70mm F/2.8 ZA SSM II (SAL2470Z2)
  • Advantages: 2
  • Disadvantages: 1

Tamron SP 24-70mm F/2.8 Di VC USD G2 A032

Tamron SP 24-70mm F/2.8 Di VC USD G2 A032
  • Advantages: 3
  • Disadvantages: 1

Tokina AT-X Pro AF SD 24-70mm F/2.8 (IF)

Your comment

Copy this code

and paste it here *

Copyright © 2012-2020 Eugene Artemov. All rights reserved.

Translation and/or reproduction of website materials in any form, including the Internet, is prohibited without the express written permission of the website owner.

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

Pancake lens

Pancake lenses get their name due to the thin and flat size. The other distinctive features are fixed focal length and light-weight barrel. First pancake lenses appeared in the 1960s and were standard prime lenses based on the famous Tessar design – a brilliantly simple design which was developed by Paul Rudolph in 1902, patented by Zeiss company and provided a good optical performance. With the improvement of optical technologies in the 1970s the optical design of pancake lenses became more complicated and the latest generation has overcome the limitations of traditional designs. As a result, pancake lenses are now also available in wide-angle and short-telephoto variations. Due to the increasing demand for SLR and mirrorless cameras with a compact form factor, pancake lenses are experiencing a second wave of popularity while having reasonable prices, which makes them accessible to a wide range of photographers. Such lenses are especially useful for those who enjoy travel photography.

Travellers' choice

Aperture

The aperture stop is an important element in most optical designs. Its most obvious feature is that it limits the amount of light that can reach the image/film plane. Typically, a fast shutter will require a larger aperture to ensure sufficient light exposure, and a slow shutter will require a smaller aperture to avoid excessive exposure.

A device called a diaphragm usually serves as the aperture stop, and controls the aperture. The diaphragm functions much like the iris of the eye – it controls the effective diameter of the lens opening. Reducing the aperture size increases the depth of field, which describes the extent to which subject matter lying closer than or farther from the actual plane of focus appears to be in focus. In general, the smaller the aperture (the larger the number), the greater the distance from the plane of focus the subject matter may be while still appearing in focus.

The lens aperture is usually specified as an f-number, the ratio of focal length to effective aperture diameter. A lens typically has a set of marked "f-stops" that the f-number can be set to. A lower f-number denotes a greater aperture opening which allows more light to reach the film or image sensor.

The specifications for a given lens typically include the maximum and minimum aperture sizes, for example, f/1.4–f/22. In this case f/1.4 is the maximum aperture (the widest opening), and f/22 is the minimum aperture (the smallest opening). The maximum aperture opening tends to be of most interest, and is always included when describing a lens. This value is also known as the lens "speed", as it affects the exposure time. Lenses with apertures opening f/2.8 or wider are referred to as "fast" lenses. Zoom lenses typically have a maximum relative aperture (minimum f-number) of f/2.8 to f/6.3 through their range. High-end lenses will have a constant aperture, such as f/2.8 or f/4, which means that the relative aperture will stay the same throughout the zoom range. A more typical consumer zoom will have a variable maximum relative aperture, since it is harder and more expensive to keep the maximum relative aperture proportional to focal length at long focal lengths; f/3.5 to f/5.6 is an example of a common variable aperture range in a consumer zoom lens.

Autofocus motor

Micromotors and built-in motors of Nikon, Pentax and Sony digital SLR cameras provide moderately noisy and acceptably fast autofocus.

With ultrasonic, linear or stepping motor it is possible to achieve very fast and virtually silent autofocus. Moreover, the use of linear or stepping motor ensures smooth continuous focusing which makes lenses with such types of motors ideal for video recording.

The accuracy of autofocus does not depend on type of used autofocus motor but depends on focusing method (contrast or phase detection), autofocus algorithms, lighting conditions and other factors.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film. The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Focusing method

Photographic lenses carry out focusing using one of the following five methods:

Methods of internal and rear focusing have the following advantages:

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

The "Holy Trinity" of lenses

The "Holy Trinity" of lenses refers to a three-lens set that covers a focal length range from the ultra-wide focal length of 14-16mm all the way long to the telephoto focal length of 200mm. The set typically consists of a 16-35mm ultra-wide angle zoom lens, a 24-70mm standard zoom lens and a 70-200mm telephoto zoom lens and usually represents the best constant-aperture zoom lenses in a manufacturer's lineup. The set is designed to cover almost every genre of photography, be it landscapes, architecture, portraits, weddings, sports, travel or even wildlife (with teleconverter). However, it is also expensive, large and heavy.

AF/MF

AFAutofocus mode with manual focus override.
MFManual focus mode.

Screw-in lens hood

Fastens to the front thread of the lens barrel.

Slip-on lens hood

Attaches to the lens barrel behind the front rim. A knurled screw tightens a retaining ring, holding the hood firmly to the lens.

Bayonet-type lens hood

Attaches to the bayonet fitting on the front of the lens barrel and locks in place with a twist. After usage, the lens hood can be mounted in reverse for transportation or storage.

Snap-on lens hood

Attaches onto the front of the lens with a spring-type retainer ring. This type of lens hoods is the fastest to attach. After usage, the lens hood can be mounted in reverse for transportation or storage.

Filter access window

The lens hood features a slide-out window which enables rotation of polarizing filter without removing the lens hood.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Low dispersion and fluorite elements

Low dispersion elements (AD, ED, LD, HLD, SD, UD etc) and fluorite elements minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics (BR Optics) material placed between convex and concave elements made from traditional optical glass provides more efficient correction of lateral chromatic aberrations in comparison with fluorite, UD and even Super UD elements.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (XR, UXR, HID, HR, HRI etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Efficiency of Image Stabilizer

The efficiency of image stabilizer is measured in stops and each stop corresponds to a two-times increase of shutter speed. For example, if you are shooting at focal length of 80mm and it is known that the efficiency of image stabilizer is 3 stops, it means that during handheld shooting at such focal length you can use shutter speed of 1/10 second which is exactly 23 times longer than the shutter speed 1/80 second needed to obtain sharp image in sufficient lighting conditions.

Zooming method

The rotary zooming method means that the change of the focal length is achieved by turning the zoom ring and the manual focusing - by turning the separate focusing ring.

The push/pull zooming method means that the change of focal length and the manual focusing is achieved by one and the same ring. The change of focal length happens when the photographer moves the ring towards the mount or backwards and the rotation of the ring leads to change of focus.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Zoom lock

The lens features a zoom lock to keep the zoom ring fixed. This function is convenient for carrying a camera with the lens on a strap because it prevents the lens from extending.

Power Zoom

The lens features electronically driven zoom mechanism. It provides smoother, more natural zoom movements than you could accomplish by hand.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Digital sensors are usually smaller than 35mm film, and this causes the lens to have a narrower angle of view than with 35mm film, by a constant factor for each sensor (called the crop factor).

This website calculates angles of view of lenses automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body allows interchangeable lenses, most usually the rangefinder and SLR cameras.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock (friction lock) type. Modern still camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body. Screw-threaded mounts are fragile and do not align the lens in a reliable rotational position.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different. These incompatibilities are probably due to the desire of manufacturers to lock in consumers to their brand.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. A magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size". A lens is not considered to be "true" macro unless it can achieve at least life-size magnification.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Floating element system

Provides correction of aberrations and ensures constantly high image quality at the entire range of focusing distances from infinity down to the closest focusing distance. It is particularly effective for the correction of field curvature that tends to occur with large-aperture, wide-angle lenses when shooting at close ranges.

Non-retrofocus lens

The lens was designed for use with 35mm film SLR cameras with the mirror locked in the up position. The lens extended into the SLR's mirror box when mounted. Mirror lock-up must be activated prior to mounting the lens; otherwise its rearmost element would be in the way as the mirror flipped up and down during exposure. A separate optical viewfinder had to be mounted on the accessory shoe to confirm angle of view, because when the mirror is in the up and locked position, the subject is no longer visible through the viewfinder.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Weather sealing

Weather sealed lenses contain a rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Diaphragm type

SLR cameras require stopping down to the chosen aperture immediately before exposure, in order to permit viewing and focusing at full aperture up to the moment the shutter is released.

Historically, there are four different types of diaphragm:

Manual – the diaphragm must be stopped down manually by rotating the detent aperture ring,

Pre-set – the lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value,

Semi-automatic – the lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value,

Automatic – the actuating lever in the camera, operated by the shutter release, closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Anti-reflection coating

Consists of special ultra-thin films evaporated on the lens surfaces. The result is a noticeable reduction in the amount of light reflected from the lens elements and thus less contrast-degrading flare. Also, light transmission is increased, allowing full use to be made of lens speed.

Hybrid IS

The image stabilizer has Hybrid IS technology which corrects not only angle but also shift camera shake, which is more pronounced in close-range shooting when a camera moves parallel to the imaging scene. Hybrid IS dramatically enhances the effects of image stabilization during shooting, including macro shooting, which had proven difficult for conventional image stabilization technologies.

Dynamic IS

The image stabilizer has Dynamic IS technology which especially effective when shooting while walking because it compensates strong camera shake. Dynamic IS activates automatically when the camera is set to movie shooting.

Mode 1

Corrects vertical and horizontal camera shake. Mainly effective for shooting still subjects.

Mode 2

Corrects vertical camera shake during following shots in a horizontal direction. Corrects horizontal camera shake during following shots in a vertical direction.

Mode 2

Corrects vertical camera shake during following shots in a horizontal direction.

Mode 2 (Intelligent OS)

The lens incorporates Intelligent OS with algorithm capable of panning in all directions. In Mode 2, the movements of subjects can be captured with panning effects even when the camera is moved horizontally, vertically, or diagonally — regardless of the position of the lens.

Mode 3

Corrects camera shake only during exposure. During panning shots, corrects camera shake during exposure only in one direction the same as Mode 2. Effective for following fast and irregulary moving subjects.

Panning Detection

The image stabilizer automatically detects panning and then corrects camera shake only in one direction

Tripod Detection

It is often thought that image blur caused by camera shake can be prevented by using a tripod. Actually, however, even using a tripod may result in image blur because of tripod vibration caused by mirror or shutter movement at the time of exposure. The image stabilizer automatically differentiates the frequency of the vibration from that of camera shake, and changes algorithm to correct image blur caused by slight tripod vibration.

VR NORMAL

Corrects vertical and horizontal camera shake. Automatically detects panning and then corrects camera shake only in one direction.

VR ACTIVE

Corrects vertical and horizontal camera shake when shooting from a moving vehicle, or some other unstable position. Panning is not detected.

VR SPORT

Allows a continuous shooting frame rate and release time lag similar to those that are possible when image stabilizer is turned off. Automatically detects panning and then corrects camera shake only in one direction.

VR TRIPOD

It is often thought that image blur caused by camera shake can be prevented by using a tripod. Actually, however, even using a tripod may result in image blur because of tripod vibration caused by mirror or shutter movement at the time of exposure. The image stabilizer automatically differentiates the frequency of the vibration from that of camera shake, and changes algorithm to correct image blur caused by slight tripod vibration.