Tamron 35-150mm F/2.8-4 Di VC OSD A043

Superzoom lens • Digital era

DI The lens is designed for 35mm full-frame digital SLR cameras but can be also used on APS-C digital SLR cameras.
VC The lens is equipped with Vibration Compensation system.
OSD The lens is equipped with Optimized Silent Drive.
Tamron 35-150mm F/2.8-4 Di VC OSD A043

Features highlight

3 ASPH
3 LD
9 blades
IF
OSD
MFO
VC 5 stops
VC Mode 1
WR
FC
ZL

Compatibility

  • EMD lenses are not compatible with Nikon D2- or D1-series, D200, D100, D90, D80, D70, D70s, D60, D50, D40, D40X, D3000 digital SLR cameras and Nikon film SLR cameras.

Specification

Production details
Announced:April 2019
Production status: In production
Production type:Mass production
Original name:TAMRON 35-150mm F/2.8-4 Di VC OSD A043
Optical design
Focal length range:35mm - 150mm
Speed range:F/2.8 @ 35mm - F/4 @ 150mm
Maximum format:35mm full frame
Mount:Canon EF
Nikon F
Diagonal angle of view:63.4° @ 35mm - 16.4° @ 150mm (35mm full frame)
52.2° @ 35mm - 13.1° @ 150mm (Canon EF APS-H)
44° @ 35mm - 10.8° @ 150mm (Nikon F APS-C)
Lens construction:19 elements - 14 groups
3 ASPH, 3 LD
Diaphragm mechanism
Diaphragm control system:Electromagnetic (Canon EF, Nikon F)
Number of blades:9
Zooming
Zoom type:Rotary
Zooming method:Extends while zooming
Additional features:Zoom lock
Maximum aperture when zooming:F/2.8 @ 35mm, F/3.2 @ 50mm, F/3.5 @ 64mm, F/4 @ 105mm
Focusing
Closest focusing distance:0.45m
Maximum magnification ratio:1:3.7 @ 150mm at the closest focusing distance
Focusing method:Internal focusing (IF)
Focusing modes:Autofocus, manual focus
Manual focus control:Focusing ring
Autofocus motor:Optimized Silent Drive
Focus mode selector:AF - MF
Manual focus override in autofocus mode:Yes
Vibration Compensation (VC)
Built-in VC:Yes
VC features:Mode 1
VC efficiency:up to 5 stops @ 150mm
Physical characteristics
Weight:796g (Canon EF)
790g (Nikon F)
Maximum diameter x Length:⌀84×126.8mm (Canon EF)
⌀84×124.3mm (Nikon F)
Weather sealing:Water-resistant barrel
Fluorine coating:Front element
Accessories
Filters:Screw-type 77mm
Lens hood:Bayonet-type HA043 (petal-shaped)
Teleconverters:<No information>

*) Source of data: Manufacturer's technical data.

Manufacturer description

High quality, flexibility and broad creative expression

For the first time, a dedicated portrait lens that allows you to zoom through various composition options as the creative ideas zoom through your head. The 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens is based on the new concept of allowing you to concentrate on a wide range of portrait compositions without the interruption of pausing to change lenses. The fast F-stop offers F/2.8 at the wide end while maintaining a bright F/4 at the telephoto end. The compact Model A043 is designed for easy carrying, measuring only 124.3mm (4.9 in) long and weighing just 790g (27.9 oz). For fast and steady operation, this exciting zoom incorporates Tamron’s Dual MPU (Micro-Processing Unit) system, which strikes the perfect balance between AF performance and effective vibration compensation. Additionally, optical performance tuned to accentuate the finest qualities of the subject combines clear image quality and soft bokeh defocus blur at the highest level. For greater flexibility when used outdoors, Moisture-Resistant Construction and a Fluorine Coating deliver extra measures of protection. Also, the BBAR (Broad-Band Anti-Reflection) Coating effectively reduces ghosting and flare as well. High quality, flexibility and broad creative expression—you can have them all with Tamron’s new portrait zoom lens.

The 35-150mm F/2.8-4 extends photographic expression in unprecedented fashion

Express your creativity as a portrait photographer by pursuing every dimension from dramatic close-up expressions to delicate movements. We want you to enjoy portrait shooting as you intend, and that is the sentiment we poured into this lens. The Model A043 offers a zoom ratio of nearly 4.3x, with focal lengths ranging from 35mm at the wide end to 150mm at the telephoto end. And if a more structured approach better suits you, you’ll find scale markers that indicate the popular focal length settings for portrait photography (ref. right animation). The versatile zoom range incorporates the 85mm focal length (often regarded as optimum for portrait shooting) and covers everything from full-body shots that include the surrounding area to sharp head-and-shoulders shots. With this single lens you can make the most of every moment you spend with any subject.

The balance between high resolution and brilliant bokeh accentuates any subject

The Model A043 features a specialized optical formula that employs three LD (Low Dispersion) and three hybrid aspherical lens elements to thoroughly control optical aberrations. Tamron’s proprietary anti-reflecting BBAR Coating significantly reduces ghosting and flare that might otherwise occur under backlight conditions, where portraits are often shot. The result provides the advanced levels of sharpness and contrast that today’s high resolution 50+ megapixel DSLRs require. Tamron has also balanced MTF performance to produce exceptional resolving power across the entire zoom range and deliver premium optical performance. Furthermore, Tamron has combined its many years of expertise in producing soft, beautiful bokeh defocus blur with the latest simulation technologies. As a result, the contrast between in-focus areas rendered accurately down to the fine details and backgrounds that gently blend into the scene produces a single high quality image. Enjoy this excellent, inspired performance for portraits, landscapes, travel, family snapshots and more across a wide range of photography subjects.

Outstanding AF performance and vibration compensation for crisp, sharp images

The Model A043 includes Tamron’s exclusive Dual MPU system: a dedicated micro-processing unit for vibration compensation, and separate microprocessor for lens system control, including AF. Each MPU has a DSP (Digital Signal Processing) block for high speed signal processing that combines reliable vibration compensation with exceptional AF performance. The result effectively reduces focus deviations and camera shake and is especially valuable in low-light conditions.

AF with Optimized Silent Drive quietly tracks constantly moving subjects with ease

The AF drive employs a newly developed OSD (Optimized Silent Drive) to ensure silent operation. Operating noise has been appreciably reduced thanks to a revamped and optimized AF unit. Photographers and subjects can converse and enjoy the mood of the moment while devoting their efforts to portrait shooting without noisy intermittent distractions. Also, the precision and speed of autofocusing are increased to ensure accurate focus even when tracking constantly moving subjects.

VC (Vibration Compensation) counteracts camera shake and expands opportunities

The Model A043 is equipped with Tamron’s legendary VC that achieves compensation equivalent to 5 stops* (CIPA standards) to effectively reduce the effects of camera shake. This is particularly beneficial when shooting at the shake-prone telephoto end and when shooting at slower shutter speeds. VC ensures that subjects will be faithfully captured down to the fine details even when shooting in low-light environments, such as twilight or indoors, without flash.

MOD of 0.45m (17.7 in) adds close-up composition to your zoom repertoire

In addition to a wide range of focal lengths, the Model A043 provides an MOD of 0.45m (17.7 in) across the entire zoom range. This allows you to approach the subject close-up even when shooting at the telephoto end, which adds new possibilities to portrait composition. By varying the distance between you and the subject, you can intensify close communication with the subject, a crucial aspect of portrait photography. Even when shooting indoors where movement is restricted, you will be able to find just the right shooting position and angle. Experience the rich variation in the world of close-up photography of eyes, skin texture and other points of focus that becomes possible as you move nearer to the subject.

Cover from 17mm wide to 150mm telephoto with two high performance F/2.8-4 lenses

Using the Model A043 as a set with Tamron’s 17-35mm F/2.8-4 Di OSD (Model A037) ultrawide-angle zoom supports an amazingly broad range of shooting styles from landscape and street photography to architecture and portrait photography—and everything in between! What’s more, the lenses have a combined weight of just 1,250g (44.1 oz)*, making them the perfect combo when you want to travel light.

*Weight applies to the model with the Nikon mount.

A 9-blade diaphragm is configured to retain a smooth, circular-shaped aperture opening even when stopped down by two stops from the wide-open aperture. This produces a smooth-edged bokeh in background light spots and avoids rugged aperture geometry.

For greater protection when shooting outdoors, leak-resistant seals throughout the lens barrel help protect your equipment.

The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is employed in Nikon-mount lenses. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

Typical application

landscapes, interiors, buildings, cityscapes, portraits, travel, wild nature

Slowest shutter speed when shooting handheld

VC OFF @ 150mm11/21/41/51/81/151/301/601/1251/1601/2501/5001/1000+
VC ON @ 150mm11/21/41/51/81/151/301/601/1251/1601/2501/5001/1000+

Tamron 35-150mm F/2.8-4 Di VC OSD A043

Tamron 35-150mm F/2.8-4 Di VC OSD A043
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Tamron 35-150mm F/2.8-4 Di VC OSD A043

Tamron 35-150mm F/2.8-4 Di VC OSD A043
  • Advantages: 0
  • Disadvantages: 0
Not enough data to compare lenses.

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

One of the best superzoom lenses

According to lens-db.com; among lenses designed for the same maximum format and mount.

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Optimized Silent Drive

Optimized Silent Drive

AF - MF

AFAutofocus mode.
MFManual focus mode.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.

High-refraction low-dispersion elements

High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

High Index, High Dispersion elements

High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Anomalous partial dispersion elements

Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Fluorite elements

Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.

According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Fixed focus

There is no helicoid in this lens and everything is in focus from the closest focusing distance to infinity.

Overall linear extension

The entire lens optical system moves straight backward and forward when focusing is carried out. This is the simplest type of focusing used mainly in wide-angle and standard prime lenses. It has the advantage of introducing relatively little change in aberrations with respect to change in focusing distance. With telephoto and super telephoto lenses this method becomes less beneficial in terms of operability because of the increased size and weight of the lens system.

Front group linear extension

The rear group remains fixed and only the front group moves straight backward and forward during focusing. This method is primarily used in zoom lenses and allows to design comparatively simple lens construction, but also places restrictions on zoom magnification and size reduction.

Front group rotational extension

The lens barrel section holding the front lens group rotates to move the front group backward and forward during focusing. This method of focusing is also used only in zoom lenses.

Internal focusing (IF)

Focusing is performed by moving one or more lens groups positioned between the front lens group and the diaphragm.

Methods of internal and rear focusing have the following advantages:

Rear focusing (RF)

Focusing is performed by moving one or more lens groups positioned behind the diaphragm.

Methods of internal and rear focusing have the following advantages:

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Rotary zoom

The change of focal length is achieved by turning the zoom ring and the manual focusing - by turning the separate focusing ring.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Push/pull zoom

The change of focal length and the manual focusing is achieved by one and the same ring. The change of focal length happens when the photographer moves the ring towards the mount or backwards and the rotation of the ring leads to change of focus.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Zoom lock

The lens features a zoom lock to keep the zoom ring fixed. This function is convenient for carrying a camera with the lens on a strap because it prevents the lens from extending.

Power Zoom

The lens features electronically driven zoom mechanism. It provides smoother, more natural zoom movements than you could accomplish by hand.

The Holy Trinity of lenses

The Holy Trinity of lenses refers to a three-lens set that covers a focal length range from the ultra-wide focal length of 14-16mm all the way long to the telephoto focal length of 200mm. The set typically consists of a 16-35mm ultra-wide angle zoom lens, a 24-70mm standard zoom lens and a 70-200mm telephoto zoom lens and usually represents the best constant-aperture zoom lenses in a manufacturer's lineup. The set is designed to cover almost every genre of photography, be it landscapes, architecture, portraits, weddings, sports, travel or even wildlife (with teleconverter). However, it is also expensive, large and heavy.

Efficiency of image stabilizer

The efficiency of image stabilizer is measured in stops and each stop corresponds to a two-times increase of shutter speed. For example, if you are shooting at focal length of 80mm and it is known that the efficiency of image stabilizer is 3 stops, it means that during handheld shooting at such focal length you can use shutter speed of 1/10 second which is exactly 23 times longer than the shutter speed 1/80 second needed to obtain sharp image in sufficient lighting conditions.

Hybrid IS

The image stabilizer has Hybrid IS technology which corrects not only angle but also shift camera shake, which is more pronounced in close-range shooting when a camera moves parallel to the imaging scene. Hybrid IS dramatically enhances the effects of image stabilization during shooting, including macro shooting, which had proven difficult for conventional image stabilization technologies.

XY-Shift

The image stabilizer has XY-Shift technology which corrects not only angle but also shift camera shake, which is more pronounced in close-range shooting when a camera moves parallel to the imaging scene. XY-Shift dramatically enhances the effects of image stabilization during shooting, including macro shooting, which had proven difficult for conventional image stabilization technologies.

Dynamic IS

The image stabilizer has Dynamic IS technology which especially effective when shooting while walking because it compensates strong camera shake. Dynamic IS activates automatically when the camera is set to movie shooting.

Mode 1

Corrects vertical and horizontal camera shake. Mainly effective for shooting still subjects.

Mode 2

Corrects vertical camera shake during following shots in a horizontal direction. Corrects horizontal camera shake during following shots in a vertical direction.

Mode 2

Corrects vertical camera shake during following shots in a horizontal direction.

Mode 2 (Intelligent OS)

The lens incorporates Intelligent OS with algorithm capable of panning in all directions. In Mode 2, the movements of subjects can be captured with panning effects even when the camera is moved horizontally, vertically, or diagonally — regardless of the position of the lens.

Mode 3

Corrects camera shake only during exposure. During panning shots, corrects camera shake during exposure only in one direction the same as Mode 2. Effective for following fast and irregulary moving subjects.

Panning Detection

The image stabilizer automatically detects panning and then corrects camera shake only in one direction.

Tripod Detection

It is often thought that image blur caused by camera shake can be prevented by using a tripod. Actually, however, even using a tripod may result in image blur because of tripod vibration caused by mirror or shutter movement at the time of exposure. The image stabilizer automatically differentiates the frequency of the vibration from that of camera shake, and changes algorithm to correct image blur caused by slight tripod vibration.

VR NORMAL

Corrects vertical and horizontal camera shake. Automatically detects panning and then corrects camera shake only in one direction.

VR ACTIVE

Corrects vertical and horizontal camera shake when shooting from a moving vehicle, or some other unstable position. Panning is not detected.

VR SPORT

Allows a continuous shooting frame rate and release time lag similar to those that are possible when image stabilizer is turned off. Automatically detects panning and then corrects camera shake only in one direction.

VR TRIPOD

It is often thought that image blur caused by camera shake can be prevented by using a tripod. Actually, however, even using a tripod may result in image blur because of tripod vibration caused by mirror or shutter movement at the time of exposure. The image stabilizer automatically differentiates the frequency of the vibration from that of camera shake, and changes algorithm to correct image blur caused by slight tripod vibration.