Leitz Wetzlar Vario-Elmar-R 75-200mm F/4.5

Telephoto zoom lens • Film era • Discontinued

Model history

Leitz Wetzlar Vario-Elmar-R 75-200mm F/4.5A15 - 111.2mE55 1978 
Leitz Wetzlar Vario-Elmar-R 80-200mm F/4.5A14 - 101.8mE55 1974 

Leica R3

35mm MF film SLR camera

Announced:1976
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:4 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:148x96.5x64.6mm
Weight:780g

Leica R4

35mm MF film SLR camera

Announced:1980
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:138.5x88.1x60mm
Weight:630g

Leica R4S

35mm MF film SLR camera

Announced:1983
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:138.5x88.1x60mm
Weight:630g

Leica R5

35mm MF film SLR camera

Announced:1986
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:15 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:138.5x89.1x62.2mm
Weight:625g

Leica R6

35mm MF film SLR camera

Announced:1988
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/1000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:138.5x89.1x63.5mm
Weight:625g

Leica R-E

35mm MF film SLR camera

Announced:1990
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:15 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Aperture-priority Auto
Manual
Dimensions:138.5x89.1x63.5mm
Weight:625g

Leica R6.2

35mm MF film SLR camera

Announced:1992
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Mechanical
Speeds:1 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Dimensions:138.5x89.1x62.2mm
Weight:625g

Leica R7

35mm MF film SLR camera

Announced:1992
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:16 - 1/2000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:138.5x94.8x62.2mm
Weight:670g

Leica R8

35mm MF film SLR camera

Announced:1996
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:16 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:158x101x62mm
Weight:890g

Leica R9

35mm MF film SLR camera

Announced:2002
Mount:Leica R
Format:36 × 24mm
Shutter type:Focal-plane
Shutter model:Electronically controlled
Speeds:16 - 1/8000 + B
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Dimensions:158x101x62mm
Weight:790g

Designed for

Features highlight

Constant F/4.5
Auto
8 blades
MF
PUSH/PULL
Built-in hood

Specification

Production details
Announced:1978
Production status:Discontinued
Production type:Mass production
Order No.:11226
Original name:LEITZ WETZLAR VARIO-ELMAR-R 1:4.5/75-200
Optical design
Focal length range:75mm - 200mm
Speed range:F/4.5 across the focal length range
Maximum format:35mm full frame
Mount:Leica R
Flange focal distance:47mm
Diagonal angle of view:32.2° @ 75mm - 12.3° @ 200mm (35mm full frame)
Lens construction:15 elements - 11 groups
Diaphragm mechanism
Diaphragm type:Automatic
Number of blades:8
Zooming
Zoom type:Push/pull
Zooming method:<No information>
Focusing
Closest focusing distance:1.2m
Maximum magnification ratio:<No information>
Focusing method:<No information>
Focusing modes:Manual focus only
Manual focus control:Focusing ring
Physical characteristics
Weight:725g
Maximum diameter x Length:⌀70×157mm
Accessories
Filters:Screw-type 55mm
Lens hood:Built-in telescopic round

Manufacturer description

This vario-lens has a zooming ratio of 2.6x and supplements the tele-range. It is relatively small and handy. Single ring for zooming and focusing. Moving the handy ring forwards or backwards changes the focal length; rotating the ring will focus it as usual. Close focus distance to 1.20m. The high performance quality and the fact that the lens can be used with "ELPRO" auxiliary lenses for close-up work, makes this lens desirable for scientific and technical photography. The smallest object area is 4 x 6cm.

From the editor

The lens was produced by Minolta Camera Co. (Osaka) under the 1970 agreement between Leitz and Minolta. Optically, it should be a copy of the MINOLTA MD ZOOM ROKKOR 75-200mm 1:4.5 (1978).

Compatible with all Leicaflex and R cameras.

The lens is compatible with ELPRO 3 and 4 macro adapters which allow magnification ratio of 1:1.7 at focal length of 200 mm and minimum focusing distance.

According to the "Handbook of the LEICA system" (May 1987), the VARIO-ELMAR-R 4.5/75-200 with order number 11226 has internal thread M55 x 0.75 and uses E55 filters. Series VII filters can be also used with the adapter 14225.

Typical application

distant subjects, distant landscapes with perspective compression effect, wild nature, travel

Lenses with similar focal length range and speed

Sorted by manufacturer name

Comments

David Murray

Despite the criticism that this is a Japanese made Minolta lens, I’ve used it fairly widely. I tend to avoid ‘push-pull’ zooms as I felt that the zoom action pulled dust into them. However, buying from a trusted dealer in London allowed me to get one in tip-top condition- inside and out. Results are good, provided a high shutter speed is used, at least 500. I’d looked at 80-200 f4.5 and 75-200 f4.5 and 70-210 f4. The 75-200 f4.5 has 55mm filter threads. That’s what decided it for me. My 35/2, 50/2, 100/4, 135/2.8 & 180/4 all have 55mm threads. I’m not sure if I can get E60 filters etc.
Provided it’s not too expensive, I would thoroughly recommend this to everyone. DM

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

One of the best slow telephoto zooms

According to lens-db.com; among lenses designed for the same maximum format and mount.

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You are already on the page dedicated to this lens.

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Cannot compare the lens to itself.

Quality control issues

The manufacturer of this lens does not provide adequate quality control. If you do decide to purchase this lens, do not order it online, but choose the best copy available in the store. In any case, there may also be problems with the build quality, and warranty repairs can take months.

Unique Leica Look

Leica lenses are one-of-a-kind optical masterpieces that are impressive because of their unique Leica Look. This is ensured through exceptional optical design combined with selected materials and the highest quality standards.

Leica lenses reveal their full potential only when mounted on Leica cameras, since only these have sensors precisely matched to their optical characteristics.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

MF

Sorry, no additional information is available.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Rotary zoom

The change of focal length is achieved by turning the zoom ring and the manual focusing - by turning the separate focusing ring.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Push/pull zoom

The change of focal length and the manual focusing is achieved by one and the same ring. The change of focal length happens when the photographer moves the ring towards the mount or backwards and the rotation of the ring leads to change of focus.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Zoom lock

The lens features a zoom lock to keep the zoom ring fixed. This function is convenient for carrying a camera with the lens on a strap because it prevents the lens from extending.

Power Zoom

The lens features electronically driven zoom mechanism. It provides smoother, more natural zoom movements than you could accomplish by hand.

The Holy Trinity of lenses

The Holy Trinity of lenses refers to a three-lens set that covers a focal length range from the ultra-wide focal length of 14-16mm all the way long to the telephoto focal length of 200mm. The set typically consists of a 16-35mm ultra-wide angle zoom lens, a 24-70mm standard zoom lens and a 70-200mm telephoto zoom lens and usually represents the best constant-aperture zoom lenses in a manufacturer's lineup. The set is designed to cover almost every genre of photography, be it landscapes, architecture, portraits, weddings, sports, travel or even wildlife (with teleconverter). However, it is also expensive, large and heavy.