Canon TS-E 90mm F/2.8L Macro

Shift lens • Digital era

TS Perspective control lens.
E The lens incorporates an electromagnetic diaphragm mechanism.
L Professional lens with high quality optics and robust build. Meets the highest standards and provides excellent performance and flawless image quality unachievable with traditional optical technologies.
MACRO Macro lens. Designed specially for shooting close-ups of small subjects but can be also used in other genres of photography, not necessarily requiring focusing at close distances.

Model history ⋅ モデル履歴

Canon TS-E 90mm F/2.8L MacroA11 - 90.39m⌀77 2017 
Canon TS-E 90mm F/2.8A6 - 50.5m⌀58 1991 

Canon EOS 650

35mm AF film SLR camera

Announced ⋅ 発表:March ⋅ 行進 1987
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148x108x68mm
Weight ⋅ 重さ:660g

Canon EOS 620

35mm AF film SLR camera

Announced ⋅ 発表:May ⋅ 5月 1987
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148x108x68mm
Weight ⋅ 重さ:700g

Canon EOS 750 QD

35mm AF film SLR camera

Announced ⋅ 発表:October ⋅ 10月 1988
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:2 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Dimensions ⋅ 寸法:149x102x71mm
Weight ⋅ 重さ:620g

Canon EOS 850

35mm AF film SLR camera

Announced ⋅ 発表:October ⋅ 10月 1988
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:2 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Dimensions ⋅ 寸法:149x97x70mm
Weight ⋅ 重さ:560g

Canon EOS 630

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 600
Announced ⋅ 発表:April ⋅ 4月 1989
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148x108x68mm
Weight ⋅ 重さ:670g

Canon EOS-1

35mm AF film SLR camera

Announced ⋅ 発表:September ⋅ 9月 1989
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:161x107x72mm
Weight ⋅ 重さ:890g

Canon EOS RT

35mm AF film SLR camera

Announced ⋅ 発表:October ⋅ 10月 1989
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148x108x68mm
Weight ⋅ 重さ:660g

Canon EOS 10 S

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 10
Canon EOS 10 QD
Announced ⋅ 発表:March ⋅ 行進 1990
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:158x106x70mm
Weight ⋅ 重さ:625g

Canon EOS 700

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 700 QD
Announced ⋅ 発表:March ⋅ 行進 1990
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:2 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Shutter-priority Auto ⋅ シャッター優先オート
Dimensions ⋅ 寸法:149x102x71mm
Weight ⋅ 重さ:615g

Canon EOS ELAN

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 100
Canon EOS 100 QD
Canon EOS 100 panorama
Announced ⋅ 発表:August ⋅ 8月 1991
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x105x69mm
Weight ⋅ 重さ:580g

Canon EOS Rebel S II QD

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 1000 F N QD
Canon EOS 1000 S QD
Announced ⋅ 発表:March ⋅ 行進 1992
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148x100x69mm
Weight ⋅ 重さ:470g

Canon EOS A2

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS A2E
Canon EOS 5
Canon EOS 5 QD
Announced ⋅ 発表:November ⋅ 11月 1992
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x121x74mm
Weight ⋅ 重さ:675g

Canon EOS Rebel XS

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 500
Canon EOS Kiss
Announced ⋅ 発表:September ⋅ 9月 1993
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:145x92x62mm
Weight ⋅ 重さ:370g

Canon EOS Rebel X

35mm AF film SLR camera

Announced ⋅ 発表:November ⋅ 11月 1993
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:145x92x70mm
Weight ⋅ 重さ:315g

Canon EOS-1N

35mm AF film SLR camera

Announced ⋅ 発表:November ⋅ 11月 1994
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:161x112x72mm
Weight ⋅ 重さ:855g

Canon EOS-1N RS

35mm AF film SLR camera

Announced ⋅ 発表:March ⋅ 行進 1995
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:161x160x78mm
Weight ⋅ 重さ:1295g

Canon EOS ELAN II

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS ELAN IIE
Canon EOS 50
Canon EOS 50E
Canon EOS 55
Announced ⋅ 発表:September ⋅ 9月 1995
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:153x105x71mm
Weight ⋅ 重さ:595g

Canon EOS Rebel G

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 500N
Canon New EOS Kiss
Announced ⋅ 発表:September ⋅ 9月 1996
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:146x92x62mm
Weight ⋅ 重さ:400g

Canon EOS IX

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS IX E
Announced ⋅ 発表:October ⋅ 10月 1996
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:132x80x59mm
Weight ⋅ 重さ:485g

Canon EOS IX Lite

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS IX 7
Canon EOS IX 50
Announced ⋅ 発表:March ⋅ 行進 1998
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:123x80x64mm
Weight ⋅ 重さ:360g

Canon EOS-3

35mm AF film SLR camera

Announced ⋅ 発表:November ⋅ 11月 1998
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:161x119.2x70.8mm
Weight ⋅ 重さ:780g

Canon EOS Rebel 2000

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 300
Canon EOS Kiss III
Announced ⋅ 発表:April ⋅ 4月 1999
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:140x90x58.5mm
Weight ⋅ 重さ:335g

Canon EOS-1V

35mm AF film SLR camera

Announced ⋅ 発表:March ⋅ 行進 2000
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:161x120.8x70.8mm
Weight ⋅ 重さ:945g

Canon EOS ELAN 7E

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS ELAN 7
Canon EOS 30
Canon EOS 33
Canon EOS 7
Announced ⋅ 発表:October ⋅ 10月 2000
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:146.7x103x69mm
Weight ⋅ 重さ:580g

Canon EOS Rebel XS N DATE

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 3000N
Canon EOS 66
Announced ⋅ 発表:February ⋅ 2月 2002
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:145x92x61.9mm
Weight ⋅ 重さ:365g

Canon EOS Rebel Ti

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 300V
Canon EOS Kiss 5
Announced ⋅ 発表:September ⋅ 9月 2002
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:130x88x64mm
Weight ⋅ 重さ:365g

Canon EOS Rebel K2

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 3000V
Canon EOS Kiss Lite
Announced ⋅ 発表:September ⋅ 9月 2003
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:130x88x64mm
Weight ⋅ 重さ:365g

Canon EOS ELAN 7NE

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS ELAN 7N
Canon EOS 30V
Canon EOS 33V
Canon EOS 7s
Announced ⋅ 発表:April ⋅ 4月 2004
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:146.7x103x69mm
Weight ⋅ 重さ:580g

Canon EOS Rebel T2

35mm AF film SLR camera

Also known as ⋅ としても知られている:Canon EOS 300X
Canon EOS Kiss 7
Announced ⋅ 発表:September ⋅ 9月 2004
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:130x90x64mm
Weight ⋅ 重さ:365g

Canon EOS 1Ds

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2002
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:35.8 × 23.8mm
Resolution ⋅ 解像度:4064 × 2704 - 11 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 1Ds mark II

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2004
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:4992 × 3328 - 17 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5D

35mm AF digital SLR camera

Announced ⋅ 発表:August ⋅ 8月 2005
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:35.8 × 23.9mm
Resolution ⋅ 解像度:4368 × 2912 - 13 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 1Ds mark III

35mm AF digital SLR camera

Announced ⋅ 発表:August ⋅ 8月 2007
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5616 × 3744 - 21 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5D mark II

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2008
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5616 × 3744 - 21 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 1D X

35mm AF digital SLR camera

Announced ⋅ 発表:October ⋅ 10月 2011
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5184 × 3456 - 18 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5D mark III

35mm AF digital SLR camera

Announced ⋅ 発表:March ⋅ 行進 2012
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5760 × 3840 - 22 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 6D

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2012
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:35.8 × 23.9mm
Resolution ⋅ 解像度:5472 × 3648 - 20 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5Ds

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2015
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:8688 × 5792 - 50 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5Ds R

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2015
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:8688 × 5792 - 50 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 1D X Mark II

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2016
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5472 × 3648 - 20 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 5D mark IV

35mm AF digital SLR camera

Announced ⋅ 発表:August ⋅ 8月 2016
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:6720 × 4480 - 30 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 6D Mark II

35mm AF digital SLR camera

Announced ⋅ 発表:June ⋅ 六月 2017
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:6240 × 4160 - 26 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Canon EOS 1D X Mark III

35mm AF digital SLR camera

Announced ⋅ 発表:January ⋅ 1月 2020
Mount ⋅ マウント:Canon EF
Format ⋅ フォーマット:36 × 24mm
Resolution ⋅ 解像度:5472 × 3648 - 20 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Designed for ⋅ のために設計された

Click to expand or collapse section(s)

Features highlight ⋅ 機能のハイライト

Shift -12..0..+12 mm
Tilt -10..0..+10°
Lens rotation
T/S rotation
Fast
1 ASPH
1 UD
F.E.
Auto
9 blades
MF
Macro 1:2

Specification ⋅ 仕様

Production details ⋅ 制作内容
Announced ⋅ 発表:August ⋅ 8月 2017
Production status ⋅ 生産状況:In production ⋅ 生産中
Production type ⋅ 生産タイプ:Mass production ⋅ 大量生産
Original name ⋅ 元の名前:CANON LENS TS-E 90mm 1:2.8 L MACRO
Optical design ⋅ 光学設計
Focal length ⋅ 焦点距離:90mm
Speed ⋅ スピード:F/2.8
Maximum format ⋅ 最大フォーマット:35mm full frame ⋅ 35mmフルフレーム
Mount ⋅ マウント:Canon EF
Flange focal distance ⋅ フランジバック:44mm
Diagonal angle of view ⋅ 対角画角:27° (35mm full frame ⋅ 35mmフルフレーム)
21.6° (Canon EF APS-H)
Lens construction ⋅ レンズ構造:11 elements ⋅ 要素 - 9 groups ⋅ グループ
1 ASPH, 1 UD
Floating element system
Diaphragm mechanism ⋅ ダイヤフラムメカニズム
Diaphragm type ⋅ ダイヤフラムタイプ:Automatic ⋅ 自動
Number of blades ⋅ 絞り羽根の数:9
Focusing ⋅ フォーカシング
Closest focusing distance ⋅ 最短撮影距離:0.39m
Maximum magnification ratio ⋅ 最大倍率:1:2 at the closest focusing distance ⋅ 最寄りの距離で
Focusing method ⋅ フォーカシング方法:<No information ⋅ 情報なし>
Focusing modes ⋅ フォーカシングモード:Manual focus only ⋅ マニュアルフォーカスのみ
Manual focus control ⋅ マニュアルフォーカス制御:Focusing ring ⋅ フォーカシングリング
Tilt and Shift mechanism ⋅ チルトおよびシフトメカニズム
Shift range ⋅ シフト範囲:-12..0..+12mm
Tilt range ⋅ 傾ける:-10..0..+10°
Lens rotation ⋅ レンズ回転:Yes ⋅ はい
Tilt/Shift rotation ⋅ チルト/シフト回転:Yes ⋅ はい
Physical characteristics ⋅ 体格的特徴
Weight ⋅ 重量:915g
Maximum diameter x Length ⋅ 最大直径x長さ:⌀86.9×116.5mm
Weather sealing ⋅ ウェザーシーリング:-
Fluorine coating:-
Accessories ⋅ 付属品
Filters ⋅ フィルタ:Screw-type ⋅ ネジ式 77mm
Lens hood ⋅ レンズフード:Bayonet-type ⋅ バヨネットタイプ ES-84 (round ⋅ ラウンド)

Manufacturer description

Meet the TS-E 90mm f/2.8L Macro for advanced photography with precise control. It incorporates L-series optics with an expansive tilt and shift range as well as an admirable minimum focusing distance for a level of precision and quality that can be ideal for macro photography, portraiture, product photography and numerous other specialty applications. Its large, easily operated knobs and locking mechanisms remain reliable, and the minimum focusing distance of 16 in./0.39m is convenient for close-up photography. For photographers who want access to the control and creativity TS-E lenses enable, the TS-E 90mm f/2.8L Macro is a versatile and excellent all-around performer.

An excellent addition to Canon's L-series collection of lenses, the TS-E 90mm f/2.8L Macro offers outstanding optics, reliable performance and refined design, featuring the quality professionals and advanced photographers demand. Engineered to complement Canon's high-resolution camera sensors, it's poised to deliver phenomenal image quality in any number of applications.

With a large f/2.8 maximum aperture, the TS-E 90mm f/2.8L Macro is extremely bright, excellent for composing images and for quick shutter speeds – even at low ISO speeds. This means striking portraits, minimized movement even in windy conditions and high flexibility for low-light situations.

The TS-E 90mm f/2.8L Macro is designed to deliver the image quality necessary for detailed, high-resolution image capture. A UD Glass lens in an 11-element optical formula helps to minimize chromatic aberration. The TS-E 90mm f/2.8L Macro's optics deliver gorgeous, high-resolution images with sharp edge-to-edge detail.

To help minimize the ghosting and flare that reflected light can cause on image capture, the TS-E 90mm f/2.8L Macro features Canon's ASC coating. Air Sphere Coating (ASC) technology is designed to help significantly minimize reflections, particularly with light that enters the lens vertically. It adds a protective film that includes air spheres over the lens's conventional multi-layer coatings, reducing reflections and delivering clear images with high contrast and minimal glare.

For greater ease of use, the TS-E 90mm f/2.8L Macro features enlarged knobs for fast, intuitive control of tilt and shift. Feel free to make adjustments as you please without having to take your eyes off the composition.

To deliver high operability, the TS-E 90mm f/2.8L Macro features large tilt and shift lock knobs and a rotation lock release button. It also has a tilt-locking mechanism that keeps the lens in the zero position, helping to prevent unintended movement when in use.

For greater flexibility in shooting, the TS-E 90mm f/2.8L Macro has an enhanced tilt range of ±10° to deliver a higher level of control. Whether focusing on a subject not parallel to the camera's sensor, increasing or decreasing the lens's depth of field or establishing a specific plane of focus, the TS-E 90mm f/2.8L Macro's enlarged tilt range can prove indispensable in defining the composition.

For expansive control, the TS-E 90mm f/2.8L Macro features an incredibly large shift range of ±12mm, enabling seemingly impossible image capture with ease. This increased range helps the TS-E 90mm f/2.8L Macro eliminate converging lines, reflections or nearby objects from the composition, recompose the image without moving the camera and even capture a wider angle of view through photo stitching.

With a minimum focusing distance of 16 in./0.39m, the TS-E 90mm f/2.8L Macro is incredibly well-suited for close-up photography. Combined with its expanded range of movements, its minimum focusing distance helps make sharp and detailed close-up images with specifically defined depth of field a reality.

Thanks to a maximum magnification of 0.5x, the TS-E 90mm f/2.8L Macro is well-suited for capturing images of small objects. Whether shooting photos of still life, product photography or anything in between, its combination of maximum magnification, close focusing distance and expanded movements enables a truly phenomenal level of control for even the most challenging subjects.

From the editor ⋅ 編集者から

The lens offers improved operability over previous models, including larger tilt and shift lock knobs, rotation lock release button and a new tilt-locking mechanism that firmly locks the lens in the zero-tilt position to help prevent unintended tilting to increase more precise shooting capabilities.

The lens can be tilted up to +/-10 degrees and shifted up to +/-12mm. The tilt and shift functions can be used singly or in combination. The tilt and shift can switch from right angle to parallel using the TS rotation feature. The lens can be rotated through +/-90 degrees with click stops at every 30 degrees to change tilt or shift direction.

Notes and recommendations ⋅ 注意事項と推奨事項

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

Professional lens (Top class)

One of the best shift lenses

According to lens-db.com; among lenses designed for the same maximum format and mount.

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You are already on the page dedicated to this lens.

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Cannot compare the lens to itself.

Quality control issues

The manufacturer of this lens does not provide adequate quality control. If you do decide to purchase this lens, do not order it online, but choose the best copy available in the store. In any case, there may also be problems with the build quality, and warranty repairs can take months.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

MF

Sorry, no additional information is available.

Shift lenses

Shift lenses are high-quality lenses, usually wide-angle, that provide a parallel shift facility like the sliding lens panel of professional large-format cameras for correcting converging vertical lines and manipulating the perspective especially for use in architectural and product photography.

Whereas normal lenses designed for 35mm full-frame cameras have an image circle diameter of 43.27mm so that all four corners of the image are inside the image circle, shift lenses provide much larger image circle (60mm or even more). Decentration of the lens is possible within this area.

Vertical shift is the most popular: upward when photographing high buildings, and downward for product shots, so that the camera does not have to be tilted. When the camera is tilted either upward or downward, perpendicular lines are not imaged as perpendicular, but rather converge upward or downward, which is very pronounced in wide-angle shots and can be very irritating.

Lens rotation

By using rotation, the direction of the entire lens can be switched.

Tilt/Shift rotation

By using Tilt/Shift rotation, the relationship of the tilt and shift operation directions can be switched from right angle to parallel.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.

High-refraction low-dispersion elements

High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

High Index, High Dispersion elements

High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Anomalous partial dispersion elements

Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Fluorite elements

Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.

According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Floating element system

Provides correction of aberrations and ensures constantly high image quality at the entire range of focusing distances from infinity down to the closest focusing distance. It is particularly effective for the correction of field curvature that tends to occur with large-aperture, wide-angle lenses when shooting at close ranges.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.