Samsung NX1

APS-C AF digital mirrorless camera

Specification

Production details
Announced:September 2014
System: Samsung NX (2010)
Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Samsung NX [25.5mm]
Imaging plane:23.5 × 15.7mm CMOS sensor
Resolution:6480 × 4320 - 28 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/8000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:550g
Dimensions:138.5x102.3x65.8mm

Manufacturer description

RIDGEFIELD PARK, N.J. – Sept. 15, 2014 – Samsung Electronics America, Inc. (SEA), announces today the launch of the NX1 SMART Camera. This new flagship model combines professional image quality with cinema quality Ultra High Definition (UHD) / 4K resolution video recording and industry-leading SMART connectivity. Samsung also expands its line of professional-grade “S” lenses with the introduction of a new telephoto lens, the NX 50-150mm F2.8 S OIS lens.

“The NX1 is the new flagship in our award-winning NX line-up. It brings together our SMART camera technology, new 4K video capabilities and Samsung’s fastest AF system to date in a lightweight, portable body. This blend of cutting edge imaging technology appeals to a wide variety of photographers, and makes it one of the most competitive models in its class,” said Ron Gazzola, Vice President of Marketing, Digital Imaging, Samsung Electronics America. “The combination of the new Samsung 50-150mm F2.8 S lens and NX1 delivers an unrivalled shooting experience that gives users the confidence that they’re taking the best images or video in any situation.”

Blazing Fast Speed and Superb Image Quality

The NX1 boasts an all new, best in class, 28MP BSI CMOS sensor, which supports Samsung’s fastest autofocus system to date, the NX AF System III. Photographers can quickly focus on subjects, making this camera ideal for photographing a football player as they run down the field or baseball action at home plate. Developed utilizing Samsung’s advanced semiconductor technology, the back side illuminated sensor is capable of gathering more light than conventional CMOS sensors. The new NX AF System III features 205 Phase Detect AF points covering 90 percent of the frame, allowing photographers to quickly focus on their targets. This quick focusing ability allows the camera to achieve 15FPS of continuous shooting while continuously tracking focus. The system also employs a patterned AF Assist Beam that reaches up to 15m and will help to more accurately capture clear photos in low light.

The NX1 also incorporates a new DRIMe V Image Processer that delivers superior color reproduction and works with the camera’s built-in Adaptive Noise Reduction technology to help retain details and remove noise from photos captured at high ISO’s. The advanced algorithm also analyzes details and color in each photo, making sure users always have the clearest image.

Wide Phase Detection gives the NX1 the ability to instinctively track subjects almost anywhere in the frame, regardless of their location. Photographers can capture even the briefest of moments. There is no need to re-compose a shot – they can simply focus and shoot immediately, allowing for extreme speed and flexibility. This technology will be of particular interest to those who love to shoot video, as the NX1 supports the use of Phase Detect AF during movie recording, so that results are stable and steady.

The new Samsung Auto Shot highlights the innovation available in the NX1. Using the DRIMe V Image Processor and an advanced algorithm, the NX1 will track a baseball as it travels to a player, allowing photographers take crisp images of the moment a ball connects with a bat. While these shots can often be difficult to take, the NX1 removes any concern by accurately predicting the right time to trigger the shutter and capture a full-resolution image.

As the only compact system camera on the market with a top deck LCD panel, photographers can easily confirm camera settings, including aperture, shutter speed, ISO, white balance, AF settings, drive and battery life with one glance.

Cinema Quality Video

Videographers and filmmakers can easily shoot cinema-quality video straight from the NX1. Utilizing the next generation HEVC codec, the NX1 is capable of recording smooth and immersive UHD/4K (DCI Standard) video. Users can easily save files directly to the memory card in the camera, eliminating the need to carry hefty external 4K recorders. This is made possible by a built-in HEVC Codec (H.265).

With a myriad of input, output and connectivity options, users will be able to customize their NX1 for their unique recording needs. Additionally, using Samsung’s SMART technology, users can also share their videos directly to any Samsung UHD television via Wi-Fi.

The NX Lens Line-up Gets Faster

Expanding upon Samsung’s premium line of “S” lenses, the new Samsung 50-150mm F2.8 S lens is the second in the series and affords photographers the opportunity to capture telephoto images with crisp clarity and tack sharp focus in a variety of scenarios. Its fast aperture provides excellent low light performance and beautiful bokeh, making it perfect for sports, nature and wedding photography. The lens features an Ultra-Precise Stepping Motor (UPSM), improved from the conventional Stepping Motor (SM), it is three times more precise in its ability to control and focus on subjects. Photographers can capture sharp photos at low shutter speeds using advanced multi-axis Optical Imaging Stabilization (OIS) with four-axis control and a six-axis sensor array. These sensors detect camera motion, and help the lens to make the precision corrections necessary.

The new telephoto lens features a dust and water resistant build making it both durable and reliable. All of the lens controls, focus, zoom and OIS, are located in a single “function zone” on the side of the lens, making it easy to control.

Smart Connectivity, Tag & Go

Building on the successes of Samsung's market leading SMART Camera technology, the NX1's NFC and Wi-Fi capabilities offer the next-generation of connectivity, making it is easier than ever to take advantage of a host of intuitive sharing features. The ‘Tag & Go’ function lets users tap and share memories instantly and easily, pairing the NX1 with NFC enabled smartphones and tablets. Additionally, the NX1 incorporates Bluetooth 3.0 for an always-connected experience with a mobile device. After authenticating the connection via Bluetooth, the NX1 is capable of collecting important time, date and location data and automatically imports it into the image’s metadata. Once authenticated, the connection will automatically switch to a Wi-Fi connection for data transfer.

The Photo Beam feature allows the transfer of images or videos to a smartphone or tablet by simply touching the two devices together with no other configuration needed. MobileLink lets users select multiple images to send to four distinct smart devices at one time, so everyone can treasure photos without the need to take repetitive shots on each individual device. AutoShare sends every photo you take instantly to your smartphone or tablet and the Remote Viewfinder Pro function enables control of the NX1 from a smartphone, allowing the user to zoom and snap shots remotely yet still have full visibility of the scene, opening up new photographic possibilities. Manual settings can still be accessed, including shutter speed and aperture, so that photographers can retain camera control yet have another option as to how they want to frame their shot.

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.