Pentax KP

APS-C AF digital SLR camera

Specification

Production details
Announced:January 2017
System: Pentax K APS-C (2003)
Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Pentax K [45.5mm]
Imaging plane:23.5 × 15.6mm CMOS sensor
Resolution:6016 × 4000 - 24 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/24000 + B
Sensor-shift image stabilization:Yes
Exposure
Exposure metering:Through-the-lens (TTL), open-aperture
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:643g
Dimensions:131.5x101x76mm

Manufacturer description

WEST CALDWELL, NJ, January 25, 2017—Ricoh Imaging Americas Corporation today announced the PENTAX KP, an ultra-compact and highly portable DSLR with features and controls that facilitate capturing outstanding images, even in the most demanding conditions. The PENTAX KP packs many of the advanced capabilities of the award-winning PENTAX K-3 series into a modern, slim-body design that lends itself to applications from casual snapshots to serious outdoor photography while mountain climbing or trekking. The PENTAX KP also adds a new generation of innovations including a new, highly sensitive APS-C CMOS sensor and is the first PENTAX APS-C camera to incorporate Shake Reduction II (SR II), which features a five-axis mechanism to compensate for camera shake up to 5 steps.

The new 24-megapixel CMOS sensor enables shooting in extremely low-light conditions, with sensitivity to ISO 819200, making the camera ideal for night photography. The PENTAX KP features an electronic shutter option in live-view to enable high-speed shooting up to 1/24,000-second, which greatly broadens shooting capabilities when using large aperture lenses to achieve a shallow depth of field on a bright sunny day.

The PENTAX KP’s compact body is the result of a complete internal re-design to produce an advanced DSLR camera with an extremely slim profile for optimal comfort and handling. The KP’s rugged exterior is dustproof and weather-sealed to enable use in the most challenging outdoor conditions. The camera will perform in temperatures as low as 14 degrees F (-10 degrees C).

The PENTAX KP incorporates additional advanced technologies and ease-of-use features that have long been the hallmark of PENTAX cameras and enable them to be used comfortably and reliably in a wide range of conditions. These include:

  • 5-Axis Shake Reduction System: The PENTAX KP is the first PENTAX APS-C DSLR to offer the new generation SR II system, which uses a five-axis mechanism to compensate for camera shake caused by horizontal and vertical shift (often generated in macro photography), roll (difficult to handle by lens-installed shake reduction mechanisms), as well as pitch and yaw. The SR II unit is controlled with great precision as soon as the camera’s power is turned on, providing a wide compensation range—as much as five shutter steps—to further expand the limits of handheld shooting. With the addition of an optional accessory GPS module (O-GPS1 GPS unit), the PENTAX KP, simplifies astro-photography, making it possible to record stars as points of light rather than star trails during extremely long exposures.
  • Pixel Shift Resolution: This acclaimed PENTAX technology enables producing color-accurate still-life subjects with the highest resolving power. The technology uses the KP’s in-body Shake Reduction System to move the image sensor in single-pixel increments, to capture four separate images that are subsequently combined into a single, high-definition image.
  • A vertical-tilt LCD monitor that facilitates high- and low-angle shooting.
  • A grip replacement system that lets photographers choose their preference of grip based on shooting style or lens choice. In addition to the standard grip that comes with the PENTAX KP, accessory grips include medium (M) and large (L) grips (these will come packaged with KP bodies sold in North America), as well as the optional D-BG7 Battery Grip.
  • Control panels, button settings and dial controls that can all be customized, based on a user’s preference.

“We designed the PENTAX KP to appeal to the world’s most discerning outdoor photographers, who will appreciate its rich and powerful feature set and rugged, compact design, whether they are shooting a landscape on a trek in Patagonia or capturing an eclipse,” said Kaz Eguchi, president, Ricoh Imaging Americas. “From Pixel Shift Resolution to our new generation of Shake Reduction, PENTAX proudly continues to lead the way in photographer-friendly innovation.”

| Pricing and Availability |

The PENTAX KP camera will be available on February 25 for a suggested list price of $1,099.95 at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets throughout North America.

Main Features

1.Super-high-resolution images assured by approximately 24.32 effective megapixels and super-high-sensitivity photography at a top sensitivity of ISO 819200

The PENTAX KP features a new-generation APS-C-sized CMOS image sensor with approximately 24.32 effective megapixels to produce super-high-resolution images. By coupling this sensor with an AA-filter-free optical design, it optimizes the image sensor’s imaging power to deliver well-defined images with true-to-life reproduction of gradation and texture. Thanks to the combination of the PRIME IV imaging engine and a state-of-the-art accelerator unit, it assures dependable, high-speed operation and highly effective noise reduction to optimize both image resolution and super-high-sensitivity performance. As the result, it allows the photographer to handhold it in snapshot photography of night scenes at the super-high sensitivity of ISO 819200.

2.Compact, portable body perfect for snapshots, with a weather-resistant structure for harsh outdoor shooting

After a thorough review of the camera’s internal structure, PENTAX designed a completely new body that was far more compact and slim than existing models to optimize the PENTAX KP’s performance, operability and portability. When combined with a compact, lightweight PENTAX-DA-series lens, it can be carried comfortably and effortlessly for a wide range of applications, from casual snapshots to serious outdoor photography while mountain climbing or trekking. Its front, back and bottom exterior panels are all made of durable, lightweight magnesium alloy. With 67 sealing parts applied across the body, it provides a dustproof, weather-resistant structure, with outstanding cold-proof performance at temperatures down to -10°C. Thanks to these features, the PENTAX KP performs superbly and dependably even in such demanding settings as in the rain or at locations prone to dust and freezing temperatures.

3.A range of customization features, including an exchangeable grip

The PENTAX KP provides a grip replacement system for easy, quick change of a grip to accommodate the photographer’s shooting style or a mounted lens. In addition to the standard Grip S, it offers a choice of two replacement grips (Grip M and Grip L). It also provides a variety of customization functions to simplify and enhance camera operation, including Smart Function for speedy selection and easy setting of desired camera functions using the Fx (Function) and setting dials; and control panel customization to change the panel’s layout to suit the photographer’s preference.

4.PENTAX-original SR II five-axis shake-reduction system featuring the Pixel Shift Resolution System

(1) In-body SR mechanism

Thanks to the built-in SR II shake-reduction mechanism, the PENTAX KP effectively minimizes camera shake and delivers sharp, blur-free images, even in camera-shake-prone conditions such as when using a telephoto lens, shooting low-light scenes without flash illumination, or photographing sunset scenes. In addition to more common camera shake caused by pitch and yaw, this five-axis mechanism also compensates for camera shake caused by horizontal and vertical shift (often generated in macro photography) and camera shake caused by roll. It assures a compensation effect of approximately five shutter steps (CIPA standard compliant, smc PENTAX-DA 18-135mmF3.5-5.6ED AL [IF] DC WR、f=135mm) — a level equivalent to that of PENTAX’s flagship model — to expand the limits of handheld photography. When taking a panning shot, this mechanism efficiently controls the SR unit to compensate for all affecting factors without requiring any switching action.

(2) Pixel Shift Resolution System

The PENTAX KP features Pixel Shift Resolution System,* the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color-data unit, this innovative system obtains all color data in each pixel to deliver super-high-resolution images with far more truthful colors and much finer details than those produced by conventional APS-C-sized image sensors. To make this system more useful with a wider range of scenes and subjects, the PENTAX KP also provides ON/OFF switching of the motion correction function,** which automatically detects a moving object during continuous shooting and minimizes negative effects during the synthesizing process.

(3) PENTAX-original AA filter simulator

By applying microscopic vibrations to the image sensor unit at the sub-pixel level during image exposure, the PENTAX KP’s AA (anti-aliasing) filter simulator*** provides the same level of moiré reduction as an optical AA filter. Unlike an optical AA filter, which always creates the identical result, this innovative simulator lets the user switch the AA filter effect on and off and adjust the level of the effect, making it possible to set the ideal effect for a particular scene or subject based on the prevailing photographic conditions.

5.Electronically controlled shutter unit for super-high-speed shooting at 1/24000 second

The PENTAX KP’s shutter unit combines a reliable mechanical shutter mechanism (with a top speed of 1/6000 second) with an electronically controlled shutter mechanism.* The electronic shutter mode provides a super-high shutter speed of 1/24000 second with reduced noise and vibration at shutter release, making it ideal for low-noise, low-vibration shooting in Live-view and mirror-up applications. The camera also provides a high-speed continuous shooting function with a top speed of seven images per second.

6.Optical viewfinder with nearly 100% field of view

Within its compact body, the PENTAX KP incorporates a glass prism finder featuring the same optics and coatings as those used in higher-class models. With a nearly 100-percent field of view and magnification of approximately 0.95 times, it provides a wide, bright image field for easy focusing and framing.

7.High-speed, 27-point autofocus system with the SAFOX 11 module

The PENTAX KP features the high-speed SAFOX 11 phase-matching AF sensor module to deliver dependable, responsive autofocus operation. Of its 27 focus sensors, 25 are cross-type sensors positioned in the middle to assure pinpoint focus on the subject at a minimum brightness level as low as -3 EV. A completely new, much-improved algorithm assures better autofocusing accuracy and speed than models equipped with the conventional SAFOX 11 module. The camera also provides useful customization features to assist in autofocus operation, such as a choice of operation modes—focus-priority, release-priority or advance-speed-priority—and the Selected-area Expansion function to automatically refocus on a subject when it moves away from the initial point.

8.Full HD movie recording with a range of functional settings

The PENTAX KP captures flawless, high-resolution Full HD movie clips (1920 x 1080 pixels; 60i/30p frame rate) in the H-264 recording format. It also provides an external microphone terminal for manual setting of the audio recording level and monitoring of the sound pressure level for microphone input. In addition to various visual effect modes available during movie recording,* it features a range of movie recording functions, including a 4K Interval Movie mode that connects a series of 4K-resolution still images (3840 x 2160 pixels) at a fixed interval to create a single movie file, and the Star Stream mode to record the traces of stars in the Interval Movie mode.

9.Vertical-tilt-type LCD monitor

The PENTAX KP’s 3.0-inch LCD monitor has approximately 921,000 dots, and provides a vertical tilt function to facilitate high- and low-angle shooting. In addition to its wide-view design, it features an air-gapless construction, in which the air space between LCD layers is eliminated to effectively reduce the reflection and dispersion of light for improved visibility during outdoor shooting. It also comes equipped with such convenient features as: the Outdoor View Setting mode, which instantly sets the optimum monitor brightness level for a given lighting condition; and a red-lighted monitor display function, which facilitates monitor viewing when the photographer’s eyes have become accustomed to a dark location during nighttime photography.

10.PENTAX Real-time Scene Analysis System

Supported by the combination of the approximately 86,000-pixel RGB light-metering sensor and the high-performance PRIME IV imaging engine, the PENTAX Real-time Scene Analysis System accurately and efficiently analyzes such factors as a brightness distribution in the image field and the subject’s primary color and motion. By adopting a breakthrough artificial intelligence technology called deep learning to its image detection algorithm,* this system assesses each individual scene more accurately while selecting the most appropriate exposure level and finishing touch for a given scene.

11.Other features

  • Switching lever to activate various settings during still-image and Live-view shooting and movie recording
  • New Motion Bracketing and Depth-of-field Bracketing functions to capture three images of same scene by automatically shifting aperture and/or shutter-speed settings in user-selected steps.
  • Wireless LAN connection to support operation with smartphones and tablet computers
  • DR II(Dust Removal II) mechanism to shake dust off from the image sensor surface using ultrasonic vibrations
  • Clarity control and Skin Tone correction functions, two of the latest image processing technologies developed by RICOH Central Laboratory
  • Compatibility with the optional O-GPS1 GPS Unit for the recording of shooting position data and simplified astronomical photography
  • A selection of imaging tools, such as Custom Images, Digital Filters
  • Compatibility with the optional PENTAX IMAGE Transmitter 2 tethering software

Optional Accessories

Grip M (O-GP1671) and Grip L (O-GP1672)

Designed for exclusive use with the PENTAX KP camera body, these grips can be easily replaced with the standard Grip S (O-GP167) to accommodate the photographer’s shooting style or a mounted lens, or improve the camera’s operability and holding comfort. (Note: In North America, these accessory grips will come with the PENTAX KP.)

D-BG7 Battery Grip

Designed for exclusive use with the PENTAX KP, this battery grip features a dustproof, weather-resistant structure, and provides an extra set of control buttons (shutter release, AF/AE lock, exposure compensation/Fx3, and green), and a pair of electronic dials to facilitate vertical-position shooting. It comes with the Grip L for improved handling when a telephoto or large-aperture lens is mounted on the camera. In addition to the exclusive D-LI109 Lithium-ion Battery, it can also be powered by the large-capacity D-LI90 Lithium-ion Battery (a dedicated battery tray included), which is used to power the PENTAX K-1 and K-3II digital SLR cameras.

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Copyright © 2012-2023 Evgenii Artemov. All rights reserved. Translation and/or reproduction of website materials in any form, including the Internet, is prohibited without the express written permission of the website owner.

35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.