Rollei-HFT PCS-Rolleigon 75mm F/4.5
Shift lens • Film era • Discontinued
- Announced:
- · 1984
- Production status:
- ● Discontinued
- Country of design:
- · FRG (Federal Republic of Germany)
- Original name:
- · Rollei-HFT PCS Rolleigon 1:4,5 f=75mm
- Class:
- · Slow 6x6 medium-format shift lens
- · Professional model (Top class)
- System:
- · Rolleiflex SL66 (1966)
Abbreviations
| HFT | Multi-layer High Fidelity Transfer coating is applied to the surfaces of lens elements. This anti-reflection coating increases light transmission, eliminates flare and ghosting, and maintains color consistence among all lens models. Learn more |
Specification
| Optical design: | |
| Medium format 6x6 | |
| 75mm | |
| F/4.5 | |
| 11 elements in 9 groups | |
| Rolleiflex SL66 [102.8mm] | |
| 55.3° | |
| Diaphragm mechanism: | |
Diaphragm type: | Manual |
Aperture control: | Aperture ring |
| <No data> | |
| Focusing: | |
| 0.43m | |
| <No data> | |
Focusing modes: | Manual focus only |
Manual focus control: | None; focusing from the camera |
| Perspective control mechanism: | |
Shift range: | Not available |
Tilt range: | -13..0..+13° |
| - | |
| - | |
| Physical characteristics: | |
| 1313g | |
| ⌀103×161mm | |
| Accessories: | |
| Bayonet-type VIII | |
| 206 005 - Bayonet-type square | |
| <No data> |
Source of data
- Rolleiflex SL66 SE, Rolleiflex SL66 X booklet (August 1987).
Manufacturer description
A new type of top-performance shift lens: combined with the ball/tilt adapter it allows a tilt range of 13°. When this lens is used in conjunction with the tilting bellows, the Rolleiflex SL66SE and SL 66 X are the perfect instruments for areas of photography where large-format view cameras used to be essential. As the facilities for shifting the focal plane are exactly the same as on a view camera, these models can now handle many of the jobs in the normal working range of a 9 x 12 technical camera. A photographer using this camera can quickly, reliably and economically tackle assignments in industrial photography (special details and moderately-sized subjects), or in advertising and studio work. For many photographers, this lens is not only an essential part of a thoroughly professional system, but represents a genuine alternative to large and rather unwieldy view cameras.