Kenko 45mm F/4.5 Soft MC

Standard prime lens • Film era • Discontinued

  • Announced:
  • · 1995
  • Production status:
  •  Discontinued
  • Country of design:
  • · Japan
  • Original name:
  • · Kenko MC SOFT 45mm 1:4.5
  • Class:
  • · Slow full-frame standard prime lens
  • · Soft Focus lens

Abbreviations

SOFT The lens features soft focus effect control.
MC Multi-layer anti-reflection coating is applied to the surfaces of lens elements. This anti-reflection coating increases light transmission, eliminates flare and ghosting, and maintains color consistence among all lens models.

Specification

Optical design:
35mm full frame
45mm
F/4.5
2 elements in 1 group (Doublet)
Interchangeable mount (T)
51.3° (35mm full frame)
Diaphragm mechanism:
Diaphragm type:
Manual
Aperture control:
Aperture ring
10 (ten)
Focusing:
0.35m
<No data>
Focusing modes:
Manual focus only
Manual focus control:
Focusing ring
Physical characteristics:
210g
⌀61×47mm
Accessories:
Screw-type 52mm
Not required
<No data>

Source of data

  • Own research.

From the editor

Rare Japanese soft focus lens, part of the triad of 35/4, 45/4.5 and 85/2.5. It has a super-simple optical formula consisting of 2 elements in 1 group, i.e. a doublet, plus a protective glass in front of the aperture blades.

Please note that the T-mount on this lens is non-standard M42x1 instead of M42x0.75.

Since the entire optical system is deeply recessed into the lens barrel, this lens does not require a lens hood.

Frequently asked questions

What is a Soft Focus effect and what are its benefits?

Spherical aberration has been purposely introduced into this lens to produce photographic images that are sharp yet which have an alluring softness.

Because of the ethereal glow that can be achieved by using Soft Focus, the lens is ideal for creating scenes with a dreamy feel. It is also good for masking blemishes in portrait photography, leaving the model's skin looking flawless.

The effect of Soft Focus is a complex phenomenon that depends on focusing distance, distance to background, relative aperture etc. It is not the same as an out-of-focus image, and cannot be achieved simply by defocusing a common lens.

The effect can be approximated in post-processing but it is not as trivial as just applying a blur filter over the image.

Lenses with similar focal length

Interchangeable mount (2)
Kiyohara Kogaku 50mm F/4.5 Soft [VK50R] [T]M2 - 10.50m⌀40.5 1987 
Itorex 50mm F/40 Pan Focus [T]--2 - 2--
Nikon F mount (3)
Lensbaby Sol 45mm F/3.5 SLR--3 - 2⌀46 2018 
Yasuhara MoMo100 43mm F/6.4 Soft FocusPancake lensM2 - 10.50m⌀37 2016 
Monolens Monocle 50mm F/4 Iris Soft SLRM1 - 10.60m⌀46 2016 
Pentax K mount (2)
Lensbaby Sol 45mm F/3.5 SLR--3 - 2⌀46 2018 
Monolens Monocle 50mm F/4 Iris Soft SLRM1 - 10.60m⌀46 2016 
M42 mount (11)
Meyer-Optik Gorlitz Primotar E 50mm F/3.5 [V]A4 - 30.50m⌀40.5 1956 
Meyer-Optik Gorlitz Trioplan 50mm F/2.9 [V]M3 - 30.60m⌀35.5 1952 
Meyer-Optik Gorlitz Helioplan 40mm F/4.5 VP4 - 40.50m 1952 
Schneider-Kreuznach Isogon 40mm F/4.5M4 - 40.50m⌀49 1951 
Industar-50-2 50mm F/3.5
akaИНДУСТАР-50-2 50mm F/3.5
M4 - 30.65m⌀35.5
Steinheil Munchen Cassaron 40mm F/3.5 VLM3 - 30.60m⌀34 1952 
Monolens Monocle 50mm F/4 Iris Soft SLRM1 - 10.60m⌀46 2016 
Carl Zeiss Jena DDR Tessar 40mm F/4.5 T Type 1M4 - 30.60mE30.5
Carl Zeiss Jena DDR Tessar 40mm F/4.5 [T] Type 2M4 - 30.40mE49
Carl Zeiss Jena DDR Tessar 50mm F/3.5 T Type 1M4 - 30.70m 1948 
Carl Zeiss Jena DDR Tessar 50mm F/3.5 T Type 2P4 - 30.50mE40.5 1952 
Olympus OM mount (1)
Monolens Monocle 50mm F/4 Iris Soft SLRM1 - 10.60m⌀46 2016 

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