Tamron SP AF 60mm F/2 Di II LD (IF) Macro 1:1 G005

Macro lens • Digital era • Discontinued

SP Professional lens with high quality optics and robust build. Meets the highest standards and provides excellent performance and flawless image quality unachievable with traditional optical technologies.
DI II The lens is designed for APS-C digital SLR cameras only.
LD The lens incorporates low dispersion elements.
(IF) The lens incorporates internal focusing.
MACRO Macro lens. Designed specially for shooting close-ups of small subjects but can be also used in other genres of photography, not necessarily requiring focusing at close distances.

Sample photos

F/4
F/2.8
F/2.8
F/4
F/2.8
F/2
F/2.8
F/3.5
F/3.5
F/5.6
F/2.5
F/2
F/4
F/4.5
F/3.5
F/2
F/2
F/2
F/3.2
F/2.8
F/2
F/5.6
F/3.2
F/2
F/4
F/2.5
F/2.5
F/2
F/2
F/3.5
F/2.5
F/4
F/2
F/2.5
F/2
F/2
F/2.2
F/2

Sample photos uploaded by users

F/2.8
F/2.2
F/4
F/3.5
F/5.6
F/5
F/5.6
F/6.3
F/3.5
F/3.2
F/3.2
F/3.2
F/3.2
F/2.2
F/5

Features highlight

APS-C
Fast
2 LD
Macro 1:1
IF
MM
MFO

Specification

Production details
Announced:March 2009
Production status:Discontinued
Production type:Mass production
Original name:TAMRON SP 60mm F/2 MACRO DiII G005
Optical design
Focal length:60mm
Speed:F/2.0
Maximum format:APS-C
Mount:Canon EF
Minolta/Sony A
Nikon F
Diagonal angle of view:31.9° (Canon EF APS-H)
26.5° (Minolta/Sony A APS-C)
26.5° (Nikon F APS-C)
Lens construction:14 elements - 10 groups
2 LD
Diaphragm mechanism
Diaphragm control system:Mechanical (Nikon F)
Electromagnetic (Canon EF, Minolta/Sony A)
Number of blades:7
Focusing
Closest focusing distance:0.23m
Closest working distance:0.1m
Maximum magnification ratio:1:1 at the closest focusing distance
Focusing method:Internal focusing (IF)
Focusing modes:Autofocus, manual focus
Manual focus control:Focusing ring
Autofocus motor:Micromotor
Focus mode selector:AF/MF
Manual focus override in autofocus mode:Yes
Vibration Compensation (VC)
Built-in VC:-
Physical characteristics
Weight:400g (Nikon F)
Maximum diameter x Length:⌀73×80mm (Nikon F)
Weather sealing:-
Fluorine coating:-
Accessories
Filters:Screw-type 55mm
Lens hood:Bayonet-type HG005 (round)

*) Source of data: Manufacturer's technical data.

Manufacturer description #1

The new 60mm 1:1 macro lens with a maximim aperture of F2. Sharp image quality and beautiful out-of-focus effects bring new richness to photographic expression.

Amid the growing popularity of APS-C size DSLRs, photographers are looking to explore macro photography with a focal length that provides an angle of view equivalent to 90mm. With these users in mind, Tamron developed the SP AF60mm medium telephoto macro lens, boasting an extremely fast maximum aperture of F2. The sharp image quality at the point of focus and soft blurring effects in the out-of-focus areas render superlative images that will stimulate the photographer's imagination. From macro photography of flowers and insects in a natural environment, to portraiture that exploits the soft blurring effects, the speed of the lens also makes low-light photography possible. This high-performance lens was designed to be used in a wide range of photographic situations, allowing the user great flexibility.

This high-resolution macro lens achieves the overwhelming brightness of F/2, while at the same time preventing increases in aberration variations that may occur with the adoption of the large aperture. The adoption of two large LD (low dispersion) lenses allows advanced correction of chromatic and other aberrations. The new BBAR (Broad-Band Anti-Reflection) multi-layer coatings and internal surface coatings (coatings on cemented surface of elements) have also been introduced to thoroughly reduce ghosting and flare.

While the large focus ring maintains a solid grip during auto-focus mode, when fine-tuning of the point of focus is required the photographer can make delicate adjustments in manual focus mode by merely rotating the focus ring. This full-time manual focusing control mechanism enables seamless use of the auto and manual focus modes without needing to adjust the AF/MF switchover button.

This lens' working distance of 100mm, the longest in its class*, means that an appropriate distance may be maintained while still enjoying 1:1 macro photography (when hood is not attached). Due to the internal focusing system employed, the overall length of the lens does not change when adjusting the focus, achieving major improvements in ease of use.

To prevent the lens from growing in size due to the adoption of the F/2 maximum aperture, the internal construction of previous macro lenses was reviewed, and the accuracy and precision of all components has been improved, resulting in a compact lens with a maximum diameter of only 73mm. In addition, through extensive use of precision molded components using highly reliable plastic engineering, the lightness of the lens is without compare, and its size enables use in a wide range of photographic situations in the field.

With a maximum aperture of F2, the extensive soft blurring effect produces a beautiful contrast between the in-focus and out-of-focus areas. This fast lens is specifically tailored to deliver this dramatic blurring of the background while placing the subject in sharp focus, enabling a three-dimensional effect so difficult to achieve in images taken with slower lenses. The extremely shallow depth of field means that even previously nondescript small objects can become the subject of a photographic work of art when captured with the fast F2 aperture.

The intricate details of the world around you that can't be seen with the naked eye can be captured by Tamron's 60mm macro lens. The maximum magnification ration of 1:1 will bring a whole new range of unique textures and appearances to your photographic expression, allowing you to produce and capture rare moments of beauty.

Manufacturer description #2

Tamron Introduces SP AF60mm F/2 Di II MACRO 1:1

Life-size macro lens designed exclusively for digital SLR cameras with APS-C size image sensors* that features a fast maximum aperture of F/2

SAITAMA CITY, June 16, 2009 - Tamron Co., Ltd is pleased to announce the release of the SP AF60mm F/2 Di II LD (IF) MACRO 1:1 (Model G005), a life-size macro lens designed exclusively for digital SLR cameras with APS-C size image sensors* that offers a fast maximum aperture of F/2.0. The new lens is made available in mounts for Canon, Nikon (with built-in AF motor) and Sony.

The SP AF60mm F/2.0 Di II LD (IF) MACRO 1:1 (Model G005), covering an equivalent angle of view of 93mm when converted to the 35mm format(*1) and boasting a maximum aperture of F/2.0-one stop faster than the F/2.8 maximum aperture found on conventional macro lenses in the same class-is a fast life-size macro lens that delivers dramatically attractive blurred background effects.

Macro lenses are interchangeable lenses that have been specially designed for close-up photography. With a macro lens, even a small object can be photographed at a size that fills the whole image area. Macro lenses can be used for nature photography, such as plants and insects. They can also be used for close-up photography of familiar items such as jewelry and other small objects. In addition to its close-up capabilities, the new Tamron SP AF60mm F/2 Di II MACRO 1:1 can also be used for portrait photography, making good use of the attractive blurred background that is a feature of the fast F/2.0 maximum aperture lens. The lens also excels in situations where light is low, such as indoors or at dusk. All in all, this is a high performance lens that can be put to good use in a wide variety of situations.

Notes:

*   Life-size: For digital cameras, this means that the lens is able to project onto the image sensor (which corresponds to film in a film camera) an image of an object that is the same size as the object itself.

*   Di II lenses are designed exclusively for use with digital SLR cameras equipped with APS-C size image sensors and employ an optical system optimized for the characteristics of those digital cameras. Di II lenses are not designed for use with 35mm film cameras or digital SLR cameras with image sensors larger than 24 x 16mm.

*   The special note "APS-C size equivalent" is hereinafter omitted.

DEVELOPMENT CONCEPT

Tamron's macro lenses (SP AF90mm F/2.8 Di MACRO 1:1 (Model 272E), SP AF180mm F/3.5 Di MACRO 1:1 (Model B01) are world renowned for their outstanding optical performance. Particularly, the Tamron SP AF90mm macro lens first introduced in 1979 and subsequently upgraded and renewed seven times since has been highly evaluated by many photographers as a lens that delivers not only attractive out-of-focus effects and sharp descriptive performance in macro photography with its easy-to-use focal length, but also as a lens ideal for portraiture.

Amid the growing popularity of APS-C size DSLRs, Tamron recognizes that there are many photographers who wish to enjoy macro photography with a focal length that provides an angle of view equivalent to 90mm. Tamron therefore developed the SP AF60mm medium telephoto macro lens to meet the desire of those users and goes a step further by providing the extremely fast and desirable maximum aperture of F/2.0. The SP AF60mm is a high performance and versatile lens that is suitable not only for macro photography of textiles, small creatures, flora and more, but also for portraiture by making good use of its easy-to-use focal length, fast maximum aperture and high optical quality even in low-lit conditions.

OPTICAL FEATURES

Medium telephoto 1:1 life-size macro lens featuring a fast maximum aperture of F/2.0 that strikes a fine balance between attractive out-of-focus effects and sharpness

The SP AF60mm is a medium telephoto macro lens designed for APS-C size digital SLR cameras that realizes the fast maximum aperture of F/2.0 for the first time in the world(*2). Using an optical design approach that attaches methodical importance to optical quality, Tamron's optical designers have successfully controlled complex movements of respective lens groups in order to restrain the increase in aberration changes due to the fast maximum aperture, thus achieving outstanding depictive performance that is uniformly sharp from the center to the periphery. Since the maximum aperture of F/2.0 provides a depth-of-field that is shallower than that of conventional F/2.8 lenses, the new lens enables the user to expand the range of the macro photographic expression. The SP AF60mm developed by combining Tamron's accumulated macro lens design know-how is an attractive lens that maintains a well-balanced relationship between sharp image performance and beautiful out-of-focus background effects.

Employment of special low-dispersion glass elements

The lens employs two large LD (low dispersion) glass elements in its first group to thoroughly compensate for various aberrations and attain high optical quality.

Working distance of 100mm, the longest distance among lenses in this class (*3)

Tamron has realized the long working distance of 100mm from the front element of the lens to the subject in 1:1 life-size macro photography. The long working distance allows the user to take macro shots while maintaining a sufficient distance from such subjects like timid insects that are likely to escape if you move in too close. Also, with this longer working distance, you can prevent capturing the shadow of the lens barrel as is often the case with conventional macro lenses with insufficient working distances.

Meticulous countermeasures against ghosting and flare

Tamron employed new BBAR (Broad-Band Anti-Reflection) multi-layer coatings in order to ensure optimum performance in all photographic situations. The new BBAR coatings enhances the light transmission factors in both the short and long wavelength ranges, a condition that was thought incompatible with conventional anti-reflection coating technology. In addition, Tamron employs internal surface coatings (coatings on cemented surfaces of lens elements) for sharpness, high color reproduction performance and superior color balance.

MECHANICAL FEATURES

Lightweight and compact macro lens boasts F/2.0 fast maximum aperture

In order to prevent the lens from becoming bulky due to the fast F/2.0 maximum aperture, Tamron's mechanical engineers thoroughly reviewed the internal constructions of conventional macro lenses and improved the accuracy of precision components by combining Tamron's accumulated mechanical engineering techniques. Through the employment of precision injection-molded engineering plastic parts with high reliability, Tamron realized a compact body that measures only 73mm (2.9in.) in its maximum diameter and weighs a mere 400g (14.1oz.).

Internal focusing system for enhanced ease of use

The lens employs an internal focusing (IF) system without changing the overall length of the lens due to focusing. Since the front group of the lens does not extend, the lens is particularly easy to use in close focusing ranges. Tamron has realized the working distance of 100mm, the longest distance among lenses in this class(*4). The internal focusing system combined with new optical solutions to realize this longer working distance allows the user to enjoy macro photography comfortably while maintaining an adequate distance from subjects.

Full-time manual control mechanism

The lens incorporates a full-time manual control mechanism that enables the user to manually adjust focus without engaging the AF/MF switch-over button, even when in the auto-focus mode.

Simple and attractive outer design

The lens employs a new outer design that is more refined and smoother in its overall contours by minimizing concavity, convexity and variations in its profile to match various digital SLR cameras. The lens barrel features a delicate matte finish, which enhances the high quality appearance of the lens.

From the editor

Micromotors normally do not support manual focus override in autofocus mode. This lens likely uses a special scheme to offer this functionality based on a differential mechanism built into the gear unit.

Typical application

portraits, travel, macrophotography and product photography

Canon EF-S 60mm F/2.8 Macro USM

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

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Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

Professional lens

One of the best short telephoto macro primes

According to lens-db.com; among lenses designed for the same maximum format and mount.

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Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Micromotor

Micromotor

Micromotor

AF/MF

AFAutofocus mode.
MFManual focus mode.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.

High-refraction low-dispersion elements

High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

High Index, High Dispersion elements

High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Anomalous partial dispersion elements

Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Fluorite elements

Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.

According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

Fixed focus

There is no helicoid in this lens and everything is in focus from the closest focusing distance to infinity.

Overall linear extension

The entire lens optical system moves straight backward and forward when focusing is carried out. This is the simplest type of focusing used mainly in wide-angle and standard prime lenses. It has the advantage of introducing relatively little change in aberrations with respect to change in focusing distance. With telephoto and super telephoto lenses this method becomes less beneficial in terms of operability because of the increased size and weight of the lens system.

Front group linear extension

The rear group remains fixed and only the front group moves straight backward and forward during focusing. This method is primarily used in zoom lenses and allows to design comparatively simple lens construction, but also places restrictions on zoom magnification and size reduction.

Front group rotational extension

The lens barrel section holding the front lens group rotates to move the front group backward and forward during focusing. This method of focusing is also used only in zoom lenses.

Internal focusing (IF)

Focusing is performed by moving one or more lens groups positioned between the front lens group and the diaphragm.

Methods of internal and rear focusing have the following advantages:

Rear focusing (RF)

Focusing is performed by moving one or more lens groups positioned behind the diaphragm.

Methods of internal and rear focusing have the following advantages:

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.