|DI III||The lens is designed for digital mirrorless cameras.|
|VXD||The lens is equipped with Voice-coil eXtreme-torque Drive.|
|Production status:||● In production|
|Production type:||Mass production|
|Original name:||TAMRON 35-150mm F/2-2.8 Di III VXD A058|
|Focal length range:||35mm - 150mm [4.3X zoom ratio]|
|Speed range:||F/2 @ 35mm - F/2.8 @ 150mm|
|Maximum format:||35mm full frame|
|Mount and Flange focal distance:||Sony E [18mm]|
|Diagonal angle of view:||63.4° @ 35mm - 16.4° @ 150mm (35mm full frame)|
|44° @ 35mm - 10.8° @ 150mm (Sony E APS-C)|
|Lens construction:||21 elements - 15 groups|
|3 ASPH, 4 LD|
|Number of blades:||9|
|Zooming method:||Extends while zooming|
|Additional features:||Zoom lock|
|Closest focusing distance:||0.33m @ 35mm|
|0.85m @ 150mm|
|Maximum magnification ratio:||1:5.9 @ 150mm at the closest focusing distance|
|Focusing method:||Internal focusing (IF)|
|Focusing modes:||Autofocus, manual focus|
|Manual focus control:||Focusing ring|
|Autofocus motor:||Voice-coil eXtreme-torque Drive|
|Focus mode selector:||AF - MF|
|Manual focus override in autofocus mode:||Determined by the camera|
|Vibration Compensation (VC)|
|Maximum diameter x Length:||⌀89.2×158mm|
|Weather sealing:||Water-resistant barrel|
|Fluorine coating:||Front element|
|Lens hood:||Bayonet-type HA058 (petal-shaped)|
From expansive scenery to magnificent cityscapes—you can capture it all. We created a fast-aperture zoom lens ideal for the creation of art while traveling to take photos. The 35-150mm F/2-2.8 Di III VXD (Model A058) is a high resolution travel zoom lens that covers everything from the 35mm wide angle to the 150mm telephoto focal length, the first zoom lens achieving an aperture of F2 at the wide angle end for Sony full-frame mirrorless cameras. This versatile all-in-one zoom enables photography of beautiful natural scenery, urban landscapes, impressive buildings, restaurant interiors, city night views and more while traveling, without having to change lenses—or changing your distance from the subject when composing. It has a groundbreaking fast-aperture and utilizes the linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive), thereby achieving high speed, high precision autofocusing. The innovative lens design enabled us to greatly improve the lens's grip and functionality and includes a Connector Port on the lens barrel. The port enables users to apply the TAMRON Lens Utility™, developed in-house, to easily customize functions and to update firmware. The 35-150mm F2-2.8 allows photographers to shoot at the common focal lengths frequently used when creating art while traveling, from the wide angle to normal, semi-telephoto, and telephoto—and anything in between. This empowers you to clearly capture the scenes as you envision them with its overwhelming resolving power and amazing flexibility.
The 35-150mm F2-2.8 features an optimal combination of four LD (Low Dispersion) lens elements that subdue aberrations, and three extraordinary GM (Glass Molded Aspherical) lens elements. Together they assure high optical performance that enhances your ability to capture all the incredible scenery you encounter while traveling. TAMRON has achieved a maximum aperture of F2 at the wide-angle end and F2.8 at the telephoto end, enabling you to achieve beautiful, soft bokeh across the entire zoom range. The lens also makes it possible to capture subjects clearly in more situations. The lens's fast maximum aperture helps you control camera movement by permitting a higher shutter speed, or when trying to reduce noise by choosing a low ISO. Even when used with the latest mirrorless cameras that require high resolution performance, images are sharp edge-to-edge and from center to every corner, across the entire frame of the photo.
This zoom lens covers everything from the 35mm wide angle to 150mm telephoto, including all the commonly used focal lengths, so it’s very handy for travel because it can replace several single lenses. Seamlessly take photos without switching lenses in various situations. Change to an 85mm semi-telephoto angle of view, focus on a faraway subject at 150mm, and make full use of the 35mm and 50mm focal lengths. Change composition without changing your distance from the subject. You can use just this one lens to capture a wide range of photos while traveling, from landscapes to snapshots and portraits. Our design goal was portability and compact design while achieving a spectacular specification of F2-2.8 with a 4.3x zoom ratio.
The autofocus drive employs the VXD linear motor focus mechanism. You can easily achieve focus from the MOD (Minimum Object Distance) to infinity, even at the maximum F2 aperture, thanks to the speed and precision of this highly accurate autofocus system. Focus tracking is also extremely precise so you can capture sudden movements by your subject. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal for shooting both still photos and video in environments that demand quietness.
The Model A058 incorporates the new ‘TAMRON Lens Utility’ software originally and uniquely developed by TAMRON. TAMRON Lens Utility can be operated using a computer by connecting the lens from its Connector Port via the optional TAMRON Connection Cable2. Users can customize the functions and update the firmware through the lens. The personal customization gives flexible shooting options to match the shooting situation such as still photography or videography.
The new 35-150mm F2-2.8 boasts the ability to take closeup photographs extremely close to the subject. At the 35mm wide-angle end, the MOD is 0.33m (13 in), achieving a maximum magnification ratio of 1:5.7. To further accentuate the subject and separate it visually from its surroundings you can create a greatly blurred background using the large F2-2.8 maximum aperture. You can also take unique and impressive photos, including overhead shots of food and close-ups of parts of small objects, flowers, or other subject details.
The Model A058 incorporates a new design that becomes the hallmark of TAMRON lenses introduced in the future. In constant pursuit of improving products in every way possible, TAMRON considered customer feedback and reviewed each part and component of the lens down to the finest details. As a result, TAMRON has enhanced both the operation and tactile presentation of the lens.
Grip texture has been improved by redesigning the striped pattern on the rubber focusing and zoom rings. Certain internal parts have also been enhanced. These advancements result in smoother overall operability. TAMRON has also adjusted the stiffness and torque of the zoom ring to facilitate smoother and more precise operation.
The diameters of the zoom ring and focus ring have been enlarged, and the body areas around them have been slimmed down to give the lens a contoured profile that makes it easier to grip. This creates a comfortable, uneven shape that fits snugly and naturally in the hand.
The surface of the lens exterior is shiny black, much glossier than previous models. Improved abrasion resistance makes the lens harder to scratch and resists fingerprints.
The "brand ring" on the lens mount is a sign of trust with the user, and the smooth curved surface and glossy surface treatment give the camera a unique and dignified appearance that is pleasing to both the eye and the hand.
The recessed switch box and Focus Set Button have an unobtrusive, contoured design that smoothly guides the fingers intuitively. This improved slide switch design was first used with Model A057. The sloped bevel around the slide switch draws your finger naturally to the right position. To prevent accidental operation, the switches have a low profile. Taken altogether, these enhancements provide a more comfortable user experience.
Built with Mirrorless in Mind:
A 9-blade diaphragm is configured to retain a smooth, circular-shaped aperture opening even when stopped down by two stops from the wide-open aperture. This produces a smooth-edged bokeh in background highlights.
For greater protection when shooting outdoors, leak-resistant seals throughout the lens barrel help protect your equipment. Also, the Connector Port is the water-proofed USB Type-C variety.
TAMRON has long been an innovator of coating technologies that prevent ghosting and flare. Second-generation BBAR-G2 Coating is a groundbreaking advancement that provides vastly improved performance compared to the original BBAR (Broad-Band Anti-Reflection) Coating. The coating corrects for ghosting and flare to an unprecedented extent and renders fine subject detail with true clarity and stunning contrast even under backlit conditions.
The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture, and fingerprints.
The 35-150mm F2-2.8 has a switch that can lock the zoom ring at the 35mm focal length if desired. This prevents the unwanted extension of the lens barrel due to the weight of the lens during transportation.
The lens hood is equipped with a locking mechanism, which prevents detachment due to unintentional contact during use.
landscapes, interiors, buildings, cityscapes, portraits, travel, wild nature
Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.
According to lens-db.com; among lenses designed for the same maximum format and mount.
You are already on the page dedicated to this lens.
Cannot compare the lens to itself.
A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.
|MF||Manual focus mode.|
Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.
Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.
Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.
Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.
High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.
High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.
Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.
Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.
According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.
High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.
Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.
Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.
High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.
Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.
Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.
Format refers to the shape and size of film or image sensor.
35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.
APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.
Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).
Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.
As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.
A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).
This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),
CF – crop-factor of a sensor,
FL – focal length of a lens.
A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.
A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.
Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.
The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.
Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.
Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.
Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.
The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.
The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.
In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.
The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.
The distance from the front edge of the lens to the subject at the maximum magnification.
Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".
Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.
Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.
Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.
There is no helicoid in this lens and everything is in focus from the closest focusing distance to infinity.
The entire lens optical system moves straight backward and forward when focusing is carried out. This is the simplest type of focusing used mainly in wide-angle and standard prime lenses. It has the advantage of introducing relatively little change in aberrations with respect to change in focusing distance. With telephoto and super telephoto lenses this method becomes less beneficial in terms of operability because of the increased size and weight of the lens system.
The rear group remains fixed and only the front group moves straight backward and forward during focusing. This method is primarily used in zoom lenses and allows to design comparatively simple lens construction, but also places restrictions on zoom magnification and size reduction.
The lens barrel section holding the front lens group rotates to move the front group backward and forward during focusing. This method of focusing is also used only in zoom lenses.
Focusing is performed by moving one or more lens groups positioned between the front lens group and the diaphragm.
Methods of internal and rear focusing have the following advantages:
Focusing is performed by moving one or more lens groups positioned behind the diaphragm.
Methods of internal and rear focusing have the following advantages:
As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.
Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.
At maximum aperture, the opening will be circular regardless of the number of blades.
For lenses with collapsible design, the length is indicated for the working (retracted) state.
A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.
Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.
Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.
Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.
A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.
The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.
Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.
Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.
Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.
Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.
Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.
The change of focal length is achieved by turning the zoom ring and the manual focusing - by turning the separate focusing ring.
Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.
The change of focal length and the manual focusing is achieved by one and the same ring. The change of focal length happens when the photographer moves the ring towards the mount or backwards and the rotation of the ring leads to change of focus.
The lens features a zoom lock to keep the zoom ring fixed. This function is convenient for carrying a camera with the lens on a strap because it prevents the lens from extending.
The lens features electronically driven zoom mechanism. It provides smoother, more natural zoom movements than you could accomplish by hand.
The Holy Trinity of lenses refers to a three-lens set that covers a focal length range from the ultra-wide focal length of 14-16mm all the way long to the telephoto focal length of 200mm. The set typically consists of a 16-35mm ultra-wide angle zoom lens, a 24-70mm standard zoom lens and a 70-200mm telephoto zoom lens and usually represents the best constant-aperture zoom lenses in a manufacturer's lineup. The set is designed to cover almost every genre of photography, be it landscapes, architecture, portraits, weddings, sports, travel or even wildlife (with teleconverter). However, it is also expensive, large and heavy.