Nikon AF-S Nikkor 14-24mm F/2.8G ED (100th Anniversary Edition)

Wide-angle zoom lens • Digital era • Discontinued

AF-S The lens is equipped with Silent Wave Motor.
G The lens does not have an aperture control ring and is intended for use on Nikon digital SLR cameras that allow the lens aperture to be adjusted via the camera's command dial. Relays subject-to-camera distance information to the camera, like a D-type lens.
ED The lens incorporates low dispersion elements.

Model history ⋅ モデル履歴

Nikon N2020

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-501
Announced ⋅ 発表:1986
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:1 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148.5x97.5x54.5mm
Weight ⋅ 重さ:610g

Nikon N4004

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-401
Announced ⋅ 発表:1987
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:1 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x102x65.5mm
Weight ⋅ 重さ:645g

Nikon F4

35mm AF film SLR camera

Announced ⋅ 発表:1988
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:168.5x117.5x76.5mm
Weight ⋅ 重さ:1090g

Nikon N8008

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-801
Announced ⋅ 発表:1988
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:153.6x102.5x67.5mm
Weight ⋅ 重さ:695g

Nikon N4004S

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-401S
Announced ⋅ 発表:1989
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:1 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x102x65.5mm
Weight ⋅ 重さ:650g

Nikon N6006

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-601
Announced ⋅ 発表:1990
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154.5x100x66.5mm
Weight ⋅ 重さ:650g

Nikon N5005

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-401X
Announced ⋅ 発表:1991
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x102x65mm
Weight ⋅ 重さ:647g

Nikon N8008S

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F-801S
Announced ⋅ 発表:1991
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x103x67mm
Weight ⋅ 重さ:695g

Nikon N90

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F90
Announced ⋅ 発表:1992
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x106x69mm
Weight ⋅ 重さ:755g

Nikon N50

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F50
Announced ⋅ 発表:1994
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:149x96x70mm
Weight ⋅ 重さ:580g

Nikon N70

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F70
Announced ⋅ 発表:1994
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:151x103x70mm
Weight ⋅ 重さ:585g

Nikon N90S

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F90X
Announced ⋅ 発表:1994
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:154x106x69mm
Weight ⋅ 重さ:755g

Nikon F5

35mm AF film SLR camera

Announced ⋅ 発表:1996
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:158x149x79mm
Weight ⋅ 重さ:1210g

Nikon F100

35mm AF film SLR camera

Announced ⋅ 発表:1999
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:155x113x66mm
Weight ⋅ 重さ:785g

Nikon N60

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F60
Announced ⋅ 発表:1999
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:148.5x96x69mm
Weight ⋅ 重さ:575g

Nikon N65

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F65
Announced ⋅ 発表:2000
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:139.5x92.5x65.5mm
Weight ⋅ 重さ:395g

Nikon N80

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F80
Announced ⋅ 発表:2000
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/4000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:141.5x98.5x71mm
Weight ⋅ 重さ:515g

Nikon N55

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F55
Announced ⋅ 発表:2002
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:129x92x65mm
Weight ⋅ 重さ:350g

Nikon N75

35mm AF film SLR camera

Also known as ⋅ としても知られている:Nikon F75
Announced ⋅ 発表:2003
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/2000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:131x92.5x65mm
Weight ⋅ 重さ:380g

Nikon F6

35mm AF film SLR camera

Announced ⋅ 発表:2004
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 24mm
Shutter type ⋅ シャッタータイプ:Focal-plane ⋅ フォーカルプレーン
Shutter model ⋅ シャッターモデル:Electronically controlled ⋅ 電子制御
Speeds ⋅ 速度:30 - 1/8000 + B
Exposure metering ⋅ 露出測光:Through-the-lens (TTL) ⋅ スルーザレンズ
Exposure modes ⋅ 露出モード:Programmed Auto ⋅ プログラムされた自動
Aperture-priority Auto ⋅ 絞り優先オート
Shutter-priority Auto ⋅ シャッター優先オート
Manual ⋅ マニュアル
Dimensions ⋅ 寸法:157x119x78.5mm
Weight ⋅ 重さ:975g

Nikon D3

35mm AF digital SLR camera

Announced ⋅ 発表:August ⋅ 8月 2007
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4256 × 2832 - 12 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D700

35mm AF digital SLR camera

Announced ⋅ 発表:July ⋅ 7月 2008
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4256 × 2832 - 12 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D3X

35mm AF digital SLR camera

Announced ⋅ 発表:December ⋅ 12月 2008
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:6048 × 4032 - 24 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D3s

35mm AF digital SLR camera

Announced ⋅ 発表:October ⋅ 10月 2009
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4256 × 2832 - 12 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D4

35mm AF digital SLR camera

Announced ⋅ 発表:January ⋅ 1月 2012
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4928 × 3280 - 16 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D800

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2012
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:7360 × 4912 - 36 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D800E

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2012
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:7360 × 4912 - 36 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D600

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2012
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:6016 × 4016 - 24 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D610

35mm AF digital SLR camera

Announced ⋅ 発表:October ⋅ 10月 2013
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:6016 × 4016 - 24 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon Df

35mm AF digital SLR camera

Announced ⋅ 発表:November ⋅ 11月 2013
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4928 × 3280 - 16 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D4s

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2014
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:36 × 23.9mm
Resolution ⋅ 解像度:4928 × 3280 - 16 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D810

35mm AF digital SLR camera

Announced ⋅ 発表:June ⋅ 六月 2014
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:7360 × 4912 - 36 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D750

35mm AF digital SLR camera

Announced ⋅ 発表:September ⋅ 9月 2014
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:6016 × 4016 - 24 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D810A

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2015
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 24mm
Resolution ⋅ 解像度:7360 × 4912 - 36 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D5

35mm AF digital SLR camera

Announced ⋅ 発表:January ⋅ 1月 2016
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 23.9mm
Resolution ⋅ 解像度:5588 × 3712 - 21 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D850

35mm AF digital SLR camera

Announced ⋅ 発表:August ⋅ 8月 2017
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 23.9mm
Resolution ⋅ 解像度:8256 × 5504 - 45 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D780

35mm AF digital SLR camera

Announced ⋅ 発表:January ⋅ 1月 2020
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 23.9mm
Resolution ⋅ 解像度:6048 × 4024 - 24 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Nikon D6

35mm AF digital SLR camera

Announced ⋅ 発表:February ⋅ 2月 2020
Mount ⋅ マウント:Nikon F
Format ⋅ フォーマット:35.9 × 23.9mm
Resolution ⋅ 解像度:5568 × 3712 - 21 MP
Sensor type ⋅ センサータイプ:CMOS
Image stabilizer ⋅ 手ぶれ補正:-

Designed for ⋅ のために設計された

Click to expand or collapse section(s)

Features highlight ⋅ 機能のハイライト

Extreme AoV @ 14-23mm
Fast
Constant F/2.8
3 ASPH
2 ED
9 blades
IF
SWM
MFO
DP/WR
IZ
Built-in hood

Specification ⋅ 仕様

Production details ⋅ 制作内容
Announced ⋅ 発表:June ⋅ 六月 2017
Production status ⋅ 生産状況:Discontinued ⋅ 製造中止
Production type ⋅ 生産タイプ:Small-batch production ⋅ 小ロット生産 (Anniversary edition ⋅ アニバーサリーエディション)
Original name ⋅ 元の名前:Nikon AF-S NIKKOR 14-24mm 1:2.8G ED
Optical design ⋅ 光学設計
Focal length range ⋅ 焦点距離の範囲:14mm - 24mm
Speed range ⋅ 速度範囲:F/2.8 across the focal length range ⋅ 焦点距離範囲全体
Maximum format ⋅ 最大フォーマット:35mm full frame ⋅ 35mmフルフレーム
Mount ⋅ マウント:Nikon F
Diagonal angle of view ⋅ 対角画角:114.2° @ 14mm - 84° @ 24mm (35mm full frame ⋅ 35mmフルフレーム)
90.5° @ 14mm - 61° @ 24mm (Nikon F APS-C)
Lens construction ⋅ レンズ構造:14 elements ⋅ 要素 - 11 groups ⋅ グループ
3 ASPH, 2 ED
Convex protruding front element ⋅ 凸状に突き出たフロントエレメント
Diaphragm mechanism ⋅ ダイヤフラムメカニズム
Diaphragm control system ⋅ ダイヤフラム制御システム:Mechanical ⋅ 機械的
Number of blades ⋅ 絞り羽根の数:9
Zooming ⋅ ズーミング
Zoom type ⋅ ズームタイプ:Rotary ⋅ ロータリー
Zooming method ⋅ ズーム方法:Internal zooming ⋅ 内部ズーム
Focusing ⋅ フォーカシング
Closest focusing distance ⋅ 最短撮影距離:0.28m
Maximum magnification ratio ⋅ 最大倍率:1:6.67 @ 24mm at the closest focusing distance ⋅ 最寄りの距離で
Focusing method ⋅ フォーカシング方法:Internal focusing (IF) ⋅ 内部フォーカシング
Focusing modes ⋅ フォーカシングモード:Autofocus, manual focus ⋅ オートフォーカス、マニュアルフォーカス
Manual focus control ⋅ マニュアルフォーカス制御:Focusing ring ⋅ フォーカシングリング
Autofocus motor ⋅ オートフォーカスモーター:Silent Wave Motor
Focus mode selector ⋅ フォーカスモードセレクター:M/A - M
Manual focus override in autofocus mode:Yes ⋅ はい
Vibration Reduction (VR)
Built-in VR:-
Physical characteristics ⋅ 体格的特徴
Weight ⋅ 重量:970g
Maximum diameter x Length ⋅ 最大直径x長さ:⌀98×131.5mm
Weather sealing ⋅ ウェザーシーリング:Dust-proof and water-resistant barrel ⋅ 防塵・防水バレル
Fluorine coating:-
Accessories ⋅ 付属品
Filters ⋅ フィルタ:Removable front filters are not accepted ⋅ 取り外し可能なフロントフィルターは使用できません
Lens hood ⋅ レンズフード:Built-in ⋅ ビルトイン petal-shaped ⋅ 花びらの形

Manufacturer description

Before there were Nikon cameras, there was NIKKOR, the precision optics company that predated the first Nikon camera by over a decade. As Nikon cameras evolved, pushing the boundaries of imaging possibility, NIKKOR lenses were always there—the unwavering, supremely articulate eyes of Nikon. To celebrate 100 years of innovation and excellence, Nikon proudly presents three of its most prized NIKKOR zoom lenses together as a limited commemorative set. Featuring special 100th anniversary designs, all three lenses have matching serial numbers and arrive in a custom metal travel case engraved with that same serial number. Individually, these lenses each represent an optical masterpiece; as a set, they represent one of the most powerful, exciting lens kits ever assembled.

The ultimate ultra-wide-angle zoom. Covering from 14mm to 24mm with a fast f/2.8 fixed aperture, this is essential glass for serious photographers who demand the best photos and HD videos.

Praised for its versatility, reliability and outstanding image quality, this is a favorite lens of passionate professionals. With a fast f/2.8 fixed aperture across a 24-70mm zoom range, it produces exceptional sharpness, contrast and color rendition in nearly any light.

The benchmark for fast telephoto zoom lenses, unrivaled for low light, sports, wildlife, concerts, weddings, portraits and more, this lens is a mainstay for so many photographers around the world. It covers the 70-200mm focal length range with a fast f/2.8 fixed aperture and produces photos and videos in a class of their own.

Typical application ⋅ 典型的なアプリケーション

landscapes ⋅ 風景, interiors ⋅ インテリア, buildings ⋅ 建物, cityscapes ⋅ 都市の景観, full to mid-body portraits ⋅ フルボディからミッドボディのポートレート, photojournalism, weddings, parties, carnivals, live concerts ⋅ フォトジャーナリズム、結婚式、パーティー、カーニバル、ライブコンサート

Notes and recommendations ⋅ 注意事項と推奨事項

  • If you need a wide-angle zoom lens primarily for shooting landscapes and/or you plan to use it on a tripod in order to get the best image quality, a slow-speed wide-angle zoom lens is what you really need: less weight and more affordable price are the advantages of lenses of this class.

Nikon AF-S Nikkor 14-24mm F/2.8G ED

Nikon AF-S Nikkor 14-24mm F/2.8G ED
  • Advantages ⋅ 利点: 1
  • Disadvantages ⋅ 短所: 0

Lenses with similar focal length range

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メーカー名でソート

Best fast wide-angle zooms

The higher a lens is on the list, the better it is in its class
リストの上位にあるレンズほど、そのクラスで優れています

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

Professional lens (Top class)

One of the best fast wide-angle zooms

According to lens-db.com; among lenses designed for the same maximum format and mount.

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You are already on the page dedicated to this lens.

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Cannot compare the lens to itself.

Quality control issues

The manufacturer of this lens does not provide adequate quality control. If you do decide to purchase this lens, do not order it online, but choose the best copy available in the store. In any case, there may also be problems with the build quality, and warranty repairs can take months.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Silent Wave Motor

Silent Wave Motor is available in variants with or without a gear system. Nikon never specifies which variant is used in a particular lens, however, in budget models, as a rule, gear-type Silent Wave Motor is used, without manual focus override in autofocus mode. This can be assumed by the presence of the A - M switch on the lens barrel, instead of M/A - M.

M/A - M

M/AAutofocus mode that allows switching to manual focus with virtually no time lag - even during autofocus servo operation and regardless of autofocus mode in use.
MManual focus mode.

Aspherical elements

Aspherical elements (ASPH, XA, XGM) are used in wide-angle lenses for correction of distortion and in large-aperture lenses for correction of spherical aberration, astigmatism and coma, thus ensuring excellent sharpness and contrast even at fully open aperture. The effect of the aspherical element is determined by its position within the optical formula: the more the aspherical element moves away from the aperture stop, the more it influences distortion; close to the aperture stop it can be particularly used to correct spherical aberration. Aspherical element can substitute one or several regular spherical elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Use of aspherical elements has its downsides: it leads to non-uniform rendering of out-of-focus highlights. This effect usually appears as "onion-like" texture of concentric rings or "wooly-like" texture and is caused by very slight defects in the surface of aspherical element. It is difficult to predict such effect, but usually it occurs when the highlights are small enough and far enough out of focus.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Low dispersion elements

Low dispersion elements (ED, LD, SD, UD etc) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. This type of glass exhibits low refractive index, low dispersion, and exceptional partial dispersion characteristics compared to standard optical glass. Two lenses made of low dispersion glass offer almost the same performance as one fluorite lens.

Canon's Super UD, Nikon's Super ED, Pentax' Super ED, Sigma's FLD ("F" Low Dispersion), Sony' Super ED and Tamron's XLD glasses are the highest level low dispersion glasses available with extremely high light transmission. These optical glasses have a performance equal to fluorite glass.

High-refraction low-dispersion elements

High-refraction low-dispersion elements (HLD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

High Index, High Dispersion elements

High Index, High Dispersion elements (HID) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Anomalous partial dispersion elements

Anomalous partial dispersion elements (AD) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture.

Fluorite elements

Synthetic fluorite elements (FL) minimize chromatic aberrations and ensure excellent sharpness and contrast even at fully open aperture. Compared with optical glass, fluorite lenses have a considerably lower refraction index, low dispersion and extraordinary partial dispersion, and high transmission of infrared and ultraviolet light. They are also significantly lighter than optical glass.

According to Nikon, fluorite easily cracks and is sensitive to temperature changes that can adversely affect focusing by altering the lens' refractive index. To avoid this, Canon, as the manufacturer most widely using fluorite in its telephoto lenses, never uses fluorite in the front and rear lens elements, and the white coating is applied to the lens barrels to reflect light and prevent the lens from overheating.

Short-wavelength refractive elements

High and specialized-dispersion elements (SR) refract light with wavelengths shorter than that of blue to achieve highly precise chromatic aberration compensation. This technology also results in smaller and lighter lenses.

Blue Spectrum Refractive Optics

Organic Blue Spectrum Refractive Optics material (BR Optics) placed between convex and concave elements made from conventional optical glass provides more efficient correction of longitudinal chromatic aberrations in comparison with conventional technology.

Diffraction elements

Diffraction elements (DO, PF) cancel chromatic aberrations at various wavelengths. This technology results in smaller and lighter lenses in comparison with traditional designs with no compromise in image quality.

High refractive index elements

High refractive index elements (HR, HRI, XR etc) minimize field curvature and spherical aberration. High refractive index element can substitute one or several regular elements to achieve similar or better optical results, which allows to develop more compact and lightweight lenses.

Apodization element

Apodization element (APD) is in fact a radial gradient filter. It practically does not change the characteristics of light beam passing through its central part but absorbs the light at the periphery. It sort of softens the edges of the aperture making the transition from foreground to background zone very smooth and results in very attractive, natural looking and silky smooth bokeh.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance from the lens mount to the film or sensor can also be different.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Flange focal distance

The flange focal distance (FFD), sometimes called the "flange back", is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Convex protruding front element

The convex front element protrudes from the lens barrel, making it impossible to use filters.

Fixed focus

There is no helicoid in this lens and everything is in focus from the closest focusing distance to infinity.

Overall linear extension

The entire lens optical system moves straight backward and forward when focusing is carried out. This is the simplest type of focusing used mainly in wide-angle and standard prime lenses. It has the advantage of introducing relatively little change in aberrations with respect to change in focusing distance. With telephoto and super telephoto lenses this method becomes less beneficial in terms of operability because of the increased size and weight of the lens system.

Front group linear extension

The rear group remains fixed and only the front group moves straight backward and forward during focusing. This method is primarily used in zoom lenses and allows to design comparatively simple lens construction, but also places restrictions on zoom magnification and size reduction.

Front group rotational extension

The lens barrel section holding the front lens group rotates to move the front group backward and forward during focusing. This method of focusing is also used only in zoom lenses.

Internal focusing (IF)

Focusing is performed by moving one or more lens groups positioned between the front lens group and the diaphragm.

Methods of internal and rear focusing have the following advantages:

Rear focusing (RF)

Focusing is performed by moving one or more lens groups positioned behind the diaphragm.

Methods of internal and rear focusing have the following advantages:

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Rotary zoom

The change of focal length is achieved by turning the zoom ring and the manual focusing - by turning the separate focusing ring.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Push/pull zoom

The change of focal length and the manual focusing is achieved by one and the same ring. The change of focal length happens when the photographer moves the ring towards the mount or backwards and the rotation of the ring leads to change of focus.

Push/pull zooming allows for faster change of focal length, however conventional method based on the rotation of the zoom ring provides more accurate and smooth zooming.

Zoom lock

The lens features a zoom lock to keep the zoom ring fixed. This function is convenient for carrying a camera with the lens on a strap because it prevents the lens from extending.

Power Zoom

The lens features electronically driven zoom mechanism. It provides smoother, more natural zoom movements than you could accomplish by hand.

The Holy Trinity of lenses

The Holy Trinity of lenses refers to a three-lens set that covers a focal length range from the ultra-wide focal length of 14-16mm all the way long to the telephoto focal length of 200mm. The set typically consists of a 16-35mm ultra-wide angle zoom lens, a 24-70mm standard zoom lens and a 70-200mm telephoto zoom lens and usually represents the best constant-aperture zoom lenses in a manufacturer's lineup. The set is designed to cover almost every genre of photography, be it landscapes, architecture, portraits, weddings, sports, travel or even wildlife (with teleconverter). However, it is also expensive, large and heavy.