Canon EOS M200

APS-C AF digital mirrorless camera

Production details

Production details
Announced:September 2019
Production type:Mass production
System: Canon EOS M (2012)

Specification

Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Canon EF-M [18mm]
Imaging plane:22.3 × 14.9mm CMOS sensor
Resolution:6000 × 4000 - 24 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:299g
Dimensions:108.2x67.1x35.1mm

Manufacturer description

United Kingdom, Republic of Ireland, Wednesday 25 September 2019: Canon Europe announces the highly anticipated successor to the hugely popular EOS M100 – the Canon EOS M200. Upgrades to this mirrorless camera include the latest Canon DIGIC 8 processor, improved autofocus and the addition of 4K movie. Complete with a guided user interface, boundless creative functions and vertical movie shooting, it has never been easier to step up from a smartphone and start sharing stand-out images and video with the world.

Capture sharp and striking images effortlessly

Superior storytelling is made effortless with the Canon EOS M200. Its guided user interface is perfect for first-time camera users, with useful on-screen guidance as well as hints and tips on how to get the best results. The camera’s APS-C sized 24.1 megapixel sensor is larger than that of a typical smartphone, producing highly detailed images that look sharp and striking, even when cropped or enlarged for sharing on social media.

The camera features Dual Pixel CMOS AF – a Canon-developed technology that delivers professional-looking movies and images, by keeping moving subjects in sharp focus with a pleasing background blur – perfect for capturing pin-sharp memories at a party, festival or concert with low-light AF sensitivity down to EV-4. The addition of Eye Detection AF also makes capturing the natural expressions of friends and family simple, by automatically maintaining focus on a subject’s eyes.

The introduction of Canon’s latest processor, DIGIC 8, delivers new functionality as well as great quality. With a maximum ISO speed of 100-25600 (extending to ISO 51200 equivalent), DIGIC 8 guards against image blur and reduces image noise when shooting in darker locations, such as a bar or music venue.

DIGIC 8 also adds a new dimension to storytelling, powering 4K movie for the highest level of movie clarity. The Canon EOS M200 takes the storytelling potential one step further with a 4K time-lapse feature and the ability to take 4K stills from 4K movies, perfect for capturing memories in detail.

The LCD touchscreen on the Canon EOS M200 flips 180 degrees, helping elevate selfies beyond what is achievable with a smartphone. The camera’s Self Portrait mode also allows settings such as background blur and brightness to be easily adjusted in real time. A first on an EOS camera, the movie record button is displayed on the touchscreen when in Movie Mode, ideally positioned for easy operation when recording a vlog with the screen tilted 180 degrees. Movies can even be recorded and played back on mobile in a vertical orientation so they are optimised for sharing on social media after they are captured.

Unlock your creativity:

The Canon EOS M200 features an array of settings and tools empowering those stepping up from a smartphone to capture memories in artistic and imaginative ways. It includes Canon’s Creative Assist feature, a suite of effects, filters and colour adjustment tools to apply to photographs when composing an image or after it has been taken. It is also possible to add effects to the photos taken, just like a photo app, with a range of creative filters including Grainy black & white, Fish-eye and Soft Focus.

Compatibility with the affordable and creative range of EF-M lenses expands the potential of the Canon EOS M200 even further. A variety of image expressions are made possible with wide-angle, telephoto and macro lenses EF-M lenses and the entire EOS lens range can be accessed with an EF-EOS M Mount Adapter.

Share special moments anywhere, anytime

Once content has been captured, customised and is ready to be shared with the world, the Canon EOS M200 connects seamlessly with smart devices¹ via Bluetooth®² and Wi-Fi using the free Canon Camera Connect app for iOS and Android. From here, images and videos can be downloaded, reviewed and shared manually. Images can also be automatically sent to a smart device as they are taken. As long as the camera is in Bluetooth range, a constant connection to a smart device can be maintained, even when the camera is switched off.

The Canon Camera Connect app also facilitates shooting remotely with a smartphone or tablet, perfect for capturing group shots or a hands-free selfie.

Stylish and compact for everyday use:

The Canon EOS M200 is a compact and lightweight camera that can be conveniently carried anywhere. Weighing just 299g (including battery and memory card), it is perfect for daily use as it takes up limited bag space. It is also sleek and stylish in appearance, available in black or white with a high-quality crosshatch leather pattern. The Canon EOS M200’s appearance can even be customised with a range of colourful face jackets to complement a variety of outfits.

Incredibly simple, simply incredible, the Canon EOS M200 will be available from Canon’s online store and official Canon retailers from October 2019.

Subscribe
Notify of
guest

Copy this code

and paste it here *

0 comments
Inline Feedbacks
View all comments

Copyright © 2012-2022 Evgenii Artemov. All rights reserved. Translation and/or reproduction of website materials in any form, including the Internet, is prohibited without the express written permission of the website owner.

35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

Unable to follow the link

You are already on the page dedicated to this lens.

Cannot perform comparison

Cannot compare the lens to itself.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.