Canon EOS 6D

35mm AF digital SLR camera

Specification

Production details
Announced:September 2012
System: Canon EOS (1987)
Imaging plane
Maximum format:35mm full frame
Mount and Flange focal distance:Canon EF [44mm]
Imaging plane:35.8 × 23.9mm CMOS sensor
Resolution:5472 × 3648 - 20 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:750g
Dimensions:144.5x110.5x71.2mm

Manufacturer description #1

Developed for users wishing to effortlessly enjoy the high image quality afforded by a 35 mm full-frame camera, the Canon EOS 6D features a lightweight, compact body design, making it ideally suited as the next-step model for entry-level SLR camera users or as a secondary camera for advanced-amateur enthusiasts.

Incorporating a newly developed approximately 20.2-megapixel 35 mm full-frame CMOS sensor, the Canon EOS 6D delivers the impressive background image blur unique to full-frame cameras while also realizing a maximum continuous shooting speed of approximately 4.5 images per second. By combining the newly developed CMOS image sensor with the high-performance DIGIC 5+ image processor, the camera realizes a wide dynamic range with exceptional color reproduction and rich gradation. Furthermore, the 6D offers a maximum ISO setting that has been expanded to 25600,*1 which can be extended to 102400, making possible high-quality image results with reduced noise even in low-light environments.

Featuring a body that weighs approximately 680 g, making it the world’s lightest*2 35 mm full-frame digital SLR camera, the EOS 6D enables effortless handheld shooting and contributes to the expansion of imaging possibilities. By reducing the size of the shutter unit, mirror motor drive and CMOS sensor package, the model is the same approximate size and weight as the EOS 60D (released in September 2010), which employs an APS-C sensor.

The Canon EOS 6D’s built-in wireless LAN function*3 allows the capture, playback and sharing of still images and video to be performed wirelessly. Still image and video data can be sent to devices that support a Wi-Fi connection, such as smartphones, PCs and Canon-brand cameras*4 and printers,*5 as well as DLNA-compatible televisions*6 and the online photo service Canon iMAGE GATEWAY*7. The EOS Remote*8 application for smartphones supporting Wi-Fi enables the 6D to be operated remotely, allowing users to confirm the camera’s Live View display and capture still images from a smartphone. Furthermore, still images (JPEG) saved in the camera’s memory card can be transferred to a smartphone.

Manufacturer description #2

London, UK, 17 September 2012 – Canon today unveils its latest EOS DSLR for serious photography enthusiasts – the EOS 6D. A similar size and weight to the EOS 60D, the EOS 6D is the world's lightest1 DSLR to feature a full-frame CMOS sensor, making it ideal for travel, portrait and landscape photographers. The model creates a new entry point into Canon's full-frame line-up, and is perfect for those who want greater control over depth of field, or to maximise the impact of shooting with the EOS system's extensive range of wide-angle EF lenses.

The EOS 6D combines a powerful, full-frame imaging system and superior low-light performance with a compact, robust and lightweight design. For the first time in any EOS model, Wi-Fi2 and GPS3 connectivity are included, empowering photographers to capture stunning images on the move, tag them with location information and wirelessly transfer them to a computer, the cloud, or smartphones.

Incredible images in all conditions

Benefiting from 25 years of EOS innovation, the EOS 6D features a newly-designed 20.2 Megapixel full-frame CMOS sensor that allows photographers to produce poster-sized prints, or to crop into their shots with no compromise in quality. A native ISO range of ISO 100-25,600 (extendable to 50-102,400) also makes capturing crisp, natural shots in near darkness easier than ever before.

A new 11-point AF system also offers the strongest low light performance of any Canon AF system to date. With focusing down to EV-3, the equivalent of moonlight, subjects remain in-focus in even the most challenging lighting conditions – offering the freedom to shoot landscapes or portraits at night and capture the true atmosphere of the scene with minimal noise.

Explore your creativity to the full

The inclusion of a full-frame sensor offers greater control over depth of field in portraits, allowing photographers to easily isolate their subjects with attractive background blur. With the EOS 6D, photographers can now also explore the full potential of their wideangle EF lenses to capture every detail of a sweeping landscape, with models ranging from 8mm to 800mm. Additionally powerful DIGIC 5+ image processing offers a host of automatic modes and creative shooting features, complementing full manual controls to offer total flexibility to a wide range of users.

The EOS 6D is full of advanced features to assist photographers in capturing outstanding quality landscapes and portraits. HDR mode enables the capture of both highlights and low lights in tricky lighting conditions, while Multiple Exposures allows photographers to combine up to nine separate exposures into a single image incamera, creating a dramatic effect in the final picture. A silent drive mode offers a more subtle option for shooting candid portraits or weddings, and a single axis electronic level accessed through the viewfinder or via the LCD screen, ensures that horizons are level during image composition.

Built for sharing

The first ever EOS to feature integrated Wi-Fi connectivity, the EOS 6D enables photographers to share their work immediately after shooting. Images can be wirelessly transferred to external storage devices, uploaded to Facebook and YouTube, or printed wirelessly using a Canon Wi-Fi enabled printer. Alternatively, movies and images can be viewed on DLNA-enabled HDTVs – enabling high-quality, big-screen viewing. By wirelessly connecting to a smartphone, photographers can also remotely control the camera, adjusting shooting settings and focus before remotely triggering the shutter and viewing the captured image.

Using the EOS 6D's integrated GPS, images can be tagged with location data as they are shot. Travellers can also build a more complete record of their trip by using the GPS logger function to track their route, which can be displayed using the supplied Map Utility software

Robust, intuitive design

Measuring just 144.5 x 110.5 x 71.2mm and weighing 770g4, the EOS 6D is the most compact full-frame EOS DSLR ever manufactured. Its dust and drip-proof, part magnesium body offers robust protection and an intuitive button layout for easy control. Photographers can also view their shots in stunning detail and with natural colours on the large, high-resolution 7.7cm (3.0") Clear View LCD screen, which features an enhanced anti-glare design to permit viewing in bright sunlight and at extreme angles.

A new Battery Grip BG-E13 provides additional power for extended shooting, while also making it easy to shoot both vertically and horizontally. When used with two LP-E6 batteries, the battery grip offers double the number of shots, and it can also be used with AA batteries for added convenience and flexibility.

EOS 6D - key features

  • Full-frame 20.2 Megapixel sensor
  • Tough, lightweight construction
  • Max ISO 25,600 (expandable to ISO 102,400)
  • 11-point AF sensitive down to -3EV
  • GPS3 records your location
  • Wi-Fi2 file transfer and remote control
  • Full-HD video
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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm
  • Area: 864mm2

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

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Cannot compare the lens to itself.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.