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Canon EOS 350D

APS-C AF digital SLR camera

Specification

Production details
Announced:February 2005
Also known as:Canon EOS Digital Rebel XT
Canon EOS Kiss Digital N
System: Canon EOS APS-C (2003)
Imaging plane
Maximum format:APS-C
Mount and Flange focal distance:Canon EF-S [44mm]
Imaging plane:22.2 × 14.8mm CMOS sensor
Resolution:3456 × 2304 - 8 MP
Shutter
Type:Focal-plane
Model:Electronically controlled
Speeds:30 - 1/4000 + B
Sensor-shift image stabilization:-
Exposure
Exposure metering:Through-the-lens (TTL)
Exposure modes:Programmed Auto
Aperture-priority Auto
Shutter-priority Auto
Manual
Physical characteristics
Weight:485g
Dimensions:126.5x94.2x64mm

Manufacturer description

Amstelveen, The Netherlands, 17 February, 2005 - Canon, a leader in photographic and imaging technology, today upgrades the EOS 300D with the 8.0 Megapixel, 3 frame per second EOS 350D Digital. The launch completes a refresh of the entire digital EOS line-up and confirms Canon’s commitment to digital SLR research and development.

“The EOS 300D kick started the digital SLR revolution, becoming the best selling model of all time, ” the EOS 350D Digital will now take over, playing a major role in Canon’s digital SLR strategy,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “Canon predicts the D-SLR market will double in size by the end of 2006.”

The EOS 350D Digital features a newly developed, second generation, extremely low noise APS-C size 8.0 Megapixel CMOS sensor – the fourth new CMOS sensor from Canon in just twelve months. It is powered by the same DIGIC II image processor found in Canon’s professional series D-SLR cameras, and features 3 frame per second, 14 frame burst operation, USB 2.0 Hi-Speed interface, simultaneous RAW and Large JPEG writing and 0.2 second start up time. The camera is more than 10% lighter and 25% smaller by volume than the EOS 300D. It is available in both black and silver finishes.

“The camera combines ease of use with many of the same compelling technologies found in Canon’s professional series EOS cameras, chosen by more than 70% of pro photographers at the 2004 Athens Olympics, ” observed Jensen. “For the first time, every camera in the EOS digital range now incorporates a Canon original CMOS sensor and Canon DIGIC II processor.”

In terms of speed and resolution, Canon now has the leading performance camera in every D-SLR segment; all launched since January last year:

  • EOS-1Ds Mark II - 16.7 Megapixel full frame 35mm sensor, 4 fps
  • EOS-1D Mark II - 8.2 Megapixel APS-H size sensor, 8.5 fps
  • EOS 20D - 8.2 Megapixel APS-C size sensor, 5.0 fps
  • EOS 350D Digital - 8.0 Megapixel APS-C size sensor, 3.0 fps.

Target user

With plain language menus, intuitive controls and default settings chosen to reflect general every-day use, the EOS 350D Digital is designed to appeal to digital still compact users looking to expand their creativity, and film SLR users who have been waiting for 8.0 Megapixel performance at this price point. It will be available as body only and in kit form with the new EF-S 18-55mm f/3.5-5.6 II lens.

Improvements over the EOS 300D

The new CMOS sensor and high performance DIGIC II performance lead a number of improvements to the EOS 300D. Other advances include E-TTL II distance-linked flash metering for easy, consistent and precise flash exposures. Users can now select between three focus modes: One-Shot AF, AI SERVO and AI Focus. Writing to memory card is 3.5 times faster and the interface is upgraded to USB 2.0 Hi-Speed for fast image downloads. Mirror lock-up and 2nd curtain flash have also been added.

The camera now features the same Monochrome mode found on the EOS 20D, allowing users to shoot in black & white with a range of filter effects. White Balance correction of both blue/amber and magenta/green bias is available to ±9 levels and WB bracketing is extended to include the magenta/green bias direction. Digital Photo Professional RAW image processing software – the same professional workflow software supplied with Canon’s €8,000 EOS-1Ds Mark II, has been added to the standard supplied software.

Low noise sensor and precision optics

The CMOS sensor features redesigned pixel sites, with improved capacity to isolate any residual charge remaining after the pixel site is reset. This is then subtracted from the exposure to suppress any random pattern noise. Improvements in image quality are particularly noticeable with long shutter exposures and high ISO settings, and result in more even rendering of uniform surfaces, such as blue skies. The low noise of the second generation CMOS sensor delivers clean images from ISO 100 through to ISO 1600.

The APS-C size sensor gives the camera a 1.6x magnification compared to 35mm cameras. The camera’s EF-S lens mount works seamlessly with all of the more than 60 Canon EF lenses – the world’s largest interchangeable lens system. It is also compatible with the four EF–S lenses developed for Canon’s APS-C format digital SLRs (the EOS 20D and EOS 300D) including the new EF-S 60mm f/2.8 Macro USM lens.

Faster processing for better results

Underpinning the camera's performance is Canon's high-speed DIGIC II (Digital Image Core) processor, as found in Canon’s professional series EOS-1D Mark II and EOS-1Ds Mark II. DIGIC II is Canon’s second generation image processor, purpose built to handle the complex algorithms required for maximum image quality; optimally processing functions such as white balance and colour rendition. By integrating key functions onto a single processor, DIGIC II delivers superb quality images without trading camera responsiveness. "Digital image quality is dependent on three factors: lens quality, sensor performance and image processing capability,” said Jensen. “Canon is a developer, designer and manufacturer of the key components in each of the three critical technology areas: lens, CMOS sensor and image processor. It is the leadership position in each of these core technology areas that gives the EOS 350D Digital its edge.”

Better focusing

Focus can now be selected between One Shot AF (for single shot focusing), AI SERVO AF (for predictive tracking of subjects approaching at up to 50kph up to 10m away ) and AI Focus AF (switches automatically between One Shot AF and AI SERVO AF when subject movement is detected). This improves on the EOS 300D by providing direct selection of the three focusing modes. For more flexible focusing, AF point selection is now possible with the cross keys as well as from the main dial. Full time manual override is available with all EF Auto Focus lenses, while a new Precision Matte screen gives a brighter viewfinder image for easier, more accurate manual focusing.

Improved flash

The pop-up flash has a guide number of 13 and sits even higher (95.5mm) above the optical axis than on the EOS 300D, helping suppress red eye effect and reducing the possibility of lens barrel shadow. Angle of coverage extends to support wide lenses to 17mm. Flash compensation of ±2 stops in 1/3- or 1/2- stop increments is available with both the built-in flash and with all EX-series Speedlite flash units.

Print and review

Lab-quality prints can be produced without the need for a computer by directly connecting the EOS 350D Digital to any PictBridge compatible photo printer via the supplied USB cable. The new USB 2.0 Hi-Speed connection improves computer upload times, and is also compatible with USB 1.1 and Picture Transfer Protocol (PTP) for driverless transfers.

The 1.8" LCD is used to select and review photographs to be printed and set print variables. During image playback, it is possible to jump forward or back by date, by single image, or by groups of 10 or 100 images. Review display modes have been extended, making it possible to review an image without overlaying any information.

High-end exposure control

The EOS 350D Digital retains the accurate 35 zone TTL metering of the EOS 300D. The three metering modes (evaluative, partial, and centre weighted average) are now manually selectable and both exposure compensation and exposure bracketing are available in 1/2 stop increments as well as the 1/3 stop increments of the EOS 300D. The EOS 350D Digital retains the popular Programmed Image Control modes of the EOS 300D, such as Night Portrait, Sports, Close-up, Landscape, Portrait and Flash OFF.

Shooting adaptability

Shutter speeds extend from 30 sec to 1/4000 sec, plus bulb and high-speed x-sync at 1/200s. The memory card slot supports 2GB and higher CompactFlash Type I and II cards. Optional wired or infra red wireless remote control is available. Seven preset White Balance settings (such as cloudy, tungsten, fluorescent, etc.) plus custom White Balance and ±3 stop White Balance Bracketing (WB-BKT) ensure that image colours match the photographer’s recollection of the scene.

Comprehensive accessories, software and online access

The EOS 350D Digital comes complete with NB-2LH battery pack, charger, USB cable, video cable, wide embroidered anti-slip neck strap. A new optional Battery Grip BG-E3 gives the camera a solid and balanced pro feel, particularly when the camera is fitted with longer lenses, and includes a shutter release and main dial for vertical/portrait shooting. It comes complete with one magazine that takes 6 AA batteries and another that takes two NB-2LH Li-Ion rechargeable batteries.

Purchase of the EOS 350D Digital entitles photographers to membership of the CANON iMAGE GATEWAY with a 100 MB online photo album for image uploads. As well as Digital Photo Professional RAW image workflow software, ZoomBrowser EX 5.1 (Windows) and ImageBrowser 5.1 (Mac) are included for handling image file transfers between camera and computer, managing and printing files, and preview and conversion of RAW images. PhotoStitch is included for seamless merging of panorama shots. Arcsoft PhotoStudio software allows artistic and creative manipulation of images.

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35mm full frame

43.27 24 36
  • Dimensions: 36 × 24mm
  • Aspect ratio: 3:2
  • Diagonal: 43.27mm

Travellers' choice

Note

Among autofocus lenses designed for 35mm full-frame mirrorless cameras only. Speed of standard and telephoto lenses is taken into account.

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Cannot compare the lens to itself.

Image stabilizer

A technology used for reducing or even eliminating the effects of camera shake. Gyro sensors inside the lens detect camera shake and pass the data to a microcomputer. Then an image stabilization group of elements controlled by the microcomputer moves inside the lens and compensates camera shake in order to keep the image static on the imaging sensor or film.

The technology allows to increase the shutter speed by several stops and shoot handheld in such lighting conditions and at such focal lengths where without image stabilizer you have to use tripod, decrease the shutter speed and/or increase the ISO setting which can lead to blurry and noisy images.

Original name

Lens name as indicated on the lens barrel (usually on the front ring). With lenses from film era, may vary slightly from batch to batch.

Format

Format refers to the shape and size of film or image sensor.

35mm is the common name of the 36x24mm film format or image sensor format. It has an aspect ratio of 3:2, and a diagonal measurement of approximately 43mm. The name originates with the total width of the 135 film which was the primary medium of the format prior to the invention of the full frame digital SLR. Historically the 35mm format was sometimes called small format to distinguish it from the medium and large formats.

APS-C is an image sensor format approximately equivalent in size to the film negatives of 25.1x16.7mm with an aspect ratio of 3:2.

Medium format is a film format or image sensor format larger than 36x24mm (35mm) but smaller than 4x5in (large format).

Angle of view

Angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

As the focal length changes, the angle of view also changes. The shorter the focal length (eg 18mm), the wider the angle of view. Conversely, the longer the focal length (eg 55mm), the smaller the angle of view.

A camera's angle of view depends not only on the lens, but also on the sensor. Imaging sensors are sometimes smaller than 35mm film frame, and this causes the lens to have a narrower angle of view than with 35mm film, by a certain factor for each sensor (called the crop factor).

This website does not use the angles of view provided by lens manufacturers, but calculates them automatically by the following formula: 114.6 * arctan (21.622 / CF * FL),

where:

CF – crop-factor of a sensor,
FL – focal length of a lens.

Mount

A lens mount is an interface — mechanical and often also electrical — between a camera body and a lens.

A lens mount may be a screw-threaded type, a bayonet-type, or a breech-lock type. Modern camera lens mounts are of the bayonet type, because the bayonet mechanism precisely aligns mechanical and electrical features between lens and body, unlike screw-threaded mounts.

Lens mounts of competing manufacturers (Canon, Nikon, Pentax, Sony etc.) are always incompatible. In addition to the mechanical and electrical interface variations, the flange focal distance can also be different.

The flange focal distance (FFD) is the distance from the mechanical rear end surface of the lens mount to the focal plane.

Lens construction

Lens construction – a specific arrangement of elements and groups that make up the optical design, including type and size of elements, type of used materials etc.

Element - an individual piece of glass which makes up one component of a photographic lens. Photographic lenses are nearly always built up of multiple such elements.

Group – a cemented together pieces of glass which form a single unit or an individual piece of glass. The advantage is that there is no glass-air surfaces between cemented together pieces of glass, which reduces reflections.

Focal length

The focal length is the factor that determines the size of the image reproduced on the focal plane, picture angle which covers the area of the subject to be photographed, depth of field, etc.

Speed

The largest opening or stop at which a lens can be used is referred to as the speed of the lens. The larger the maximum aperture is, the faster the lens is considered to be. Lenses that offer a large maximum aperture are commonly referred to as fast lenses, and lenses with smaller maximum aperture are regarded as slow.

In low-light situations, having a wider maximum aperture means that you can shoot at a faster shutter speed or work at a lower ISO, or both.

Closest focusing distance

The minimum distance from the focal plane (film or sensor) to the subject where the lens is still able to focus.

Closest working distance

The distance from the front edge of the lens to the subject at the maximum magnification.

Magnification ratio

Determines how large the subject will appear in the final image. For example, a magnification ratio of 1:1 means that the image of the subject formed on the film or sensor will be the same size as the subject in real life. For this reason, a 1:1 ratio is often called "life-size".

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Manual focus override in autofocus mode

Allows to perform final focusing manually after the camera has locked the focus automatically. Note that you don't have to switch camera and/or lens to manual focus mode.

Electronic manual focus override is performed in the following way: half-press the shutter button, wait until the camera has finished the autofocusing and then focus manually without releasing the shutter button using the focusing ring.

Electromagnetic diaphragm control system

Provides highly accurate diaphragm control and stable auto exposure performance during continuous shooting.

Manual diaphragm

The diaphragm must be stopped down manually by rotating the detent aperture ring.

Preset diaphragm

The lens has two rings, one is for pre-setting, while the other is for normal diaphragm adjustment. The first ring must be set at the desired aperture, the second ring then should be fully opened for focusing, and turned back for stop down to the pre-set value.

Semi-automatic diaphragm

The lens features spring mechanism in the diaphragm, triggered by the shutter release, which stops down the diaphragm to the pre-set value. The spring needs to be reset manually after each exposure to re-open diaphragm to its maximum value.

Automatic diaphragm

The camera automatically closes the diaphragm down during the shutter operation. On completion of the exposure, the diaphragm re-opens to its maximum value.

Fixed diaphragm

The aperture setting is fixed at F/ on this lens, and cannot be adjusted.

Number of blades

As a general rule, the more blades that are used to create the aperture opening in the lens, the rounder the out-of-focus highlights will be.

Some lenses are designed with curved diaphragm blades, so the roundness of the aperture comes not from the number of blades, but from their shape. However, the fewer blades the diaphragm has, the more difficult it is to form a circle, regardless of rounded edges.

At maximum aperture, the opening will be circular regardless of the number of blades.

Weight

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

Maximum diameter x Length

Excluding case or pouch, caps and other detachable accessories (lens hood, close-up adapter, tripod adapter etc.).

For lenses with collapsible design, the length is indicated for the working (retracted) state.

Weather sealing

A rubber material which is inserted in between each externally exposed part (manual focus and zoom rings, buttons, switch panels etc.) to ensure it is properly sealed against dust and moisture.

Lenses that accept front mounted filters typically do not have gaskets behind the filter mount. It is recommended to use a filter for complete weather resistance when desired.

Fluorine coating

Helps keep lenses clean by reducing the possibility of dust and dirt adhering to the lens and by facilitating cleaning should the need arise. Applied to the outer surface of the front and/or rear lens elements over multi-coatings.

Filters

Lens filters are accessories that can protect lenses from dirt and damage, enhance colors, minimize glare and reflections, and add creative effects to images.

Lens hood

A lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare. Flare occurs when stray light strikes the front element of a lens and then bounces around within the lens. This stray light often comes from very bright light sources, such as the sun, bright studio lights, or a bright white background.

The geometry of the lens hood can vary from a plain cylindrical or conical section to a more complex shape, sometimes called a petal, tulip, or flower hood. This allows the lens hood to block stray light with the higher portions of the lens hood, while allowing more light into the corners of the image through the lowered portions of the hood.

Lens hoods are more prominent in long focus lenses because they have a smaller viewing angle than that of wide-angle lenses. For wide angle lenses, the length of the hood cannot be as long as those for telephoto lenses, as a longer hood would enter the wider field of view of the lens.

Lens hoods are often designed to fit onto the matching lens facing either forward, for normal use, or backwards, so that the hood may be stored with the lens without occupying much additional space. In addition, lens hoods can offer some degree of physical protection for the lens due to the hood extending farther than the lens itself.

Teleconverters

Teleconverters increase the effective focal length of lenses. They also usually maintain the closest focusing distance of lenses, thus increasing the magnification significantly. A lens combined with a teleconverter is normally smaller, lighter and cheaper than a "direct" telephoto lens of the same focal length and speed.

Teleconverters are a convenient way of enhancing telephoto capability, but it comes at a cost − reduced maximum aperture. Also, since teleconverters magnify every detail in the image, they logically also magnify residual aberrations of the lens.

Lens caps

Scratched lens surfaces can spoil the definition and contrast of even the finest lenses. Lens covers are the best and most inexpensive protection available against dust, moisture and abrasion. Safeguard lens elements - both front and rear - whenever the lens is not in use.